All original and one borrowed song by Pretty Boy Floyd & Story of Reversels. Deep Glitch Art works by Matt Murphy. Sound engineering by the impeccable Andy Bishop of Giraffe Studios. Band photo by Marquana Burgess. Production benedictions by Jennifer Love Lee. Booking by Sean Padilla of Happy Nomad Booking. Press by WolfieVibes Publicity. Radio PR by The Band Mom.💜💙
Hailing from Asheville, NC this duo has its origins in a birthright no human should have to experience. Each member was born to a cult that believed in reversing male vasectomy to enable procreation on a mass level.
The name Reversel is spelled this way to reverse the evil that visited their lives. To give hope to Trans Queer LGBTQ people in their infinite variety.
The music on their upcoming 3rd release represents their community quite well. Filled with dark beats, wavy vocals, and intriguing lyrics that transport its listener to a world where acceptance of our individual humanity is not just possible but a given.
You will not be able to put this record away but display it with pride. Every track pulses with its own vitality.
Gravitron deserves to be in the top 5 indie songs at year’s end.
Azael is truly haunting. The sonic grooves captured here will astonish the most jaded of listeners.
Relentless kicks in with great percussive beats and awesome baritone vocals. This song generates light.
The rest of the songs are as follows:
Absurdity/ Torch Song/ The Real Pretty Boy Floyd/ Softboy Rabbithole/ Wonderland/ Cupcake ft. Vvitchboy/ Boom Kitty/ Skin/ Dissolve/Resolve. My My.
Saturday July 17th, 2021 is the second drop of vinyl goodies at independent shops.
From watching store owners and people who are passionate about Vinyl on YouTube there is a vast spectrum of opinions.
The consistency of this special day are the expectations people have for certain titles to appear on the release list.
As many people are disappointed as thrilled by the discovery each time out.
This is exactly the reason why going to record stores had always been a source of pure joy for me.
The record store is where I found my first Queen album! It’s where many now classic artists are found when they were new.
This Saturday I have the deep pleasure of going to one of the largest independent stores in the USA—Princeton Record Exchange in New Jersey with my best friend from high school.
Picture Vinyl, First time on Vinyl live albums from legendary artists, special singles, special color vinyl, box sets, and records being pressed for the first time since their original release sometimes decades ago.
This year Box sets feature a studio album set from Randy Newman; War has a 5 album set of color vinyl of their core catalog not seen on vinyl since the mid seventies!
Two E.P. titles are Queen+Adam Lambert Live Around The World including 2 tracks not found on the #1 album plus a 7″ Freddie Mercury song, Love Me Like There’s No Tomorrow on pink vinyl packaged with the e.p.
A late addition to the release list, Foo Fighters Dee Gees features their covers of iconic Bee Gees hits and a side of their own.
Soundtracks are always big. This time out Aliens The Matrix, and Harold & Maude are being featured.
There are three volumes of rarities from The Monkees. Each title comes on color vinyl. You won’t know the color until you open it!
Live albums from Ramones, Suzi Quatro, Aretha Franklin and John Prine are limited editions.
As the USA recovers from Covid-19 there are a couple of new releases from today’s finest rock bands to provide a much needed experience of joy.
Weezer and Twenty One Pilots are today’s new/old rock heroes. Sure Weezer has some great back catalog; Twenty One Pilots’ catalog is fewer titles but growing well.
Okay, Weezer has been around over 30 years, but remain vital as ever. Alright let’s start with the newest Weezer platter….
Van Weezer is just the right album for Summer 2021. Vocalist Rivers Cuomo had been wanting to contribute this type of modern rock n roll that salutes his love for eighties metal and hard rock.
Hero is a standout single that is on par with great Foo Fighters tracks.
Blue Dream uses the actual tab from Ozzy’s Crazy Train! And the song is totally original.
There are many flourishes of Eddie Van Halen’s playing style throughout the record hence the title Van Weezer.
The entirety of the set’s thirty minutes is pure cathartic release of why rock fans never stop wanting more no matter their age.
Twenty One Pilots have spent their Covid time recording the follow up to their concept epic Trench.
The new one is titled Scaled and Icy to reflect isolation and the scaled back way of life everyone has endured.
Tyler Joseph and Josh Dun are a great duo. On the current set singles like Choker return them to their earlier form on records like Vessel.
Do not let the surface happy pop sound fool you. The lyrics are just as complex and probing as any Tyler has done previously.
Good Day opens the set with the declaration that it’s hard to believe that today is good. Singing out is the best way to bring joy. Mr. Joseph does just that. He sounds a lot like Mika which is a great thing.
Both albums will provide plenty of happiness this Summer!
I bought my first Iron Maiden record in 1982. “The Number of the Beast” garnered great reviews from the heavy metal community.
Here in America it also received threats from church officials as being an agent of satanism. Heavy metal music does a lot of satanic material. It just fits the genre so well. This kind of music is a tonic for many fans. I love complex guitar based music. Soaring vocals are a huge component as well.
Circus magazine wrote a response to the controversy. The article explained Iron Maiden are not devil worshippers, just devil-may-care.
I was a fan for life after that era. Their mascot Eddie, a re-animated ghoul, appears on every album cover. Created by Derek Riggs, he assumes different types and styles that fit each album’s themes and concepts.
From their eponymous debut in album to their first double studio album in 2015, the band’s music has evolved from traditional metal to a more progressive groove.
Their line-up changed several times. Original vocalist Paul DiAnno quit due to substance abuse. His replacement was Samson singer Bruce Dickinson who turned out to be their ticket to global stardom.
For two albums, Bruce was replaced by Blayze Bayley. Their 10th and 11th albums were as good as anything they had done before but fans did not like this change.
In the year 2000 the band made a huge comeback with Bruce’s return. Guitarist Adrian Smith also came back. This current line-up of the group proved to be their best.
Since the year 2000 Iron Maiden are Bruce Dickinson (Vocals), Steve Harris (Bass), Adrian Smith (Guitar), Dave Murray (Guitar), Janick Jers (Guitar), Nicko McBrain (Drums).
The past 20 years of a nearly 50 year career have produced critically acclaimed records like “Brave New World”, “A Matter of Life and Death”, “The Final Frontier”, and “The Book of Souls”.
This followed their now classic albums of the 1980’s: “Killers”, “The Number of the Beast”, “Piece of Mind”, “Powerslave”, “Somewhere in Time”, and “Seventh Son of a Seventh Son “.
A documentary film, “Flight 666”, follows Maiden on a record setting world tour in which lead singer Bruce Dickinson piloted the band’s plane called Ed Force One.
Around the world Maiden’s fan base grew not only larger but younger too. In my opinion Iron Maiden have the best fans.
In the past four decades you will have seen people wearing Iron Maiden shirts or patches or bracelets or hats.
In 1982, Eddie was a demon spawn. Then in 1983 he was condemned to the rubber room. In 1984 he was an entombed pharaoh. In 1986 he became a cyborg. In 1988 he became the Seventh Son of a Seventh Son.
Now in their fifth decade, Iron Maiden are nominated to the Rock Hall of Fame.
Not seeking this award, the band will continue to empower their massive audience that spans the globe with their upcoming seventeenth studio album.
Bassist Steve Harris founded the group on Christmas day 1975! He said at the end of each decade that Maiden had another ten albums in them. And their sixteen studio records all have songs that became big concert classics.
This is a snapshot song list of my favorites from the band’s ongoing career:
Murders In The Rue Morgue
Phantom of the Opera
Die With Your Boots On
The Number Of The Beast
Run To The Hills
Hallowed Be Thy Name
Flight Of Icarus
Where Eagles Dare
To Tame A Land (inspired by Dune)
Sun And Steel
Two Minutes To Midnight
Rime Of The Ancient Mariner
Sea Of Madness
Somewhere In Time
Stranger In A Strange Land
Seventh Son Of A Seventh Son
The Evil That Men Do
No Prayer For The Dying
Bring Your Daughter To The Slaughter*
Public Enema Number One
Be Quick Or Be Dead
From Here To Eternity
Afraid To Shoot Strangers
Judas Be My Guide
Fear Of The Dark
Sign Of The Cross
Lord Of The Flies
Man On The Edge
Judgement Of Heaven
The Angel And The Gambler
The Educated Fool
Dance of Death
The Wicker Man
Brave New World
Out Of The Silent Planet
Brighter Than A Thousand Suns
The Reincarnation Of Benjamin Breeg
Lord Of Light
Satellite 15…The Final Frontier
Isle Of Avalon
The Man Who Would Be King
When The Wild Wind Blows
If Eternity Should Fail
Speed Of Light
The Book Of Souls
Death Or Glory
Tears Of A Clown
Empire Of The Clouds
*The only single to reach #1 on the chart.
Up the Irons!
The list of songs above reflects how well Iron Maiden have covered their horror, science fiction, fantasy, and historical literary interests.
Their songwriting is done now by each band member. Steve Harris is their lead songwriter who composed epic songs lasting a minimum of six minutes on every record. Frontman Bruce Dickinson wrote the longest track in their history so far. “Empire Of The Clouds” runs 18 minutes!
Arguably the most epic of bands, I hope Maiden get elected to the rock hall of fame this year. They deserve this honor.
Dearest readers I leave you with a few of my favorite versions of mascot Eddie:
Full of honest, humble, and heavy duty experience comes a memoir you will never want to put down.
Rob Halford from the “Black” Country of Birmingham, England grew up to be the front man for the heavy metal band Judas Priest.
He relates stories of family life in a post-war landscape. Nothing was ever assured. The only thing Rob knew early on was that he was not like other boys.
This is really the story of how a gay man went from being a scared, lonely, and frustrated boy into an honest, sober, and loving person.
Since this boy was to become a world famous rock star we have the memoir of the year.
Rob goes into great detail of his many misadventures with straight men. He had run-ins with police too.
He describes his identity this way following a painful breakup in the late 1970’s:
“It was five years since I’d been seeing Jason. Apart from the odd snatched, random fumble, I had been alone ever since…not just alone, but forced to suppress my longings, my needs, myself. I had to live a stifling life, or kill the band I loved.
Outside of that bedroom door, I was Rob Halford from Judas Priest, macho talisman and emergent metal god. Inside it, I was Robert John Arthur Halford, a sad, confused late twenties bloke from the Black Country, longing for the forbidden fruit of intimate male company”.
Rob Halford pg.134.
Judas Priest’s first line-up disbanded before Rob showed up to audition. His sister Sue was dating the band’s founder, bassist Ian Hill who is still in the group today. She insisted he try out. Their town, Walsall breeds humble people. Rob was told by Ken Downing that he was in the band.
British Steel became their watershed moment. Named for the filthy foundry plant in their village, recorded in a house once used by The Beatles, owned by Ringo, and used by John and Yoko for their Double Fantasy album, sold millions and spawned the now classic, ‘Living After Midnight’.
The group adopted an all leather look. They went full in as a metal band. Rob could not believe his mates did not realize he was a gay man.
Well before this time Rob had written a song called ‘Raw Deal’ about a doomed romance on Fire Island! He had never been there but imagined it.
The song ‘Metal Gods’ off British Steel was inspired by Frank the robot on Queen’s News of the World album. Rob Halford’s rock hero was Freddie Mercury. In the polarized homophobic culture of those days all of this remained unknown.
Priest fans will discover so much about their favorite group. Nicknames like K.K. Downing for Ken were used, but they were going to call Rob, ‘The Queen’. That would not have gone down well in my opinion.
A humorous book as well. He describes his arrest for lewdness in America. The cops knew who he was and asked what he was doing. Being famous can be like armour.
Rob Halford would encounter his idol, Freddie Mercury on the Greek island of Mykonos, a prime destination for gay men. They were at a yacht party. He describes a crowded space. His nerves got the better of him despite receiving a wink and wave from Freddie.
After all these years Rob Halford was ready to Confess. In his words it feels great and was just good for his soul. Perhaps it will do the same for his readers.
Published by Prestel Verlag, Munich · London · New York, 2020.
Hardcover $45.00 Oct 20, 2020
224 Pages | 9-1/4 x 11
Documenting the birth of a radical era of music, fashion, pop culture, media, and art, Steve Eichner was hired by Club King Peter Gatien to make images of his clubs.
Sex, drugs, and dance music created the perfect cocktail of hedonistic bliss set amid a backdrop of iconic parties that catered to revelers every whim.
On any given night, one could party alongside celebrities, club kids, drag queens, ravers, hip hop heads, models, banjees, body boys, bondage slaves, goths, and the bridge-and-tunnel set at legendary nightclubs like Tunnel, Palladium, Club USA, Roxy, and Limelight.
At a time when people from all walks of life came together at night to celebrate themselves. There was universal respect. No one could see what went on inside these nocturnal spaces…until now!
Steve Eichner was the official photographer of NYC nightlife. There are 200 brilliant images in this book.
Here is a sample of his work:
This collection of vivid good times comes at a point when we could use a reminder of the days when people gathered in mass.
Ordinary people became clubbers. They rubbed shoulders with celebs and danced the night away.
Here, a new group of upstarts of all races, ethnicities, genders, sexualities, and economic backgrounds came together on the dance floor in a celebration of PLUR (peace, love, unity, and respect).
This book will be a great addition to any coffee table this upcoming holiday season.
Edward Van Halen died this week from throat cancer.
His journey from Netherlands to Pasadena, California enabled him to prosper in a culture that became the LA heavy metal scene.
The first Van Halen record features real photos of each member during a gig at the famous Whiskey–A–Go–Go on the Sunset strip.
In 1978 Punk and Disco were exploding in popularity.
With its opening power chords the VH album was a fresh audio blast of serious but joyful rock.
Runnin’ with the Devil, the guitar solo Eruption, and the rest would change music forever.
The members of this group were great looking too. Eddie’s brother Alex, Michael Anthony, and David Lee Roth would rise to become the model for all the rock music to come flooding into the hearts and minds of young people all over the world.
Now called Hair Metal, the bands that bought Van Halen’s records are legion.
Eddie was an ingenious player. He could not read music but was able to play spot on by watching other musicians.
There were wonderful collaborations with Michael Jackson on the smash hit Beat It and his appearance on Brian May’s first solo effort Starfleet Project.
1984 is one of my favorite albums of all time. Featuring hits Jump, Hot For Teacher, Panama, and I’ll Wait. They were MTV’s most played act that year.
The changes to Sammy Hagar then Gary Cherone of Extreme yielded 8 years in which they released several #1 records including 5150, OU812, and For Unlawful Carnal Knowledge.
Kiss were the band that VH opened for on their first national tour. Both bands would headline Britain’s Monsters of Rock festival.
Eddie Van Halen’s music still makes me feel great. I believe it’s timeless.
Although I only saw him in concert on their 2007 Tour, he went shirtless and played like the headliner he had always been.
The rockers of the 1980’s made their mark. Many of the bands from that era are still here recording and performing. Do not take them for granted.
Van Halen music is hard, heavy, melodic, harmonious, and the definition of great rock n roll.
I will miss Eddie Van Halen. He was such a huge presence in my life. Happy Trails…
Originally set for release on May 15, 2020 was a completed album with a breadth and depth of songwriting, titled for a challenging and pivotal election year.
Rating: 5 out of 5.
Along with all of America, Jon found himself unexpectedly experiencing a world-altering coronavirus pandemic, followed quickly by the staggering events of George Floyd’s death and the ensuing national movement for racial equality.
He knew there was even more to say about 2020. Writing from a home studio, two new songs were born: “American Reckoning” and “Do What You Can” encompass these events and made the album a complete body of work.
Well known for his extensive philanthropic work, Jon spent the initial quarantine days and weeks with his wife Dorothea helping feed those in need at their JBJ Soul Kitchen Community Restaurant in Red Bank, NJ.
Later, the couple opened a Food Bank on the East End of Long Island to meet the food demands of the in-need population there.
I had the privilege of meeting Jon Bon Jovi by chance at The Armory Art show in New York city.
I expressed my thanks to him for all of the good works. Also how much I was looking forward to his new album.
Not knowing the tour and album would be postponed made me think about all we as a people are facing together.
Without further ado, 2020 is a musical salve for a genuinely pivotal year. These 10 songs bristle with equal doses of joy and despair.
Addressing the pandemic, mass shootings and racial justice the music remains on a remarkably even keel throughout.
Bon Jovi has crafted a meaningful record that enables its listener to reflect on all that has happened to us while looking forward to the future.
Limitless (Jon Bon Jovi, Billy Falcon, John Shanks)
Do What You Can (Jon Bon Jovi)
American Reckoning (Jon Bon Jovi)
Beautiful Drug (Jon Bon Jovi, Billy Falcon, John Shanks)
Story of Love (Jon Bon Jovi)
Let It Rain (Jon Bon Jovi)
Lower the Flag (Jon Bon Jovi)
Blood in the Water (Jon Bon Jovi)
Brothers in Arms (Jon Bon Jovi)
Unbroken (Jon Bon Jovi)
Tonight iHeart Radio will broadcast a special album launch for 2020. The band will play select songs from the new album plus Bon Jovi classics.
The year was 1979. A pre-adolescent boy who was collecting his first records discovered a mail-order music club. Offering 14 LP’s for a penny as their introductory hook was too good to pass up. When the records arrived I opened up the albums with great anticipation.
I was always eclectic in my tastes for music. There was Waylon Jennings, Aerosmith, Jackson 5, and Queen among the selections. The record with the biggest impact was Queen Live Killers, a gatefold 2 LP package with a collage of full color images from their European and North American Tour in support of their Jazz record.
There on full display was Freddie Mercury in tight black PVC pants and jacket (shiny like leather) with his jacket open to reveal a bare chest. Unknown to me at the time was the cabaret style he was doing. This was a new image for him in 1978/9.
All I know is the first time I saw an image of Freddie Mercury was a poster from their ‘Opera’ Tour. His penchant for stripping onstage thrilled me to no end. Onstage in candy stripe shorts and red suspenders with the band’s logo in the center of the poster. My eyes popped out of my head like a cartoon wolf.
Although years later I heard how much the band disliked the mix of the record I felt strongly it was a great representation of their live sound. I loved how they played a medley of hits too.
I was taken aback by how different the songs sounded in a live setting. Nothing like the studio engineered layers of over dubs or multi-tracked vocals.
Except for a brief spell following the release of their bio-picture, “Bohemian Rhapsody”, I have never lost interest in them. That brief interlude was caused by too many kids finding them based on their parent’s tastes. Hey, that’s life!
For many years it was hard to find any Queen memorabilia in the states. I know this sounds crazy to the listeners of today. There are websites. Obviously there is the Queen Online Store which always has a great selection of Queen everything.
Back in the 1980s in America after their popularity fell away we had record stores and rock t shirt stores. Freddie Mercury’s most dramatic transformation into gay clone in 1980 was not appreciated by a largely straight audience.
Despite the huge success of The Game in ’80, the band ended their decade long relationship with Elektra records. The label released a Greatest Hits album in 1981. At the time it felt like rock fans were putting Queen out to pasture. Their Elektra years were ending.
‘Another One Bites The Dust’ by bassist John Deacon borrowed heavily from Chic. Becoming the best-selling single in Elektra’s history it topped The Doors’ ‘Light My Fire’, which gave the band an idea that funk rock was gaining traction in America.
The fact that Queen were in Munich, Germany enjoying the nightlife a bit too much influenced the next platter a lot. Freddie Mercury without stating it officially was out to anyone with two eyes, especially if you were gay.
What happened next was a mix of bad timing and trends that would exile Queen from the USA until well after Mercury’s death in 1991. In fact when he died I remember a news anchor stating there was bad news for fans of Queens. Queens? That was how out of touch our media were with Mercury’s death.
Rolling Stone magazine was never particularly kind to Queen. Freddie’s Obit was a single page in an issue with Michael Jackson on the cover. He was not an American star. I felt that kept the band’s mystique intact.
‘Hot Space’ was the final record owed to Elektra. The band never conformed to what their label wanted especially when it came to album covers. The label’s demand for a band photo was ignored for years. Greatest Hits has a portrait of the band taken by Lord Snowden. It has become an iconic image. The label got their wish granted by contractual obligation.
Freddie Mercury had a brief friendship with Michael Jackson. Mr. Jackson was a huge Queen fan. He was the impetous for releasing ‘Another One Bites The Dust’ as a single. Queen had a #1 hit with it. The new direction was clear for at least Freddie Mercury and John Deacon.
Freddie and John developed a friendship over the years based upon a mutual love for Motown music. The divide in Queen was clear. Brian loved heavy guitar driven music. Roger was into Punk then New Wave. Swaying him into drum techniques outside of traditional rock was done.
In the early days when they were in college the members of Queen were united in their dreams of rock stardom. As they grew in stature with the the rock audience experimenting with different sounds became a reality. Roger Taylor’s ‘Fun It’ was funky and danceable. This song in particular made me think it was not such a big deal for the band to express more of a funk beat in 1982.
Freddie’s single, ‘Bicycle Race’ actually incorporated rap within the track. Both songs were on Jazz. That title was a huge deal. A band that mixed every musical element in its music now titled a record for a specific genre. However, being the academically minded nerds that they were the name also meant calling the collection by a moniker that had many facets to it. Like the name Queen itself.
Change is inevitable. Every band faces it. Fortunately for Queen they were a big band by the time they grew out of their excessive 1970s persona. They could not be pigeonholed. Freddie Mercury never believed in doing anything by half-measure. He took every idea to its maximum. This attitude created amazing songs and music videos. The latter would compound their loss of popularity in America.
As a gay kid Queen were my idols. I bought every album as they were released starting with the #1 Game record. The video for the song, ‘Play The Game’, revealed a cropped haircut and mustache for the first time. I loved it. American fans hated it.
When ‘Hot Space’ came there was no doubt in the band’s new look and direction. Funk, dance, and disco were now emphasized. Even Brian May’s guitar was absent on some tracks, most notably the single ‘Body Language’ by Freddie Mercury. Pushing sexual boundaries the explicit video got banned by MTV. The sales dropped from the prior ‘Game’ LP and the tour proved to be the last in America with Freddie and John.
Throughout the 1980s I knew it was uncool to love Queen. I could understand why they lost their mojo with America. Homophobia was rampant. Conservatism was in power. New Wave and Heavy Metal dominated. Pop music developed new icons Madonna, Prince, and Duran Duran. Queen were the past, a relic of the 1970s. Despite releasing more records that hit #1 throughout the world, the USA would never allow them back into the Top 10. From Hot Space, ‘Body Language’ was the highest charting single in the US at #11.
Everywhere else in the world Queen kept selling records and tours. This was painful to me because I knew I missed my only chance to see them in concert with Freddie and John.
Back tracking here. In the 1970s I was a kid. Every Sunday I read the Times’ Arts section. There were ads for Broadway shows, movies, and rock concerts. I noticed that Queen played the Garden practically every year.
Then one fateful day following the debut of ‘Hot Space’ the Arts section had a full page ad for QUEEN Live In Concert with Special Guest Billy Squier at Madison Square Garden! Their faces appeared across the page in the Warhol—inspired, Freddie designed graphics of the album.
I begged my parents to let me go see them. Nobody would take me. Back in the early 80’s tickets were like $12! Still in that time parents were not keen on their kids’ love of rock music. I have never gotten over the disappointment of missing this tour.
The opener was Billy Squier! I still love his music. Back in 1982 I was mental for both Squier and Queen. In the 1970s, Thin Lizzy, Styx, and Journey opened for Queen.
It proved to be their last here until Paul Rodgers joined them decades later in the naughts.
America ignored A Kind Of Magic and The Miracle. Both albums were enormous sellers around the globe even hitting # 1 in several countries like the UK, Japan, France, New Zealand, Australia, and Netherlands. The Magic Tour of 1986 became a record called Live Magic. The Tour and record followed Live Aid in 1985.
‘Magic’ was also partly the soundtrack for the fantasy film “Highlander”. Like “Flash Gordon” before it loved by Queen fans, loathed by others. The American sitcom “The Goldbergs” actually did an episode that featured Highlander and one of its stars, Clancy Brown who was now a regular on the series.
I never lost my love for music, especially Queen. They were misfits. Remaining so throughout the 1980s and 1990s. The critics never really appreciated them. Only after the death of Freddie Mercury from bronchial pneumonia brought on by HIV/AIDS in November 1991 had the press expressed any love for him. Freddie was a Jimi Hendrix fan. He understood how much an artist’s value increases upon death. He lived life his way. A true rocker.
Being a gay kid in the 70s was amazing and scary. There were so many great looking boys. And the hippie 60’s had a lot of left over guys who sported long-hair. And going shirtless was part of street style. And rock stars were no exception.
Mick Jagger of Rolling Stones, Roger Daltrey of The Who, Robert Plant of Led Zeppelin, and every other frontman have appeared shirtless on stage. Then along came South African born Freddie Mercury! He took the image to a completely different level. He performed a striptease!
Loving Queen was difficult. I had my first rock music tee featuring the band from 1977. Wearing it to camp one day I got called a faggot. The group had become stigmatized by straight kids who hated Mercury’s effeminate posturing. The rock press had a field day with his sexual escapades. The worst magazine coverage for any artist I have ever seen was Creem, a rock rag from the 1970s and ’80s.
They did a story on Queen that was not a story. It was just the magazine hating Freddie and Queen. Anti—gay comments filled their coverage. Truly shocking to me.
Queen made their only appearance on American TV live on SNL’s Season Premiere with Host Chevy Chase. He hosted remotely from LA as a joke. Today this would be protocol. Danny DeVito introduced Queen. Performing 2 songs: “Crazy Little Thing Called Love” a #1 hit in America and “Under Pressure”. Freddie’s voice was in the low register only. Years later I read he was recovering from a cold when the band appeared on the show. This was not a good time for them.
Back to their transformation from 1970s glam to 1980s pop. Following the commercial failure of Hot Space which still went Gold in America, the band signed to Capitol Records in North America. They even recorded for the first time in Los Angeles. ‘The Works’ album featured all the trademarks of their sound with Brian’s guitar blaring and Roger’s drums more upfront. Then another music video did them more cultural harm.
John Deacon’s ‘I Want To Break Free’ was made into a video that parodied the British soap opera Coronation Street. It featured the band in drag! Not Freddie’s idea. In the USA once again MTV banned them. Momentum killed.
Although the album was a return to form with hard rockers like Brian May’s ‘Hammer To Fall’ the top ten eluded them in America. Roger’s anthem ‘Radio GaGa’ peaked outside the top ten stalling at #16.
I still believe Queen were ignored. Punished for Freddie’s unapologetic gay image. Other British bands from the 1970s did not suffer this fate—Genesis released pop music—Pink Floyd went pop—and The Who also went pop. Rolling Stones released a cover of the song ‘Harlem Shuffle’ which was totally their worst.
Why was Queen singled out? Strong expressions of gay sexuality were taboo in the states. Despite being multi–faceted Queen had only the one face in America. Flamboyant is code for gay. Liberace had the straight audience believing what they wanted to believe. Freddie did not suffer fools.
I went to Giants Stadium to see Pink Floyd, Genesis , The Who, and Rolling Stones on separate tours during the ’80’s. Their music was not very good at the time. It was crazy to me that Queen did not tour here. My theory was that Freddie’s HIV status prevented them from playing here. Sad but true.
In my teenage years I knew many people who were either indifferent to my love of their music or could not get into it. And a lot of the time gay people fit their stereotype with a love for disposable pop or dance tracks. I can tell you the Hot Space CD was on a jukebox in a gay bar.
The Queen album most likely to be on any jukebox was Greatest Hits. Unfortunate since I always thought they had great songs that were never going to be hits. No doubt about the high number of singles/hits in their catalog. Later in this blog post I have listed my all–time favourite Queen songs.
Guns N Roses, Motley Crue, and Twisted Sisted were all influenced by Queen. The lead vocalists of those groups wore even more make-up than Freddie! Yet since they were hard rock/metal Americans accepted them. The make-up bands of the period were largely from America. Paradoxically this is also when the biggest make-up band ever, KISS, took their make-up off!
Unknown at the time that Dee Snider (Twisted Sister) and Nikki Sixx (Motley Crue) were in the crowd that saw Queen open for Mott the Hoople at New York’s Uris theater on Broadway, it makes perfect sense.
Until the Freddie Mercury tribute concert at Wembley stadium few Americans understood just how much Queen had influenced the heavy bands of the 80’s. The line-up featured England’s Def Leppard, America’s Guns N Roses and Extreme alongside Elton John, George Michael, and David Bowie. Eclectic to the end Queen also invited Freddie’s main influence, Liza Minnelli to the proceedings. He got so much ridicule from the press for loving Liza as well as Hendrix.
I believe today that Queen got into my marrow, my DNA because their image and music were original. Upsetting the status quo was part of their appeal. Decades after his death the film of his life was a blockbuster. He kept the mystique. Proving that no other rock performer could rival him, Queen became paragons of rock music. Today their legacy has grown in leaps and bounds.
Taking them into my heart has kept me alive too. Queen have a few explicit anti—suicide songs. Mercury admitted in his final days that the image he worked so hard to build became somewhat of a monster to his personal life. Becoming less active, meeting a man named Jim Hutton who became his partner until the end was his ultimate goal.
For the first time since reading several biographies about Freddie I understand why ‘Somebody To Love’ was a personal favorite. Love is what we all need to survive. Take a listen to the many tortured love ballads he wrote and performed. His delivery is genuine. That’s also why it touched me so deeply.
I think it’s why I met my beloved husband Brian. I love him more than anything. He has made my life the best possible. Our mutual love of music with great singers has created a bond.
Here for the first time I have compiled my list of personal favourite Queen tracks. B-Sides and rarities are not included here. They are taken from the 15 studio albums released from 1973—1995.
My Favourite Queen songs of all-time
My Fairy King by Freddie Mercury on Queen
Great King Rat by Freddie Mercury on Queen
Liar by Freddie Mercury on Queen
Nevermore by Freddie Mercury on II
The Fairy—Feller’s Master Stroke by Freddie Mercury on II
Ogre Battle by Freddie Mercury on II
The March of the Black Queen by Freddie Mercury on II
Seven Seas Of Rhye by Freddie Mercury on II
Doing Alright by Brian May & Tim Staffell on Queen
Lily of the Valley by Freddie Mercury on II
Now I’m Here by Brian May on Sheer Heart Attack
Brighton Rock by Brian May on Sheer Heart Attack
Killer Queen by Freddie Mercury on Sheer Heart Attack
Bring Back That Leroy Brown by Freddie Mercury on Sheer Heart Attack
Stone Cold Crazy by Mercury, Deacon, Taylor, & May on Sheer Heart Attack
Flick of the Wrist by Freddie Mercury on Sheer Heart Attack
Misfire by John Deacon on Sheer Heart Attack
Bohemian Rhapsody by Freddie Mercury on A Night At The Opera
‘39 by Brian May on A Night At The Opera
The Prophet’s Song by Brian May on A Night At The Opera
You’re My Best Friend by John Deacon on A Night At The Opera
The Millionaire Waltz by Freddie Mercury on A Day At The Races
White Man by Freddie Mercury on A Day At The Races
You and I by John Deacon on A Day At The Races
We Will Rock You by Brian May on News Of The World
We Are The Champions by Freddie Mercury on News Of The World
Sheer Heart Attack by Roger Taylor on News Of The World
Fight From The Inside by Roger Taylor on News Of The World
Spread Your Wings by John Deaconon News Of The World
It’s Late by Brian May on News Of The World
My Melancholy Blues by Freddie Mercury on News Of The World
Jealousy by Freddie Mercury on Jazz
In Only Seven Days byJohn Deacon on Jazz
Dead On Time by Brian May on Jazz
Dreamer’s Ball by Brian May on Jazz
Don’t Stop Me Now by Freddie Mercury on Jazz
Dragon Attack by Brian May on The Game
Play The Game by Freddie Mercury on The Game
Rock It (Prime Jive) by Roger Taylor on The Game
Don’t Try Suicide by Freddie Mercury on The Game
Another One Bites The Dust by John Deacon on The Game
Flash by Brian May on Flash Gordon soundtrack
The Hero by Freddie Mercury on Flash Gordon soundtrack
Football Fight by Freddie Mercury (Instrumental) on Flash Gordon soundtrack
Battle Theme by Brian May (Instrumental) on Flash Gordon soundtrack
Staying Power by Freddie Mercury on Hot Space
Dancer by Brian May on Hot Space
Back Chat by John Deacon on Hot Space
Action This Day by Roger Taylor on Hot Space
Put Out The Fire by Brian May on Hot Space
Under Pressure by Queen & David Bowie on Hot Space
Las Palabras De Amor (The Words Of Love) by Brian May on Hot Space
Machines (or Back To Humans) by Brian May & Roger Taylor on The Works
Radio GaGa by Roger Taylor on The Works
Keep Passing The Open Windows by Freddie Mercury on The Works
I Want To Break Free by John Deacon on The Works
Hammer To Fall by Brian May on The Works
Is This The World We Created…? by Brian May & Freddie Mercury on The Works
Man On The Prowl by Freddie Mercury on The Works
One Vision by Queen on A Kind Of Magic
A Kind Of Magic by Roger Taylor on A Kind Of Magic
One Year Of Love by John Deacon on A Kind Of Magic
Pain Is So Close To Pleasure by John Deacon & Freddie Mercury on A Kind Of Magic
Friends Wil Be Friends by Freddie Mercury & John Deacon on A Kind Of Magic
Don’t Lose Your Head by Roger Taylor on A Kind Of Magic
Princes Of The Universe by Freddie Mercury on A Kind Of Magic
Breakthru by Queen on The Miracle
The Invisible Man by Queen on The Miracle
Rain Must Fall by Queen on The Miracle
Scandal by Queen on The Miracle
Was It All Worth It by Queen on The Miracle
Innuendo by Queen on Innuendo
I’m Going Slightly Mad by Queen on Innuendo
I Can’t Live With You by Queen on Innuendo
Ride The Wild Wind by Queen on Innuendo
The Show Must Go On by Queen on Innuendo
In 1995 Queen released Made In Heaven which re-worked some of Freddie’s songs from his solo debut Mr. Bad Guy. The record featured Mercury’s final songs. “A Winter’s Tale” was his last composition. The lyrics described Montreaux, Switzerland in his final days. The list of my all-time Queen songs continues below with the band’s posthumous release.
Mother Love by Freddie Mercury & Brian May on Made In Heaven —This was the last track he recorded.
A Winter’s Tale by Freddie Mercury on Made In Heaven
Queen Retired—Legacy Grew
My least favorite Queen album, Made in Heaven, was followed by years of inactivity. Then in America TV commercials began licensing their hits. LA Gear used We Will Rock You; Diet Coke used I Want To Break Free; Mountain Dew used Bohemian Rhapsody even copying the now iconic promo clip. These are just a few examples.
From 2004—2009 Queen added Paul Rodgers of Bad Company to their line-up. He was one of Freddie’s favorite singers. In the 1960’s he fronted Free. In the 1980’s he fronted The Firm with Led Zep’s Jimmy Page.
The Queen+Paul Rodgers tours would return Queen to North America for the first time in 20 years! I never missed a show in New York. However, this line-up never played The Garden.
American Idol, a talent search reality series would enable a meeting that was pure fate. Adam Lambert, an American youth who was also out auditioned by singing ‘Bohemian Rhapsody’. Queen are his favorite group. Idol invited Brian May and Roger Taylor to perform with the show’s 3 finalists for its season finale. Adam came in second but in my opinion he really won.
Eventually Queen would announce touring with Adam Lambert fronting the group. It was made explicit that he would never replace Freddie Mercury. For the past decade now known as Queen+Adam Lambert touring the globe again.
And this line-up brought Queen back to Madison Square Garden for the first time since Hot Space! The setlist celebrated the band’s live at the Rainbow concert in support of Sheer Heart Attack. They opened with II’s ‘Procession’ and Sheer Heart Attack’s ‘Now I’m Here’.
Adam Lambert has released new solo records while touring with Queen. He sang ‘Believe’ at the Kennedy Center Honors bringing Cher to tears!
His presence on stage is truly a sight to behold. Bringing back the flamboyance of Mercury without mimicking his moves. Adam’s voice is his own unique stamp. He can sing any Queen tune. He has a new album out now called Velvet.
The shows proved so successful that Queen returned to celebrate their News of the World album next time around. Complete with Frank the Robot in full mascot mode. Opening their shows with ‘We Will Rock You’ like they did in 1977. Brian May performed his solo against a backdrop of stars fitting for an astrophysicist.
Their current tour is centered around the global success of the film “Bohemian Rhapsody” which tells Freddie’s story. Albeit with a completely incorrect timeline of events to create a cohesive cinema narrative.
In Freddie’s brilliant words it has been no bed of roses for Queen. For 20 years, 1971—1991, they reigned with the same line—up of 4 creative songwriters with extremely different personalities. Fans felt proud of their achievements.
Then the untimely death of Mercury from AIDS in November 1991. Queen ended. I always thought they could continue if the right elements fell into place.
Elton John performed with them during a final concert as Queen. Mr. John sang ‘The Show Must Go On”. He encouraged Brian and Roger to find a way. He said of their catalog of hits: ‘it must be like having a Rolls-Royce in the garage that you cannot drive anymore.”
Having them back today means so much to me. I want Queen to go on forever…
In my lifetime I have not played another artists music as often as Queen. They have rescued me many times with their life affirming works.
I have many other favourite music groups: Iron Maiden, Black Sabbath, Rolling Stones, Bob Dylan, The Beatles, Judas Priest, Styx, and Elton John.
The Queen sound is unique and original. Their music is not rock nor disco nor black nor white. It’s Queen music.
The Queen catalog has sold over 300 million records worldwide. They are tied with The Allman Brothers Band at #52 on Rolling Stone’s list of Best Artists.
In England Queen Greatest Hits is the top selling record in British music history. Greatest Hits II is #10.
The Queen studio album catalog seen below does not include The Cosmos Rocks. That album featured Paul Rodgers.
Today the world is quite different then the early 1970’s. The band’s legacy has become it’s own cottage industry. The Queen Online website is updated every day. The Online Store has a line of goods that any fan would enjoy.
The Royal Mint in the U.K. has issued Queen coins in sterling; The Royal Mail will issue Queen stamps on July 9th, 2020 featuring 8 album covers including The Game and News Of The World and a set of 4 concert images from their world tours plus a proper band portrait as seen below.
Queen become the third British band to receive this honour following The Beatles and Pink Floyd.
Queen have a star on the Hollywood Walk of Fame. They were inducted into the songwriters hall of fame and most recently were given a Lifetime Achievement Grammy.
“Bohemian Rhapsody” became the highest grossing bio picture of all–time. Rami Malek won the Best Actor Oscar for his portrayal of Freddie Mercury.
The film won a Golden Globe for Best Picture.
On YouTube Queen+Adam Lambert released a new version of their classic “We Are The Champions” called “You Are The Champions” to help raise funds for Covid—19 relief workers via The World Health Organization and U.N.
Drummer and Vocalist Roger Taylor’s daughter appears in the video. She is a nurse!
“Endless unfolding of words of ages! And mine a word of the modern, the word En-Masse.
“I Contain Multitudes” opens the record with a reference to another epic poet whose work, “Song Of Myself”, celebrates every living creature on the planet. The title of this track is a Whitman quote. The ‘I’ is used here inclusively. Evoking the value in all living things.
The songs speaks to the experience of life. Loving and hating in equal measure. Composing, painting, eating, drinking, and our bodies as vessels that contain a universe.
I love Mr. Dylan’s end to this track. You can accept this line as just playing recordings of the classical giants or perhaps it is an expression that his final chapter maybe spent composing classical pieces:
“I’ll play Beethoven’s sonatas, and Chopin’s preludes…”
The cover image for this record is important. Presented in a cinematic letter-box format, anonymous couples are dancing. They are people of color. A solitary figure is hunched over the juke trying to decide what to play or in anguish over lost love or any number of reasons you could imagine.
For the first time Bob Dylan’s name does not appear on the cover! We listeners are to focus only on the image of a juke joint interior. The name of the record seems to pop-up from the floor in vivid technicolor. The color scheme applied is simply the best ever used in his catalog of 42 records.
Once again he is creating a mythic eden seeded in the past but brought into our present. A secret place where people of color went to actually express their humanity. The Queer folk also went to these type of places to do the same. Evoking Whitman’s celebration of humanity and non-humanity alike within the dark spaces of the juke joint where all can be free together.
American Folklore’s Rough and RowdyWays
His choice of title reference classic folk music by way of Jimmie Rodgers. The adjectives of Rough and Rowdy are masculine in nature. Playful but potentially dangerous like people themselves. A Dylanesque wink to the underlying violence packed within the culture. Dylan loves to use folklore and tall tales for referents to his lyrics. This album is more than worthy of his best works. His mystique is intact; here now his innermost troubles are laid bare.
A 10 stanza poem that could have been a part of Whitman’s “Leaves of Grass.” In the sixth stanza he invokes the ‘I’ in repetition:
“I searched the world over, for the holy grail, I sing songs of love, I sing songs of betrayal. Don’t care what I drink, I don’t care what I eat, I climb the mountain of swords On my bare feet.”
Mr. Dylan is baring his soul like never before throughout this record. In the verse quoted above you here his artistic declaration of mission. He once again invokes his religious beliefs too. Willing to climb a mountain of swords in bare feet is a form of stigmata.
“My Own Version Of You”
Expressing his heart’s desire to create his own Frankenstein—like creature in his image to be able to assign it the qualities he feels are required to balance the world. The lyrics here are macabre yet have a restless play about them:
“I’ll take the Scarface Pacino and The Godfather Brando Mix it up in a tank and get a robot commando “
Using fictional toughs from the 1970s in ‘The Godfather’ and 1980s in ‘Scarface’ as his character ingredients expresses the raw masculine imagination at work. A modern American ethos is applied here.
Dylan appeals to Julius Caesar, St. Peter, Mr. Freud, and Mr. Marx. As usual for the Ancients to connect to the Moderns as the basis for a new brain. Politics, Religion, and Philosophy—these are the areas of human endeavor forever swirling around in Mr. Dylan’s grey matter too.
“I wannabring someone to life, turn back the years Do it with laughter and do it with tears“
The strongest desire of all seems to be the return of older values and ideas. The masks of comedy and tragedy must always balance the equation of reality and fiction.
“I’ve Made Up My Mind To Give Myself To You“
The love poem of the album is addressed to an unknown woman (or perhaps every listener). A nice ballad delivered pretty straight and dry. In contrast to all of the other songs here this track stands out as the least grim.
“I’m giving myself to you, I am From Salt Lake City to Birmingham From East L.A. to San Antone I don’t think I can bear to live my life alone“
Mr. Dylan has had two marriages that produced 2 grown sons. His declaration here becomes clear. He wants to give up his lonely wandering.
A 5 verse poem that reinforces letting go of youthful recklessness. The doppelganger of violent intent is warned to release its grip or be hacked to pieces. The song is the simplest one here.
“Goodbye Jimmy Reed”
A 6 verse poem expressing Mr. Dylan’s goodbye to the blues. Mr. Reed is the most influential bluesman who passed back in 1976. He is the connective blood and tissue to Mr. Dylan’s other friends, Elvis and The Rolling Stones who covered Mr. Reed’s songs.
“Mother of Muses”
A poetic prayer expressed with a selfish desire to have the top muse all to himself.
Mother of Muses, wherever you are I’ve already outlived my life by far
In seeming desperation he lays his soul out for her to see. That life has now gone on too long. He needs her injection of spirit. Perhaps to fill the void if he lets go of his former life.
“Crossing The Rubicon”
Reinforcing his connection with the Ancients via Julius Caesar again, here to express a dedication to a new and risky course. This is a 9 verse poem that Dylanologists will love parsing among themselves. The densest work in this collection. Great poetic phrasing with just the right dose of abstraction.
“Key West (Pirate Philosopher)”
4 Verses of philosophy; 4 choruses describe Key West. This is the second longest track here. It serves as Prelude to Disc 2’s opus, “Murder Most Foul”.
In such simple verse Mr. Dylan crystallizes his ways. Key West is flat land where he can keep his feet planted firmly and listen closely to a pirate radio signal for inspiration and peace.
My favorite lines make up Chorus 4:
“Key West is the place to be If you’re looking for immortality Key West is paradise divine Key West is fine and fair If you lost your mind, you’ll find it there Key West is on the horizon line”
Throughout his years writing songs Bob Dylan embraces places real and imagined as Eden–like. Key West is now his present flashpoint in life. It represents his cohorts: Ginsberg, Corso, and Kerouac; his greatest influencers: Louis, Jimmy, and Buddy.
This song closes out Disc 1. Key West is defined by Dylan as a tonic for life. The epic track on Disc 2 acts as counterpoint to the divine.
“Murder Most Foul” is a nation’s fall from grace as well as an individual’s reckoning.
Due to the length and depths of that track I gave an entire blog entry over to it.
Bob Dylan is that rare artist who continues to be inspired by the myriad roads travelled and the places he has seen. At once worldly and still forever in deep love with his own country, he is able to imbue his work with just the right amount of ambiguity and self—worth. He has become a true Renaissance man. I am a grateful listener.