Iron Maiden

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I bought my first Iron Maiden record in 1982. “The Number of the Beast” garnered great reviews from the heavy metal community.

Here in America it also received threats from church officials as being an agent of satanism. Heavy metal music does a lot of satanic material. It just fits the genre so well. This kind of music is a tonic for many fans. I love complex guitar based music. Soaring vocals are a huge component as well.

Circus magazine wrote a response to the controversy. The article explained Iron Maiden are not devil worshippers, just devil-may-care.

I was a fan for life after that era. Their mascot Eddie, a re-animated ghoul, appears on every album cover. Created by Derek Riggs, he assumes different types and styles that fit each album’s themes and concepts.

From their eponymous debut in album to their first double studio album in 2015, the band’s music has evolved from traditional metal to a more progressive groove.

Their line-up changed several times. Original vocalist Paul DiAnno quit due to substance abuse. His replacement was Samson singer Bruce Dickinson who turned out to be their ticket to global stardom.

For two albums, Bruce was replaced by Blayze Bayley. Their 10th and 11th albums were as good as anything they had done before but fans did not like this change.

In the year 2000 the band made a huge comeback with Bruce’s return. Guitarist Adrian Smith also came back. This current line-up of the group proved to be their best.

Since the year 2000 Iron Maiden are Bruce Dickinson (Vocals), Steve Harris (Bass), Adrian Smith (Guitar), Dave Murray (Guitar), Janick Jers (Guitar), Nicko McBrain (Drums).

The past 20 years of a nearly 50 year career have produced critically acclaimed records like “Brave New World”, “A Matter of Life and Death”, “The Final Frontier”, and “The Book of Souls”.

This followed their now classic albums of the 1980’s: “Killers”, “The Number of the Beast”, “Piece of Mind”, “Powerslave”, “Somewhere in Time”, and “Seventh Son of a Seventh Son “.

A documentary film, “Flight 666”, follows Maiden on a record setting world tour in which lead singer Bruce Dickinson piloted the band’s plane called Ed Force One.

Around the world Maiden’s fan base grew not only larger but younger too. In my opinion Iron Maiden have the best fans.

In the past four decades you will have seen people wearing Iron Maiden shirts or patches or bracelets or hats.

In 1982, Eddie was a demon spawn. Then in 1983 he was condemned to the rubber room. In 1984 he was an entombed pharaoh. In 1986 he became a cyborg. In 1988 he became the Seventh Son of a Seventh Son.

Now in their fifth decade, Iron Maiden are nominated to the Rock Hall of Fame.

Not seeking this award, the band will continue to empower their massive audience that spans the globe with their upcoming seventeenth studio album.

Bassist Steve Harris founded the group on Christmas day 1975! He said at the end of each decade that Maiden had another ten albums in them. And their sixteen studio records all have songs that became big concert classics.

This is a snapshot song list of my favorites from the band’s ongoing career:

Remember Tomorrow

Strange World

Transylvania

Iron Maiden

Wrathchild

Running Free

Sanctuary

Murders In The Rue Morgue

Another Life

Innocent Exile

Prodigal Son

Killers

Phantom of the Opera

Die With Your Boots On

The Prisoner

The Number Of The Beast

Run To The Hills

Revelations

Hallowed Be Thy Name

Flight Of Icarus

Where Eagles Dare

The Trooper

Still Life

To Tame A Land (inspired by Dune)

Sun And Steel

Aces High

Two Minutes To Midnight

Rime Of The Ancient Mariner

Powerslave

Sea Of Madness

Somewhere In Time

Wasted Years

Stranger In A Strange Land

Moonchild

Infinite Dreams

The Clairvoyant

Seventh Son Of A Seventh Son

The Evil That Men Do

No Prayer For The Dying

Bring Your Daughter To The Slaughter*

Holy Smoke

Public Enema Number One

Be Quick Or Be Dead

From Here To Eternity

Afraid To Shoot Strangers

Wasting Love

Judas Be My Guide

Weekend Warrior

Fear Of The Dark

Sign Of The Cross

Lord Of The Flies

Man On The Edge

The Aftermath

Judgement Of Heaven

The Unbeliever

Futureal

The Angel And The Gambler

The Clansman

The Educated Fool

Wildest Dreams

Rainmaker

Dance of Death

Paschendale

The Wicker Man

Brave New World

Blood Brothers

Out Of The Silent Planet

Different World

Brighter Than A Thousand Suns

The Pilgrim

The Reincarnation Of Benjamin Breeg

Lord Of Light

Satellite 15…The Final Frontier

El Dorado

The Alchemist

Isle Of Avalon

Star blind

The Talisman

The Man Who Would Be King

When The Wild Wind Blows

If Eternity Should Fail

Speed Of Light

The Book Of Souls

Death Or Glory

Tears Of A Clown

Empire Of The Clouds

*The only single to reach #1 on the chart.

Up the Irons!

The list of songs above reflects how well Iron Maiden have covered their horror, science fiction, fantasy, and historical literary interests.

Their songwriting is done now by each band member. Steve Harris is their lead songwriter who composed epic songs lasting a minimum of six minutes on every record. Frontman Bruce Dickinson wrote the longest track in their history so far. “Empire Of The Clouds” runs 18 minutes!

Arguably the most epic of bands, I hope Maiden get elected to the rock hall of fame this year. They deserve this honor.

Dearest readers I leave you with a few of my favorite versions of mascot Eddie:

Flash Gordon The Story Of The Film

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Written by John Walsh
Titan Books (November 30, 2020)
Language : English
Hardcover : 192 pages
ISBN-10 : 1789095069

Here is a book 40 years in the making. The Dino De Laurentiis production of “Flash Gordon” was released on December 8, 1980 in North America. It’s first weekend at the box office was on par with then recent blockbuster “The Empire Strikes Back” which was the first sequel in the Star Wars saga.

The Alex Raymond comic strip was a different cinematic animal. Flash Gordon’s universe had existed since the 1930’s. The makers of this film decided the project would be an update of the look and nature of a 1930’s comic hero into one that fit 1980. An approach that allowed shades of camp and fun to weave the fabric the production would build itself upon.

What makes this book special is that the love audiences have for it has increased over the decades. Among cult films this one stands pretty tall. For me this is my Rocky Horror or Escape From New York.

Bob Lindenmayer is a private collector of Flash Gordon props and memorabilia. His collection is considered the largest in the world. He contributed images of every prop weapon used in filming. The secrets of how to achieve on screen dimensions from the flat but colorful pages of illustrations is truly amazing to see unfold here.

Because Flash Gordon is a product of both English and Italian production teams the book delves into the process of casting, costuming, set design, storyboarding, construction, scoring, writing, editing, and directing such a challenging work.

You will learn a lot of names associated with the film who made crucial contributions to why it has endured for 40 years in the hearts of millions of film lovers around the world.

Lawrence Noble is the American sculptor who created the Flash Gordon logo that adorned Richard Amsel’s theatrical poster and the cover of Queen’s soundtrack album. We discover other notable work he did for film including the poster for “Time After Time”, a time travel fantasy about H.G. Wells attempt to capture Jack The Ripper. He also created the 10th Anniversary release poster for “The Empire Strikes Back”.

The memorable opening titles of the film set the mood, tone, and style for what was to come. Richard and Bob Greenberg created the animation for this sequence and the dazzling energy curtain that drapes Mingo City at the film’s climax. R/Greenberg associates based in New York had provided such animation mainly to commercials. The Flash Gordon team loved their work so much they were asked to work on Flash.

Filled with elements that were never used in the film you can enjoy the struggle of making such an epic scale film as a fan of the work. This book makes it possible. You get a close look at everything that went wrong as well as the fast pace of production. Time is money. Sets were built that went unused. There is a great section showing storyboarded scenes that were too costly to shoot.

Frank Van der Veer had worked on the DeLaurentiis production of “King Kong” so he was quite experienced as a special effects master. For Flash Gordon Van der Veer and his team had nine months to create 600 composite social effects shots ahead of their Christmas release date!

The book has many wonderful moments to share. The last one I will detail here involves the choice of Queen to score the film. Originally, Pink Floyd were chosen by Dino De Laurentiis. On the day Queen visited the set the music playing was Pink Floyd.

After seeing rough dailies of the film each member of the group decided what they wanted to compose. Guitarist/Vocalist/Songwriter Brian May was adamant about writing the films opening theme. And so it went with each member of Queen coming in separately to do their portion of the soundtrack. Their music was a total of 45 minutes of screen time. The rest would be composed by Howard Blake who had to come up with orchestrations in a period of just weeks.

The efforts and sacrifice of every artisan involved with this film has been embraced by millions of fans over the past 40 years. Cheers to Titan Books for publishing it.

You will indeed have as much fun reading through this book and taking in all of the eye-popping imagery as you did with the film itself. Flash, A-ahhh! Such a good time.

The Star Wars Archives

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The Star Wars Archives 1977—1983 by Paul Duncan. Taschen 40th Anniversary Edition. Hardcover. 512 pages. $25

Taschen is an art book publisher founded in 1980 by Benedikt Taschen in Cologne, Germany. As of January 2017, Taschen is co-managed by Benedikt and his eldest daughter, Marlene Taschen.

This year the world renowned publisher celebrates 40 years of printing a library’s worth of art collections that span popular culture.

In The Star Wars book the original trilogy of films is deftly explored. Anything you ever wanted to know regarding the conception and production of these now classic titles are here. Despite the hefty page count the size is quite portable.

Within each section there are well over a hundred color and b&w photos. Storyboards, models, miniatures, sets, blueprints, and artists are exhibited.

This volume is like holding the best Star Wars museum in your hands. George Lucas tells his story from modest beginnings to become the creator of one of the most treasured brands in the world.

So this partnership with Taschen matches two of the great brands with spectacular results.

Turning each glossy page you get so much fascinating insights into the process of making films at the highest level.

I will reveal just a single bit I loved discovering here for the first time. The rest you can find for yourself.

The cost of Episode V The Empire Strikes Back was so great that if it had failed there would be no future for Lucasfilm nor the special effects company Industrial Light & Magic! Every dime from the first film went into making.

The details of this book are impressive. Casting decisions, the construction of sets on location and sound stages, conceptual art, and costume designs are examined.

You will come away with a complete understanding of the level of expertise required to make feature films. I think even lay people will appreciate perhaps for the first time that our greatest achievements do not just happen.

There are a vast group of dedicated artisans that make a potential audience think the results are effortless. In the case of Star Wars they made us all feel like we really did travel to a galaxy far, far, away in a time long ago.

Congratulations to the artisans at Taschen for producing such fine works. Here’s to your next 40 years!

Queen All The Songs

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Format
 Hardback | 528 pages
Dimensions
 216 x 277 x 43mm | 2,420g
Publication date
 29 Oct 2020
Publisher
 Running Press,U.S.
Imprint
 Running Press Adult
Publication City/Country
 United States
Language
 English
ISBN10
 0762471247
ISBN13
 9780762471249

A crown jewel in the library for any fan of classic rock comes this compendium of every single track recorded and released by Queen during their original reign with late lead vocalist Freddie Mercury.

A stunningly designed volume focusing on the main discography released between 1973 and 1991.

Each title gets a unique graphic art treatment using a similar font but adding a splash of custom color for each recording.

To give readers context there are added sections. A brief intro to each member of the band comes before the eponymous debut is discussed.

We are also given great background on the key players in the band’s story including producers Roy Thomas Baker, Rheinhold Mack, Sound Engineer Mike Stone, and photographer Mick Rock.

Every song in its proper order are given the entries subhead Genesis and Production. How the song was birthed then what technique was applied in the studio to bring the song to life.

There are many images in both color and b&w that have never been seen. One of my favorites was an image of guitarist Brian May holding a Linn-7 drum machine. This technology is mentioned as the band’s fifth member during the recording of Hot Space.

Highlighted throughout are revelations under the heading, For Queen Addicts. This illustrates just how vast the following has become for the band, especially after the success of the movie, “Bohemian Rhapsody”.

Everything about the band’s creative process is shared here. I found out a lot of things I did not know about the group. Since I am a Queen Addict I was quite impressed by this compendium.

The novice will probably be happy with their best-selling “Greatest Hits”. Long-time fans will need this book. Anyone who loves classic rock will also want to get a copy.

The band was not perfect. Refreshingly the book discusses the bad press received in the U.K. from the very start. Some of the biggest mistakes made took years to heal.

The four musicians who created this catalog of songs have become beloved by millions. Two of their famous fans, Taylor Hawkins of the Foo Fighters co-curated a Queen compilation and Michael Jackson worked with Freddie.

This diverse mix of artistic points of view are in my opinion one of the components that make Queen so enduring in the canon of popular music.

This tome is genuine treasure.

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David Bowie Icon

David Bowie ICON; Published by ACC ART Books; 181 Pages. http://www.iconicimages.net; http://www.accartbooks.com; Picture Editing:
Stephen Reid, Daniel Rachel
and Carrie Kania
Interviews and Text:
Daniel Rachel and Carrie Kania; Project Editor:
Carrie Kania; Publisher, ACC Art Books
James Smith
Editor
Susannah Hecht
Design
Craig Holden
Production
Stephen Mackinlay

Photographs by
FERNANDO ACEVES
BRIAN ARIS
PHILIPPE AULIAC
ALEC BYRNE
KEVIN CUMMINS
CHALKIE DAVIES
JUSTIN DE VILLENEUVE
VERNON DEWHURST
GAVIN EVANS
GERALD FEARNLEY
LYNN GOLDSMITH
GREG GORMAN
ANDREW KENT
MARKUS KLINKO
GEOFF MacCORMACK
JANET MACOSKA
TERRY O’NEILL
DENIS O’REGAN
NORMAN PARKINSON
MICK ROCK
JOHN SCARISBRICK
STEVE SCHAPIRO
BARRY SCHULTZ
RAY STEVENSON
MASAYOSHI SUKITA
Introduction by
GEORGE UNDERWOOD

This is the finest collection of photographs you will ever find depicting perhaps the only singular rock icon to rival the visual power of Elvis. From the very start of his career David Bowie wanted to become a star. He did not covet rock stardom. No. He aimed higher. We should all be grateful.

The editors at ACC make clear this is not a complete set. That would encompass thousands of pages.

What we have in our hands with this tome is a representation of fine rock photography from 25 of the most legendary artists in this field.

If there is one common thread running through these pages its the sessions for each studio record being seen without their final texts or titles.

David Bowie represented so many different avenues of creativity it’s impossible to pigeonhole him into any category or frame. Every picture in this book will leave you with an impression that is yours alone to decipher.

For this is the goal of a genuine artitst. To keep you guessing. To keep you wondering. To leave you utterly astonished.

The team that made this book possible attempted a seriously daunting feat. They got a group of the world’s finest photographers to contribute their best work to a singular project.

This work shows the many sides of David Bowie from his debut through his glam starpower to his thin white duke class and the many projects that drove his creativity and genius.

This resulting coffee table prize is a success. If ever there was a time we needed art of this caliber it’s now at the end of 2020.

Queen The Neal Preston Photographs

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Foreword by Roger Taylor & Brian May. Published by Reel Art Press on October 29th, 2020. Hardcover; 304pp.

At the age of 18 Neal Preston got to photograph Jimi Hendrix. Then awhile later he was lucky enough to get hired by Atlantic records.

You see they had a new sensation called Led Zeppelin that was about to tour. He became their official photographer.

Although the members of Queen loved Hendrix, it was Neal Preston’s association with Zeppelin that impressed them most.

Now almost 35 years after the band’s final gig with Freddie Mercury comes this knockout of a photo book.

If you’re a fan or love rock photography this tome will sit proudly on your coffee table. With limited text Neal Preston presents his best images of Queen.

Beginning with their initial ascent in 1977 on their North American News of the World Tour and each tour thereafter until reaching the penultimate 1986 Magic Tour of Europe, you get views of this band that are quite special.

The images are in black and white as well as color. Capturing the utter pomp of Queen at their best these images are the result of a band in search of perfection every night as they perform before thousands of people.

Queen were the first Western rock group to Tour South America in 1981. The photos from this jaunt make this book a worthy edition to any home library.

A dedicated road crew enabled Neal to show sides of the group fans never see. You see what the band sees when looking out at an arena crowd. You’re on stage!

Although some of these photographs have been seen in books and magazines over the years the layout here is just superior.

At Live Aid Neal Preston was the only photographer on stage! Those pictures have not been seen before except the one of Freddie center stage with his back arched as he reaches for the stars. This image is featured on the Bohemian Rhapsody movie poster and soundtrack album.

In fact the band loved Neal’s work so much that images were used for Tour Program covers and a box set of drummer Roger Taylor’s solo output.

The band pushed Neal to do some of his best work even in some of the hardest conditions. Especially in South America when machine guns were literally the only backstage pass one needed.

As stated at the book’s beginning a rock photographer has stress and fatigue as constant companions. We the viewers are the beneficiaries of his tireless effort.