Queen The Neal Preston Photographs

Foreword by Roger Taylor & Brian May. Published by Reel Art Press on October 29th, 2020. Hardcover; 304pp.

At the age of 18 Neal Preston got to photograph Jimi Hendrix. Then awhile later he was lucky enough to get hired by Atlantic records.

You see they had a new sensation called Led Zeppelin that was about to tour. He became their official photographer.

Although the members of Queen loved Hendrix, it was Neal Preston’s association with Zeppelin that impressed them most.

Now almost 35 years after the band’s final gig with Freddie Mercury comes this knockout of a photo book.

If you’re a fan or love rock photography this tome will sit proudly on your coffee table. With limited text Neal Preston presents his best images of Queen.

Beginning with their initial ascent in 1977 on their North American News of the World Tour and each tour thereafter until reaching the penultimate 1986 Magic Tour of Europe, you get views of this band that are quite special.

The images are in black and white as well as color. Capturing the utter pomp of Queen at their best these images are the result of a band in search of perfection every night as they perform before thousands of people.

Queen were the first Western rock group to Tour South America in 1981. The photos from this jaunt make this book a worthy edition to any home library.

A dedicated road crew enabled Neal to show sides of the group fans never see. You see what the band sees when looking out at an arena crowd. You’re on stage!

Although some of these photographs have been seen in books and magazines over the years the layout here is just superior.

At Live Aid Neal Preston was the only photographer on stage! Those pictures have not been seen before except the one of Freddie center stage with his back arched as he reaches for the stars. This image is featured on the Bohemian Rhapsody movie poster and soundtrack album.

In fact the band loved Neal’s work so much that images were used for Tour Program covers and a box set of drummer Roger Taylor’s solo output.

The band pushed Neal to do some of his best work even in some of the hardest conditions. Especially in South America when machine guns were literally the only backstage pass one needed.

As stated at the book’s beginning a rock photographer has stress and fatigue as constant companions. We the viewers are the beneficiaries of his tireless effort.

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