Full of honest, humble, and heavy duty experience comes a memoir you will never want to put down.
Rob Halford from the “Black” Country of Birmingham, England grew up to be the front man for the heavy metal band Judas Priest.
He relates stories of family life in a post-war landscape. Nothing was ever assured. The only thing Rob knew early on was that he was not like other boys.
This is really the story of how a gay man went from being a scared, lonely, and frustrated boy into an honest, sober, and loving person.
Since this boy was to become a world famous rock star we have the memoir of the year.
Rob goes into great detail of his many misadventures with straight men. He had run-ins with police too.
He describes his identity this way following a painful breakup in the late 1970’s:
“It was five years since I’d been seeing Jason. Apart from the odd snatched, random fumble, I had been alone ever since…not just alone, but forced to suppress my longings, my needs, myself. I had to live a stifling life, or kill the band I loved.
Outside of that bedroom door, I was Rob Halford from Judas Priest, macho talisman and emergent metal god. Inside it, I was Robert John Arthur Halford, a sad, confused late twenties bloke from the Black Country, longing for the forbidden fruit of intimate male company”.
Rob Halford pg.134.
Judas Priest’s first line-up disbanded before Rob showed up to audition. His sister Sue was dating the band’s founder, bassist Ian Hill who is still in the group today. She insisted he try out. Their town, Walsall breeds humble people. Rob was told by Ken Downing that he was in the band.
British Steel became their watershed moment. Named for the filthy foundry plant in their village, recorded in a house once used by The Beatles, owned by Ringo, and used by John and Yoko for their Double Fantasy album, sold millions and spawned the now classic, ‘Living After Midnight’.
The group adopted an all leather look. They went full in as a metal band. Rob could not believe his mates did not realize he was a gay man.
Well before this time Rob had written a song called ‘Raw Deal’ about a doomed romance on Fire Island! He had never been there but imagined it.
The song ‘Metal Gods’ off British Steel was inspired by Frank the robot on Queen’s News of the World album. Rob Halford’s rock hero was Freddie Mercury. In the polarized homophobic culture of those days all of this remained unknown.
Priest fans will discover so much about their favorite group. Nicknames like K.K. Downing for Ken were used, but they were going to call Rob, ‘The Queen’. That would not have gone down well in my opinion.
A humorous book as well. He describes his arrest for lewdness in America. The cops knew who he was and asked what he was doing. Being famous can be like armour.
Rob Halford would encounter his idol, Freddie Mercury on the Greek island of Mykonos, a prime destination for gay men. They were at a yacht party. He describes a crowded space. His nerves got the better of him despite receiving a wink and wave from Freddie.
After all these years Rob Halford was ready to Confess. In his words it feels great and was just good for his soul. Perhaps it will do the same for his readers.
Published by Prestel Verlag, Munich · London · New York, 2020.
Hardcover $45.00 Oct 20, 2020
224 Pages | 9-1/4 x 11
Documenting the birth of a radical era of music, fashion, pop culture, media, and art, Steve Eichner was hired by Club King Peter Gatien to make images of his clubs.
Sex, drugs, and dance music created the perfect cocktail of hedonistic bliss set amid a backdrop of iconic parties that catered to revelers every whim.
On any given night, one could party alongside celebrities, club kids, drag queens, ravers, hip hop heads, models, banjees, body boys, bondage slaves, goths, and the bridge-and-tunnel set at legendary nightclubs like Tunnel, Palladium, Club USA, Roxy, and Limelight.
At a time when people from all walks of life came together at night to celebrate themselves. There was universal respect. No one could see what went on inside these nocturnal spaces…until now!
Steve Eichner was the official photographer of NYC nightlife. There are 200 brilliant images in this book.
Here is a sample of his work:
This collection of vivid good times comes at a point when we could use a reminder of the days when people gathered in mass.
Ordinary people became clubbers. They rubbed shoulders with celebs and danced the night away.
Here, a new group of upstarts of all races, ethnicities, genders, sexualities, and economic backgrounds came together on the dance floor in a celebration of PLUR (peace, love, unity, and respect).
This book will be a great addition to any coffee table this upcoming holiday season.
I was just thinking how we were told back in January to write out the full 2-0-2-0 when dating important docs. Who knew that it would be almost exclusively applied to receiving unemployment benefits.
My Dear Readers: Updates from New York City. July ends. USA continues to deny the impact of Covid—19 despite the largest recorded drop in its economy in history!
If you reside outside of North America you may have heard about how poor our safety net is here. This is showing up now during this unprecedented crisis.
I only glance at the headlines each morning. It takes until late in the day to realize how much more our country has slid in the eyes of the world.
New York City has sport once again with its expensive corporate stadiums empty. Overpaid athletes are playing with piped in crowd noise.
Several athletes in baseball are now sick. Games are getting postponed. I think baseball should cancel the season.
No Broadway/ Off—Broadway theater. No museums. No movie theaters. Broadway and Hollywood had both reached their commercial summit. I do not believe this will happen again.
If we have cinemas the interior of those spaces will have to be reinvented along with Broadway and Off—Broadway theaters.
Personally, my fear is that America will be vunerable like never before to a new authoritarian reality. Already the President floated the proto-fascist notion of delaying the Fall Election. This never happened in America before this con man took office.
People are waking to see how much damage has been inflicted upon regular people over decades of blindly adding police to streets. This has resulted in the brutality seen in recent days.
The people were empowered to fend off the awful notions of power hungry office holders. Our struggle for greater Democracy will continue.
With such heavy issues hovering over us I refuse to conform to the reactionary nature of certain friends and family. I just read “Twilight Of Democracy” by the historian Anne Applegate, seen below in the picture, argues strongly for Democratic ideals. She is hopeful Americans will reject the anti—democratic platform of Donald Trump.
My photography is an outlet to express what I see daily to counter the ugly forces at play in today’s world.
Despite it all I am having a lovely Summer. What else can I do? November will be chilly. And by then our biggest Election will be upon us.
5th Avenue from E. 86th Street to E. 103rd is called Museum Mile. There are several along this route on the East Side. The Museum of the City of New York, The MET, The Guggenheim and The Jewish Museum are my favourites. I took pictures of their facades over the past three months. Devoid of crowds. A silence. Mourning? Will they come back as strong as before the shutdown?
The Museum of the City of New York, The Cooper-Hewitt Design Museum, and The Jewsih Museum are seen below:
Another component of taking images on walks are the people you see in moments. So distracted are these strangers that I could not resist capturing them in time. What follows are the first results of my observations.
August Arrives Tomorrow
Major League Baseball attempted to start a shortened season but finds itself in a bind now that the Miami Marlins team is ill with Covid—19. Then the Phillies were struck then the St. Louis Cardinals.
All of the hot spot states are only beginning to require masks and think about shutting down again.
The Republican party is making this crisis a partisan issue; their leader floats proto—fascist ideas daily.
Here in New York City while we have settled into our Phase 4 lives a new month starts tomorrow!
New York City entered Phase 4 this week of recovery from the Coronavirus pandemic. Outdoor dining and retail are back. I have gone out to dinner with my husband a few times already. We have seen some friends and family too!
Continuing to show my photographs of the Upper Eastside and Central Park I thought about my connection to these images.
This week I feature statues and buildings that have stimulated my lifelong sense of whimsy. A lover of fantasy since childhood I re-discovered places in the park I needed to explore.
I hope they bring back your sense of whimsy as well….
The base of the Mother Goose figure has characters like Humpty Dumpty and Little Boy Blue carved around it. A homeless man sleeps on a bench nearby. As enchanting as this statue can be there are many experiencing hard times.
This statue shows the famous author sitting on a bench reading his classic, “The Ugly Duckling”, with his top hat placed to the side. You can see the details of this work in each image including the sculptor of the work, Georg J. Jober. The architect who designed the work was Otto F. Lancmann. The statue was dedicated in 1956. The Park Conservancy works hard to preserve all of its treasures.
The centerpiece of this section is the statue of Alice. I took many images of this statue. On any given day the natural light cast many unique looks at this charming monument.
Above you see the entire statue large enough for children to climb on. You see close–ups of her Wonderland cohort: The Mad Hatter, The Rabbit who is always late, and the Cheshire Cat. If you look closely at the rear view you can find the Jabberwocky!
At the base of the steps are engraved plates displaying verse from the classic book seen below…
One of a series of stately apartment buildings towering above Central Park West, The Eldorado is famous for its Art Deco-inspired twin towers that mirror its predecessor’s, The San Remo. Constructed a year after The San Remo, The Eldorado is a product of renowned architect Emery Roth, whose buildings are visible all along this stretch of Eighth Avenue. Its location, at 300 Central Park West is located near the reservoir.
Art Deco Twin Towers Rise Above Central Park West In Pre-War Grandeur. This is my favourite building.
The commercial corridor has declined over the past year. Several stores closed. A movie theater shut down. The Barnes & Noble bookstore is moving to a different location on Third Avenue, a much smaller space.
Restaurants have built outdoor dining areas on the street. The ones who had outdoor tables to start are expanded now. All servers wear mask.
The Metropolitan museum of art announced a return date of August 29, 2020.
Walking down any avenue you cannot avoid passing people. Wearing a mask is really the only thing you can do to protect yourself. Remaining indoors is only an option during horrid spells of excessive heat. As of this writing we are having our worst heat of the season.
New York City has proceeded with caution. This enabled us to flatten the curve. Now there are over 30 states with out of control numbers of virus cases. This did not have to happen. Wearing a mask is not a partisan issue. The largest problem now is re-opening the schools.
Will New York City survive? Can we invent a new economy? Do we really need to depend so much on tourism?
The retailers in our area include H&M, Best Buy, Staples, Old Navy, and Banana Republic. Independent shops are mainly services like shoe repair and dry cleaners. A major re–think must be done. New York City is not really as interesting a place as it was in the 20th Century. The internet is a powerful tool but this tech has ravaged our urbanity. If every corner is a fast food chain what is so special about living here? It seems in the past 20 years people have raised children without imagination. Just staring down at screens is Huxley’s Brave New World come to dystopian reality!
In the past 2 weeks I have witnessed a solitary officer and his car guarding a statue of Columbus in Central Park and 3 police vehicles in front of the Met museum with lights on. It was not clear to me what had happened accept perhaps a kid was playing in the fountain. We have collectively lost our marbles during this stressful time.
I have theorized our police are dispatched in groups like street gangs. This can never result in positive outcomes. We need to change how our city is protected.
People are in heavy denial. Understandably the shock of this time is powerful. But I have thought from the start that nothing will come back quickly. I do my part by wearing a mask. Such a simple thing.
I have seen horrifying results of people who think they cannot wear a mask and not get sick. The sacrifice is small yet people are unwilling in so many cases.
My photography continues in the coming weeks of Covid Summer 2020. These were just thoughts I have had while being out enjoying the weather.
Stay healthy dear readers. No matter what polls say, Vote this November!
The year was 1979. A pre-adolescent boy who was collecting his first records discovered a mail-order music club. Offering 14 LP’s for a penny as their introductory hook was too good to pass up. When the records arrived I opened up the albums with great anticipation.
I was always eclectic in my tastes for music. There was Waylon Jennings, Aerosmith, Jackson 5, and Queen among the selections. The record with the biggest impact was Queen Live Killers, a gatefold 2 LP package with a collage of full color images from their European and North American Tour in support of their Jazz record.
There on full display was Freddie Mercury in tight black PVC pants and jacket (shiny like leather) with his jacket open to reveal a bare chest. Unknown to me at the time was the cabaret style he was doing. This was a new image for him in 1978/9.
All I know is the first time I saw an image of Freddie Mercury was a poster from their ‘Opera’ Tour. His penchant for stripping onstage thrilled me to no end. Onstage in candy stripe shorts and red suspenders with the band’s logo in the center of the poster. My eyes popped out of my head like a cartoon wolf.
Although years later I heard how much the band disliked the mix of the record I felt strongly it was a great representation of their live sound. I loved how they played a medley of hits too.
I was taken aback by how different the songs sounded in a live setting. Nothing like the studio engineered layers of over dubs or multi-tracked vocals.
Except for a brief spell following the release of their bio-picture, “Bohemian Rhapsody”, I have never lost interest in them. That brief interlude was caused by too many kids finding them based on their parent’s tastes. Hey, that’s life!
For many years it was hard to find any Queen memorabilia in the states. I know this sounds crazy to the listeners of today. There are websites. Obviously there is the Queen Online Store which always has a great selection of Queen everything.
Back in the 1980s in America after their popularity fell away we had record stores and rock t shirt stores. Freddie Mercury’s most dramatic transformation into gay clone in 1980 was not appreciated by a largely straight audience.
Despite the huge success of The Game in ’80, the band ended their decade long relationship with Elektra records. The label released a Greatest Hits album in 1981. At the time it felt like rock fans were putting Queen out to pasture. Their Elektra years were ending.
‘Another One Bites The Dust’ by bassist John Deacon borrowed heavily from Chic. Becoming the best-selling single in Elektra’s history it topped The Doors’ ‘Light My Fire’, which gave the band an idea that funk rock was gaining traction in America.
The fact that Queen were in Munich, Germany enjoying the nightlife a bit too much influenced the next platter a lot. Freddie Mercury without stating it officially was out to anyone with two eyes, especially if you were gay.
What happened next was a mix of bad timing and trends that would exile Queen from the USA until well after Mercury’s death in 1991. In fact when he died I remember a news anchor stating there was bad news for fans of Queens. Queens? That was how out of touch our media were with Mercury’s death.
Rolling Stone magazine was never particularly kind to Queen. Freddie’s Obit was a single page in an issue with Michael Jackson on the cover. He was not an American star. I felt that kept the band’s mystique intact.
‘Hot Space’ was the final record owed to Elektra. The band never conformed to what their label wanted especially when it came to album covers. The label’s demand for a band photo was ignored for years. Greatest Hits has a portrait of the band taken by Lord Snowden. It has become an iconic image. The label got their wish granted by contractual obligation.
Freddie Mercury had a brief friendship with Michael Jackson. Mr. Jackson was a huge Queen fan. He was the impetous for releasing ‘Another One Bites The Dust’ as a single. Queen had a #1 hit with it. The new direction was clear for at least Freddie Mercury and John Deacon.
Freddie and John developed a friendship over the years based upon a mutual love for Motown music. The divide in Queen was clear. Brian loved heavy guitar driven music. Roger was into Punk then New Wave. Swaying him into drum techniques outside of traditional rock was done.
In the early days when they were in college the members of Queen were united in their dreams of rock stardom. As they grew in stature with the the rock audience experimenting with different sounds became a reality. Roger Taylor’s ‘Fun It’ was funky and danceable. This song in particular made me think it was not such a big deal for the band to express more of a funk beat in 1982.
Freddie’s single, ‘Bicycle Race’ actually incorporated rap within the track. Both songs were on Jazz. That title was a huge deal. A band that mixed every musical element in its music now titled a record for a specific genre. However, being the academically minded nerds that they were the name also meant calling the collection by a moniker that had many facets to it. Like the name Queen itself.
Change is inevitable. Every band faces it. Fortunately for Queen they were a big band by the time they grew out of their excessive 1970s persona. They could not be pigeonholed. Freddie Mercury never believed in doing anything by half-measure. He took every idea to its maximum. This attitude created amazing songs and music videos. The latter would compound their loss of popularity in America.
As a gay kid Queen were my idols. I bought every album as they were released starting with the #1 Game record. The video for the song, ‘Play The Game’, revealed a cropped haircut and mustache for the first time. I loved it. American fans hated it.
When ‘Hot Space’ came there was no doubt in the band’s new look and direction. Funk, dance, and disco were now emphasized. Even Brian May’s guitar was absent on some tracks, most notably the single ‘Body Language’ by Freddie Mercury. Pushing sexual boundaries the explicit video got banned by MTV. The sales dropped from the prior ‘Game’ LP and the tour proved to be the last in America with Freddie and John.
Throughout the 1980s I knew it was uncool to love Queen. I could understand why they lost their mojo with America. Homophobia was rampant. Conservatism was in power. New Wave and Heavy Metal dominated. Pop music developed new icons Madonna, Prince, and Duran Duran. Queen were the past, a relic of the 1970s. Despite releasing more records that hit #1 throughout the world, the USA would never allow them back into the Top 10. From Hot Space, ‘Body Language’ was the highest charting single in the US at #11.
Everywhere else in the world Queen kept selling records and tours. This was painful to me because I knew I missed my only chance to see them in concert with Freddie and John.
Back tracking here. In the 1970s I was a kid. Every Sunday I read the Times’ Arts section. There were ads for Broadway shows, movies, and rock concerts. I noticed that Queen played the Garden practically every year.
Then one fateful day following the debut of ‘Hot Space’ the Arts section had a full page ad for QUEEN Live In Concert with Special Guest Billy Squier at Madison Square Garden! Their faces appeared across the page in the Warhol—inspired, Freddie designed graphics of the album.
I begged my parents to let me go see them. Nobody would take me. Back in the early 80’s tickets were like $12! Still in that time parents were not keen on their kids’ love of rock music. I have never gotten over the disappointment of missing this tour.
The opener was Billy Squier! I still love his music. Back in 1982 I was mental for both Squier and Queen. In the 1970s, Thin Lizzy, Styx, and Journey opened for Queen.
It proved to be their last here until Paul Rodgers joined them decades later in the naughts.
America ignored A Kind Of Magic and The Miracle. Both albums were enormous sellers around the globe even hitting # 1 in several countries like the UK, Japan, France, New Zealand, Australia, and Netherlands. The Magic Tour of 1986 became a record called Live Magic. The Tour and record followed Live Aid in 1985.
‘Magic’ was also partly the soundtrack for the fantasy film “Highlander”. Like “Flash Gordon” before it loved by Queen fans, loathed by others. The American sitcom “The Goldbergs” actually did an episode that featured Highlander and one of its stars, Clancy Brown who was now a regular on the series.
I never lost my love for music, especially Queen. They were misfits. Remaining so throughout the 1980s and 1990s. The critics never really appreciated them. Only after the death of Freddie Mercury from bronchial pneumonia brought on by HIV/AIDS in November 1991 had the press expressed any love for him. Freddie was a Jimi Hendrix fan. He understood how much an artist’s value increases upon death. He lived life his way. A true rocker.
Being a gay kid in the 70s was amazing and scary. There were so many great looking boys. And the hippie 60’s had a lot of left over guys who sported long-hair. And going shirtless was part of street style. And rock stars were no exception.
Mick Jagger of Rolling Stones, Roger Daltrey of The Who, Robert Plant of Led Zeppelin, and every other frontman have appeared shirtless on stage. Then along came South African born Freddie Mercury! He took the image to a completely different level. He performed a striptease!
Loving Queen was difficult. I had my first rock music tee featuring the band from 1977. Wearing it to camp one day I got called a faggot. The group had become stigmatized by straight kids who hated Mercury’s effeminate posturing. The rock press had a field day with his sexual escapades. The worst magazine coverage for any artist I have ever seen was Creem, a rock rag from the 1970s and ’80s.
They did a story on Queen that was not a story. It was just the magazine hating Freddie and Queen. Anti—gay comments filled their coverage. Truly shocking to me.
Queen made their only appearance on American TV live on SNL’s Season Premiere with Host Chevy Chase. He hosted remotely from LA as a joke. Today this would be protocol. Danny DeVito introduced Queen. Performing 2 songs: “Crazy Little Thing Called Love” a #1 hit in America and “Under Pressure”. Freddie’s voice was in the low register only. Years later I read he was recovering from a cold when the band appeared on the show. This was not a good time for them.
Back to their transformation from 1970s glam to 1980s pop. Following the commercial failure of Hot Space which still went Gold in America, the band signed to Capitol Records in North America. They even recorded for the first time in Los Angeles. ‘The Works’ album featured all the trademarks of their sound with Brian’s guitar blaring and Roger’s drums more upfront. Then another music video did them more cultural harm.
John Deacon’s ‘I Want To Break Free’ was made into a video that parodied the British soap opera Coronation Street. It featured the band in drag! Not Freddie’s idea. In the USA once again MTV banned them. Momentum killed.
Although the album was a return to form with hard rockers like Brian May’s ‘Hammer To Fall’ the top ten eluded them in America. Roger’s anthem ‘Radio GaGa’ peaked outside the top ten stalling at #16.
I still believe Queen were ignored. Punished for Freddie’s unapologetic gay image. Other British bands from the 1970s did not suffer this fate—Genesis released pop music—Pink Floyd went pop—and The Who also went pop. Rolling Stones released a cover of the song ‘Harlem Shuffle’ which was totally their worst.
Why was Queen singled out? Strong expressions of gay sexuality were taboo in the states. Despite being multi–faceted Queen had only the one face in America. Flamboyant is code for gay. Liberace had the straight audience believing what they wanted to believe. Freddie did not suffer fools.
I went to Giants Stadium to see Pink Floyd, Genesis , The Who, and Rolling Stones on separate tours during the ’80’s. Their music was not very good at the time. It was crazy to me that Queen did not tour here. My theory was that Freddie’s HIV status prevented them from playing here. Sad but true.
In my teenage years I knew many people who were either indifferent to my love of their music or could not get into it. And a lot of the time gay people fit their stereotype with a love for disposable pop or dance tracks. I can tell you the Hot Space CD was on a jukebox in a gay bar.
The Queen album most likely to be on any jukebox was Greatest Hits. Unfortunate since I always thought they had great songs that were never going to be hits. No doubt about the high number of singles/hits in their catalog. Later in this blog post I have listed my all–time favourite Queen songs.
Guns N Roses, Motley Crue, and Twisted Sisted were all influenced by Queen. The lead vocalists of those groups wore even more make-up than Freddie! Yet since they were hard rock/metal Americans accepted them. The make-up bands of the period were largely from America. Paradoxically this is also when the biggest make-up band ever, KISS, took their make-up off!
Unknown at the time that Dee Snider (Twisted Sister) and Nikki Sixx (Motley Crue) were in the crowd that saw Queen open for Mott the Hoople at New York’s Uris theater on Broadway, it makes perfect sense.
Until the Freddie Mercury tribute concert at Wembley stadium few Americans understood just how much Queen had influenced the heavy bands of the 80’s. The line-up featured England’s Def Leppard, America’s Guns N Roses and Extreme alongside Elton John, George Michael, and David Bowie. Eclectic to the end Queen also invited Freddie’s main influence, Liza Minnelli to the proceedings. He got so much ridicule from the press for loving Liza as well as Hendrix.
I believe today that Queen got into my marrow, my DNA because their image and music were original. Upsetting the status quo was part of their appeal. Decades after his death the film of his life was a blockbuster. He kept the mystique. Proving that no other rock performer could rival him, Queen became paragons of rock music. Today their legacy has grown in leaps and bounds.
Taking them into my heart has kept me alive too. Queen have a few explicit anti—suicide songs. Mercury admitted in his final days that the image he worked so hard to build became somewhat of a monster to his personal life. Becoming less active, meeting a man named Jim Hutton who became his partner until the end was his ultimate goal.
For the first time since reading several biographies about Freddie I understand why ‘Somebody To Love’ was a personal favorite. Love is what we all need to survive. Take a listen to the many tortured love ballads he wrote and performed. His delivery is genuine. That’s also why it touched me so deeply.
I think it’s why I met my beloved husband Brian. I love him more than anything. He has made my life the best possible. Our mutual love of music with great singers has created a bond.
Here for the first time I have compiled my list of personal favourite Queen tracks. B-Sides and rarities are not included here. They are taken from the 15 studio albums released from 1973—1995.
My Favourite Queen songs of all-time
My Fairy King by Freddie Mercury on Queen
Great King Rat by Freddie Mercury on Queen
Liar by Freddie Mercury on Queen
Nevermore by Freddie Mercury on II
The Fairy—Feller’s Master Stroke by Freddie Mercury on II
Ogre Battle by Freddie Mercury on II
The March of the Black Queen by Freddie Mercury on II
Seven Seas Of Rhye by Freddie Mercury on II
Doing Alright by Brian May & Tim Staffell on Queen
Lily of the Valley by Freddie Mercury on II
Now I’m Here by Brian May on Sheer Heart Attack
Brighton Rock by Brian May on Sheer Heart Attack
Killer Queen by Freddie Mercury on Sheer Heart Attack
Bring Back That Leroy Brown by Freddie Mercury on Sheer Heart Attack
Stone Cold Crazy by Mercury, Deacon, Taylor, & May on Sheer Heart Attack
Flick of the Wrist by Freddie Mercury on Sheer Heart Attack
Misfire by John Deacon on Sheer Heart Attack
Bohemian Rhapsody by Freddie Mercury on A Night At The Opera
‘39 by Brian May on A Night At The Opera
The Prophet’s Song by Brian May on A Night At The Opera
You’re My Best Friend by John Deacon on A Night At The Opera
The Millionaire Waltz by Freddie Mercury on A Day At The Races
White Man by Freddie Mercury on A Day At The Races
You and I by John Deacon on A Day At The Races
We Will Rock You by Brian May on News Of The World
We Are The Champions by Freddie Mercury on News Of The World
Sheer Heart Attack by Roger Taylor on News Of The World
Fight From The Inside by Roger Taylor on News Of The World
Spread Your Wings by John Deaconon News Of The World
It’s Late by Brian May on News Of The World
My Melancholy Blues by Freddie Mercury on News Of The World
Jealousy by Freddie Mercury on Jazz
In Only Seven Days byJohn Deacon on Jazz
Dead On Time by Brian May on Jazz
Dreamer’s Ball by Brian May on Jazz
Don’t Stop Me Now by Freddie Mercury on Jazz
Dragon Attack by Brian May on The Game
Play The Game by Freddie Mercury on The Game
Rock It (Prime Jive) by Roger Taylor on The Game
Don’t Try Suicide by Freddie Mercury on The Game
Another One Bites The Dust by John Deacon on The Game
Flash by Brian May on Flash Gordon soundtrack
The Hero by Freddie Mercury on Flash Gordon soundtrack
Football Fight by Freddie Mercury (Instrumental) on Flash Gordon soundtrack
Battle Theme by Brian May (Instrumental) on Flash Gordon soundtrack
Staying Power by Freddie Mercury on Hot Space
Dancer by Brian May on Hot Space
Back Chat by John Deacon on Hot Space
Action This Day by Roger Taylor on Hot Space
Put Out The Fire by Brian May on Hot Space
Under Pressure by Queen & David Bowie on Hot Space
Las Palabras De Amor (The Words Of Love) by Brian May on Hot Space
Machines (or Back To Humans) by Brian May & Roger Taylor on The Works
Radio GaGa by Roger Taylor on The Works
Keep Passing The Open Windows by Freddie Mercury on The Works
I Want To Break Free by John Deacon on The Works
Hammer To Fall by Brian May on The Works
Is This The World We Created…? by Brian May & Freddie Mercury on The Works
Man On The Prowl by Freddie Mercury on The Works
One Vision by Queen on A Kind Of Magic
A Kind Of Magic by Roger Taylor on A Kind Of Magic
One Year Of Love by John Deacon on A Kind Of Magic
Pain Is So Close To Pleasure by John Deacon & Freddie Mercury on A Kind Of Magic
Friends Wil Be Friends by Freddie Mercury & John Deacon on A Kind Of Magic
Don’t Lose Your Head by Roger Taylor on A Kind Of Magic
Princes Of The Universe by Freddie Mercury on A Kind Of Magic
Breakthru by Queen on The Miracle
The Invisible Man by Queen on The Miracle
Rain Must Fall by Queen on The Miracle
Scandal by Queen on The Miracle
Was It All Worth It by Queen on The Miracle
Innuendo by Queen on Innuendo
I’m Going Slightly Mad by Queen on Innuendo
I Can’t Live With You by Queen on Innuendo
Ride The Wild Wind by Queen on Innuendo
The Show Must Go On by Queen on Innuendo
In 1995 Queen released Made In Heaven which re-worked some of Freddie’s songs from his solo debut Mr. Bad Guy. The record featured Mercury’s final songs. “A Winter’s Tale” was his last composition. The lyrics described Montreaux, Switzerland in his final days. The list of my all-time Queen songs continues below with the band’s posthumous release.
Mother Love by Freddie Mercury & Brian May on Made In Heaven —This was the last track he recorded.
A Winter’s Tale by Freddie Mercury on Made In Heaven
Queen Retired—Legacy Grew
My least favorite Queen album, Made in Heaven, was followed by years of inactivity. Then in America TV commercials began licensing their hits. LA Gear used We Will Rock You; Diet Coke used I Want To Break Free; Mountain Dew used Bohemian Rhapsody even copying the now iconic promo clip. These are just a few examples.
From 2004—2009 Queen added Paul Rodgers of Bad Company to their line-up. He was one of Freddie’s favorite singers. In the 1960’s he fronted Free. In the 1980’s he fronted The Firm with Led Zep’s Jimmy Page.
The Queen+Paul Rodgers tours would return Queen to North America for the first time in 20 years! I never missed a show in New York. However, this line-up never played The Garden.
American Idol, a talent search reality series would enable a meeting that was pure fate. Adam Lambert, an American youth who was also out auditioned by singing ‘Bohemian Rhapsody’. Queen are his favorite group. Idol invited Brian May and Roger Taylor to perform with the show’s 3 finalists for its season finale. Adam came in second but in my opinion he really won.
Eventually Queen would announce touring with Adam Lambert fronting the group. It was made explicit that he would never replace Freddie Mercury. For the past decade now known as Queen+Adam Lambert touring the globe again.
And this line-up brought Queen back to Madison Square Garden for the first time since Hot Space! The setlist celebrated the band’s live at the Rainbow concert in support of Sheer Heart Attack. They opened with II’s ‘Procession’ and Sheer Heart Attack’s ‘Now I’m Here’.
Adam Lambert has released new solo records while touring with Queen. He sang ‘Believe’ at the Kennedy Center Honors bringing Cher to tears!
His presence on stage is truly a sight to behold. Bringing back the flamboyance of Mercury without mimicking his moves. Adam’s voice is his own unique stamp. He can sing any Queen tune. He has a new album out now called Velvet.
The shows proved so successful that Queen returned to celebrate their News of the World album next time around. Complete with Frank the Robot in full mascot mode. Opening their shows with ‘We Will Rock You’ like they did in 1977. Brian May performed his solo against a backdrop of stars fitting for an astrophysicist.
Their current tour is centered around the global success of the film “Bohemian Rhapsody” which tells Freddie’s story. Albeit with a completely incorrect timeline of events to create a cohesive cinema narrative.
In Freddie’s brilliant words it has been no bed of roses for Queen. For 20 years, 1971—1991, they reigned with the same line—up of 4 creative songwriters with extremely different personalities. Fans felt proud of their achievements.
Then the untimely death of Mercury from AIDS in November 1991. Queen ended. I always thought they could continue if the right elements fell into place.
Elton John performed with them during a final concert as Queen. Mr. John sang ‘The Show Must Go On”. He encouraged Brian and Roger to find a way. He said of their catalog of hits: ‘it must be like having a Rolls-Royce in the garage that you cannot drive anymore.”
Having them back today means so much to me. I want Queen to go on forever…
In my lifetime I have not played another artists music as often as Queen. They have rescued me many times with their life affirming works.
I have many other favourite music groups: Iron Maiden, Black Sabbath, Rolling Stones, Bob Dylan, The Beatles, Judas Priest, Styx, and Elton John.
The Queen sound is unique and original. Their music is not rock nor disco nor black nor white. It’s Queen music.
The Queen catalog has sold over 300 million records worldwide. They are tied with The Allman Brothers Band at #52 on Rolling Stone’s list of Best Artists.
In England Queen Greatest Hits is the top selling record in British music history. Greatest Hits II is #10.
The Queen studio album catalog seen below does not include The Cosmos Rocks. That album featured Paul Rodgers.
Today the world is quite different then the early 1970’s. The band’s legacy has become it’s own cottage industry. The Queen Online website is updated every day. The Online Store has a line of goods that any fan would enjoy.
The Royal Mint in the U.K. has issued Queen coins in sterling; The Royal Mail will issue Queen stamps on July 9th, 2020 featuring 8 album covers including The Game and News Of The World and a set of 4 concert images from their world tours plus a proper band portrait as seen below.
Queen become the third British band to receive this honour following The Beatles and Pink Floyd.
Queen have a star on the Hollywood Walk of Fame. They were inducted into the songwriters hall of fame and most recently were given a Lifetime Achievement Grammy.
“Bohemian Rhapsody” became the highest grossing bio picture of all–time. Rami Malek won the Best Actor Oscar for his portrayal of Freddie Mercury.
The film won a Golden Globe for Best Picture.
On YouTube Queen+Adam Lambert released a new version of their classic “We Are The Champions” called “You Are The Champions” to help raise funds for Covid—19 relief workers via The World Health Organization and U.N.
Drummer and Vocalist Roger Taylor’s daughter appears in the video. She is a nurse!
Another week is done. I have calendars in my apartment. Two in fact. One features puppies in silly outfits and poses to fit the month/season. The other is a New Yorker magazine cartoon-a-day.
The small things that went unnoticed are now prime pins in my mental machinery. They keep me safe. Taking an anti-depressant is the other component in this equation.
Here we are in New York without sitdown service in restaurants. One diner remains with delivery. It’s called Midnite Express after the drug trafficking movie from the 1970s.
Funny to think how the underbelly of society is operating now. Are they wearing masks too? Everyone is required to wear them now.
So with all this time on our hands we come up with projects. My latest was listening to the entire Bob Dylan catalog. I found out I could listen to 9 albums in one day. This infuriated my beloved husband but I was determined to finish in less than a week.
No theater. No baseball. No concerts. Summer will present a challenge. No day trips. May there be no heatwaves nor hurricanes. Oh, the city pools will not open. The last time that happened was the polio pandemic.
We should remind ourselves daily we must allow the health sector to do its best to curtail new illness. We should also keep in mind that all workers are valuable in any economy. Do not scapegoat.
At 7 each evening New Yorkers are banging pots and pans while cheering for nurses and doctors; food deliverers, store clerks; pharmacists, drugstore clerks. Hand in hand those with advanced educations and those with limited resources are working together to keep us all safe.
The city is quiet. You cannot help but feel how fragile society can become when faced with these unusual circumstances. New York pride was once about being open all the time. Things have changed.
Before the pandemic hit Manhattan the complaints to 311 (our city services number) over noise was hitting records. Subway ridership was bursting, and tourism was high.
Now those complaints are not happening and the subways are empty save essential workers. No tourists.
The past 2 administrations created a city for visitors. This has proved to be a shortsighted vision. Without their revenue now what do we do?
The city sleeps. Schools are closed. Life will not return to normal. Our lack of hindsight has proven to be our folly in 2020, funnily enough a year whose numbers literally mean healthy vision.
Last night at twelve Bob Dylan released another single, “I Contain Multitudes”, referencing Walt Whitman, Anne Frank, and the Rolling Stones! Mr. D is doing his part.
Their debut release in 1969 on indie label Gull was a bluesy hard rock affair that went unnoticed by most.
Naming the band for a Bob Dylan song seemed off. “The Ballad Of Frankie Lee and Judas Priest” is a crossroads tale of two strangers meeting on a road in the forest.
Only in hindsight does this become an ingenious origin for their moniker. If you listen to the song the idea is really cool. Judas Priest is a dark figure. Embued with a mystique that fits the band’s image.
Black Sabbath are widely acclaimed as the fathers of heavy metal music. The formative period for Judas Priest were spent in the shadows cast by the bigger acts of the time.
Until Deep Purple’s Roger Glover produced their major label debut, “Sin After Sin” on Columbia.
Covering Joan Baez’s “Diamonds & Rust” would broaden their sound. Their composition, “Vicitm of Changes” became a live staple during this era.
The late 1970’s was quite exciting for heavy music. Van Halen debut. Queen’s ‘News Of The World’ album goes multi-platinum in America. Judas Priest were about to unveil two metal masterworks.
Judas Priest unveil their best work to date. The name of the record is changed to ‘Hell Bent For Leather’ in America (‘Killing Machine’ in the rest of the world). The band present a new image wearing leather and studs.
Songs celebrating the biker lifestyle incorporate new guitar techniques that would become part of the heavy metal art form.
“Rock Forever”, “Take On The World”, and the title track formed a trio of anthems. “Before The Dawn” is a power ballad that I think tops them all.
The record brought a sound that would continue to develop over the next three decades.
The band’s cover of the haunting ‘Better By You, Better Than Me” by Spooky Tooth became a fan favorite. The song was at the center of a trial years later.
Proving Their Steel
The dawn of the 1980’s would bring Judas Priest into the long out of reach limelight.
The album ‘British Steel’ stripped down the music to a lean muscular form. “Living After Midnight” became a rock radio hit. The song began their music video history.
Priest continued to evolve using different sounds on each album. “Point Of Entry” followed in 1981.
Three singles with videos: ‘Headin’ Out To The Highway’, ‘Don’t Go’, and ‘Hot Rockin’ were all catchy songs that took pop melodies into metal.
Visions of motorcycle rides in the desert was the overall feel of the work.
‘Desert Plains’ was part of the current Firepower tour playlist.
“Screaming For Vengeance” became the defining statement that Priest were the metal band. The anthem ‘You’ve Got Another Thing Comin’ hit radio rising to the top. The band toured extensively. American rockers fell in love.
The album featured the first in what became a series of mythic metallic monsters on their covers.
The Hellion is a metal Eagle soaring above looking for justice for those who have been wronged. ‘Fever’ , ‘Devil’s Child’ , and ‘Ridin’ On The Wind’ are stellar songs often overlooked.
By 1984 heavy metal music was a primary force in the American rock scene. Small towns/suburbia felt besieged by the culture. Long haired kids in denim and leather; patches of bands decorated their jackets.
“Defenders of the Faith” in my opinion is still the modern most influential metal record. Every fan owns this record. The Metallion is the beast of choice on its cover.
It’s a take no prisoners anthemic, macho declaration of heavy metal glory.
The radio smash ‘Some Heads Are Gonna Roll” followed by the sex driven ‘Eat Me Alive’ and ‘Love Bites’ alarmed conservatives.
The band rose to the top. Then hysteria in the form of local teen suicide being blamed on the music. Judas Priest were blamed for a fan death. They were acquitted in court.
Pushing the art form of metal into new directions was part of the band’s mission. Their records always incorporated the latest technologies.
The Turbo Age
Then in the summer of 1986 the Priest changed direction. ‘Turbo’ featured guitar synths. Giving their sound a much more pop friendly polish. There was a decidedly mixed reaction.
Singles like ‘Turbo Lover’ and ‘Locked In’ gave the band great top 40 success. A lot of kids at the time listened to Priest for the first time.
The record was envisioned as a double record by the band. Columbia records would decline to allow such an ambitious project despite the band’s popularity.
Bound For Glory
“Ram It Down” was the second half of “Turbo” released separately. No metal beasts on their covers; anthems & ballads. I love both albums. Some fans became disgruntled by the new sounds.
The band even recorded a cover of Chuck Berry’s ‘Johnny B. Goode’ for a movie soundtrack. Quite a commercial move for a metal group. This track appears on ‘Ram It Down’.
The ups and downs are inevitable in the music business. Opinions change over time. Some of the more pop oriented moves are now seen as a blip in a history full of mostly metal glories.
After leaving the band for solo albums in the early 1990’s, Rob Halford returned as lead vocalist for an album that would once again raise the bar for metal music.
Ripper Owen’s Era
Things change. When their iconic frontman left the band the future became foggy.
A singer in a Judas Priest tribute band by the name of Tim ‘Ripper’ Owen’s became their vocalist. His nickname from a classic Priest song.
Two albums are released. It’s the 1990’s. “Jugulator” features a metallic beast on its cover. The music is solid metal. Fans were indifferent.
I had the opportunity to meet them after a show at Roseland ballroom here in New York. It was gratifying to tell them how much I loved their music and concerts. I gave Tim Owens a pat on the back. No one could fill Rob Halford’s boots.
Back On Top
“Painkiller” is arguably the best metal record ever made. The metallic biker on the cover is a winged hero. Every song is heavy. Halford’s voice was never better. The twin guitars of Glenn Tipton and K.K. Downing are at their peak.
I got to see them in their peak years. Never a disappointment. The songs were always representative of their entire career.
“Angel of Retribution” was Rob Halford’s return to the band. A solid effort. During this time the band’s albums showed a marked return to their late 70’s early 80’s sound.
“Redeemer of Souls” was a great follow-up album to “Painkiller”; “Nostradamus” was a double album that returned the band to their roots. A decidedly non-commercial epic aimed at their most dedicated fans.
Today the band enjoys their fame. Rob Halford has the nickname, Metal God, for the song and his amazing voice. Always proud to be metal, the community loves Judas Priest.
“Firepower” was their 18th studio album released in 2018 and the tour is still going strong. Well received by critics and topping the charts the group is poised to celebrate their 50th Anniversary in 2020.
They are nominated for induction into the Rock N Roll Hall Of Fame in 2020.
At the end of the 1960’s there was much turmoil from politics. Music experienced psychedelia, folk, and lots of drugs. What came next was quite a turn…
Young men started bands. Influenced by artists who put out their first records in the 1970’s they continued a style and mantra critics saw as a flash in the pan.
Glam. Fancy dress. Machismo. Electric guitars. Rock players who had worn t-shirts and jeans now displayed leather and satin. Studded belts and wristbands accessorized the look.
KISS released their debut in 1973. The band’s name was set in glitter. Paul Stanley saw the New York Dolls dress up in satins. He took this style into a much heavier rock music.
Alice Cooper went solo in 1975 unleashing his version of this heavier rock music on the masses. He became one of the leaders in hard rock wearing satin outfits onstage as well as leather.
Slade from England and T-Rex also led the glam charge. The next wave of music would take this even further to create glam metal.
The guys who looked like girls in the 1970s like David Bowie or Marc Bolan would evolve into bands that looked fem but played hard with macho looks.
Motley Crue, Poison, Def Leppard, Bon Jovi, Hanoi Rocks, and Guns n Roses come to fame during this era.
Big hair, leather, spandex nd make-up are it. Labels sign bands like Twisted Sister, Ratt, Winger, Bullet Boys, Warrant and many others in their wake.
Funny enough that KISS retired their trademark makeup at a time when their progeny put it on.
I came of age at this time. My first hard rock record was “Blizzard of Ozz” by Ozzy Osbourne, the former lead vocalist of Black Sabbath. Iron Maiden’s “The Number of the Beast ” was my first metal record.
While glam metal started up many bands from the previous era developed into heavy metal—Judas Priest and Iron Maiden. Both bands to this day are regarded as the top two acts in all of metal.
Scorpions from Germany also became one of the biggest metal acts in the world. “Rock You Like A Hurricane” was fierce; “Winds Of Change” was a ballad that appealed across the globe.
During these years, Rob Halford of Judas Priest wore leather outfits head to toe with studded jewelry. Paul DiAnno, the singer on the first two Iron Maiden albums wore leather pants as did the entire group on their early tours.
Every fan wanted to dress like their heroes. The black leather motorcycle jacket became synonymous with the art form. Guys wore band tee shirts too. The truly passionate wore leather pants as well.
I attended many concerts during this era. The concerts were KISS shows from the 1970’s brought up to date with new effects and sound equipment. Lighting rigs were state of the art.
When you went to the record shop you could easily pick out the hard rock/metal groups because of their image. A band’s logo was another tell tale sign.
Jagged type with dripping letters highlighted in primary colors were a big part of the logo.
The albums of these groups sold millions upon millions. There were several records released in the Glam era that are all-time best sellers including Bon Jovi’s “Slippery When Wet” and Def Leppard’s “Hysteria”.
Debut albums from Skid Row, Cinderella, Motley Crue, and Poison also sold millions.
Glam’s influence would impact other groups too. From Cheap Trick’s “One On One” to Judas Priest’s “Turbo” the sound of glam metal appealed across the spectrum of sounds.
Billy Squire would have his biggest records, “Don’t Say No”, “Emotions In Motion”, and “Signs Of Life” during the glam metal years.
I went to live shows to see Ratt perform their hits like ‘Round and Round’ and ‘You Think You’re Tough’ but also to be a part of the metal community.
Fans showed up to the Meadowlands arena in New Jersey in full leather outfits! Guys had long hair too. It was amazing.
The music happened to be great. The bands that got play on MTV had videos that matched their looks. Twisted Sister’s videos are among the most memorable ever produced.
The outfits, the logos, the hair, and the music made it all possible. Two of the components on every record were anthems and ballads.
KISS had anthems like ‘Rock N Roll All Nite’ and ballads like ‘Beth’. Every 80’s glam metal act would follow suit.
Skid Row had ‘Youth Gone Wild’ and ’18 and Life’; Twisted Sister had ‘We’re Not Gonna Take It’ and ‘The Price’. Quiet Riot would score with cover songs by Slade: ‘Cum On Feel The Noize’ and ‘Mama, We’re All Crazee Now’ catapulted them to the top.
Glam metal fans continue to be devoted to their favorites. Today we are drowned by commercial mainstream pop. While not all of it is bad we yearn for heavy guitar chords to return us to former glam glories. There are new listeners today discovering these sounds for the first time.
Having begun to re-listen I have found how much I still love this type of music too. I do not have long hair anymore, but I do love the look and sound of glam.
A couple of bands making great music today are Blind Guardian and Dragonforce. Considered Power Metal I think they use some glam elements in their productions.
Their lyrics are akin to reading a fantasy epic by Tolkien along with guitar instrumentation that updates that glam metal sound from the eighties.
This art form is a form of escapist entertainment that has had its share of adversity.
During the 1980’s there were attempts to censor lyrics which led to labeling records ‘explicit’.
Organized religion especially Catholicism has often been at odds with metal music. What they view as satanic others see as rebellion.
Many metallers are just devil-may-care in their attitude. And sure, some do worship the dark lord, not that there is anything wrong with it.
Ghost are a perfect example of a current group that took all of its former influences from The Doors and Queen to Priest & Maiden producing a fresh blast of glam metal on the dark side. If you love music check them out.
In fact the opposition to all metal music enables it to continue to thrive.
There are now a multitude of radio stations that play it and magazines publish articles everyday updating a listener following that spans the entire world.
Loudwire, Rock N Roll Garage, Metal Voice are a few of the websites that publish every day.
Sirius XM has Ozzy’s Boneyard that plays classic metal.
I think it’s time for glam and metal to make a return. Perhaps 2020 will see it rise again. Tool topped the charts with “Fear Inoculum ” this year. A good sign for metal.
NYC Public Library had a free exhibit documenting the Stonewall Inn in 1969. NYC lights the Empire State Building in rainbow colors. #LGBTPRIDE uses social media to promote the celebrations. STONEWALL 50 has been branded with its own logo.
There is a lot of attention when a milestone anniversary is reached in America. This year marks 50 years since the Stonewall Inn, a dive bar in Greenwich Village, became the epicenter of the modern Gay Rights movement.
Despite the importance of this moment in history it is not taught in public schools. Until this moment in time all homosexuals were thought to be deviant, perverse, and mentally ill.
A history not taught is a history made invisible to the mainstream.
Today many groups that include Women, African-Americans, Latin-Americans, Mexican-Americans, Asian-Americans, and Lesbian, Gay, Trans, Bi, Questioning peoples are struggling to have their stories told. To be rendered visible begins the process of becoming equal under the law.
Following World War II in which many homosexual and lesbian people gave their lives the straight white politics of America reinforced its culture by driving homosexuality into closeted oblivion. No visibility allows demonization. For hundreds of years homosexuals have been murdered and outcast without legal recourse.
America’s laws have been cruel to minority people since its inception. Only straight white property owners were fully recognized as equal under our laws.
The hard struggle for the emancipation of slaves led to their being set free from their brutal owners. Freedom meant that white men were free to murder them. Their civil rights were not fully recognized until the 1960’s. Their struggle continues to this day. Not allowed to build wealth of any kind, African-Americans have never been able to catch up with whites.
Gay/Lesbian/Transgender/Bi/Queer/Questioning black people are for this reason not even on par with their white queer brothers and sisters. This must be stated because Stonewall happened in the crucible of the civil rights movement. Collectively our struggles must help each other.
The Civil Rights Movement and the Women’s Rights Movement enabled the moment when homosexual and lesbian people could collectively rise together against their oppressors.
In the 1960’s the law proscribed that nobody was allowed to wear three or more articles of clothing that were not gender conforming. Men could not wear any clothing deemed feminine and women could not dress as men. Homosexuality was illegal in many states. You could be fired if you were out. Our culture thought it normal to make fun of homosexuality; violence against our community was deemed legally fit.
Stereotypes of the homosexual as less masculine were reinforced in movies, television shows, and music. Then one fateful day the patrons of Stonewall stood up for themselves.
Keep in mind that many homosexuals were closeted for decades due to the shaming of our queerness for generations. Loss of family, work, and potentially lives were the reason so many remained silent.
This was the reason organized crime took ownership of The Stonewall Inn. Gay bars were not allowed to serve alcohol; dancing was not legal in many establishments.
Before the raids took place someone was usually tipped off that the cops were coming. The liquor would get stashed away. Anyone who was not gender conforming could escape before the patrons were taken away to jail.
On June 28, 1969 the police raided the Stonewall without warning. Several of the patrons in the bar that night refused to take the ill treatment of the police anymore.
Police raids on gay bars was common during the 1950s and 1960s. Patrons would get lined up, names taken, and some officers took it upon themselves to degrade trans people, people of color, lesbians, and gays. The newspapers would publish their pictures. Forcing gays out of the closet without any legal standing happened daily.
The Stonewall Inn’s patrons backed out of the bar leaving the cops inside. They filed out into the narrow streets. They rose up to resist the police. Despite many being dispersed after that first night many people gathered in the following days and nights that resulted in several confrontations with law enforcement.
There were peaceful protests too. Kick lines formed to mock the stereotype used to define and defile the gay community. Judy Garland had just passed away. The myth that her death fueled the riots is pure nonsense. The uprising took place because not being treated as human finally reached the breaking point.
Rocks, bottles, and fists were used to fight back the brutal opposition. Stonewall burned in the ensuing riots. The aftermath would result in other cities taking notice of the new visibility of homosexual and lesbian people. A movement began. San Francisco, Chicago, Philadelphia, Detroit, and L.A. soon followed with new groups to defend the rights of LGBTQ people.
The first year anniversary of the riots were marked by the first Gay Rights March in Manhattan. It was titled Liberation Day.
In just a few years hundreds of groups would form to defend the rights of Gay, Lesbian, and Transgendered people. The Human Rights Campaign and GMHC (Gay Men’s Health Crisis) are two of the groups I have supported for years.
The marches have promoted themes of equality, protest against Presidents who stood against LGBTQ people, and called out policies that hurt our community.
There are still many people in power who choose to oppress rather than lift up minority people.
For the millions who stand up for equality we are not claiming special rights. We want equal rights under the law. To love, marry, raise kids, and live together in a peaceful world. Displaying our bodies in the public square allows us to claim our person hood, bond with others, and be ourselves.
Gay Pride Day has evolved over the decades since the Stonewall Uprising. Today, the march down 5th Avenue to that bar in The Village represents tens of millions of people around the world. Holland, Germany, Spain, Brazil, Russia, Israel, Poland, France, Netherlands, Thailand, Hong Kong, England, Ireland, Chile, and on and on celebrate LGBTQ pride.
The image gallery below shows expressions of pride: Top Left: 3 gay couples kiss. Middle Left: Gay Leather men march. Bottom left: Trans youth celebrate. Top right: A young man celebrates pride, perhaps coming out for the first time. Bottom right: a lesbian couple embrace.
Despite the ongoing threats of ignorant policy makers, hate groups, and others the LGBTQ community includes everyone in our celebrations. Our democratic ideals cannot otherwise be realized.
Thank you reader for taking time to read my blog! Evan’s Gate continues throughout the summer. Feel free to follow this page.