John Lennon 1980 Playlist

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John Lennon: 1980 Playlist by Tim English
Independently published; 245 Pages.

Tim English is a noted authority on musical plagiarism. He has been in the Chicago Tribune and on BBC Radio 2.

His research is expertly presented here as a playlist divided into the four seasons that make up a year.

In this case the year is 1980. The creative rebirth of John Lennon and the tragedy of his death in the same year.

If you think you already know everything about Mr. Lennon you will be gobsmacked when reading this book. You will discover so much about the former Beatle you did not understand.

Why John Lennon stepped out of the music business for five years was the birth of Sean. He took on the new role of house husband. Today we accept this role for men as normal. In the 1970’s this was considered strange.

Mr. English informs his readers of all the music being released during John’s absence.

The tempermant of an artist is fragile. For a while John Lennon was musically set adrift after the sixties. The long shadow of The Beatles had to be accepted by him. He knew his solo work would never compete with that legacy.

We discover why The Beatles became rock’s most influential group. We find John struggling to find his next chapter.

Among the artists that made John want to record again are Bob Dylan, Paul McCartney, and Bruce Springsteen.

He stayed on top of every musical shift in the seventies. He loved Donna Summer. Blondie were his favorite group. Along with The B-52’s, The Pretenders, and Elvis Costello, new wave caugh his fancy as well.

Artists like John Lennon absorb the culture around them like a sponge. Their taste becomes eclectic. What they want to express musically is an exacting process.

Double Fantasy took several years to create.

This book provides the rest of the missing pieces. It’s a journey music lovers should take. You may find yourself learning how to be a better listener. Your musical taste will be much improved too.

In The Limelight

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In the Limelight

THE VISUAL ECSTASY OF NYC NIGHTLIFE IN THE 90S

By Steve Eichner and Gabriel Sanchez

Published by Prestel Verlag, Munich · London · New York, 2020.

Hardcover $45.00 Oct 20, 2020

224 Pages | 9-1/4 x 11

ISBN 9783791386812

Documenting the birth of a radical era of music, fashion, pop culture, media, and art, Steve Eichner was hired by Club King Peter Gatien to make images of his clubs.

Sex, drugs, and dance music created the perfect cocktail of hedonistic bliss set amid a backdrop of iconic parties that catered to revelers every whim. 

On any given night, one could party alongside celebrities, club kids, drag queens, ravers, hip hop heads, models, banjees, body boys, bondage slaves, goths, and the bridge-and-tunnel set at legendary nightclubs like Tunnel, Palladium, Club USA, Roxy, and Limelight.

At a time when people from all walks of life came together at night to celebrate themselves. There was universal respect. No one could see what went on inside these nocturnal spaces…until now!

Steve Eichner was the official photographer of NYC nightlife. There are 200 brilliant images in this book.

Here is a sample of his work:

Shampoo Room at The Limelight 1995 (c) 2020 Steve Eichner.
(From Left): Sushi, Richie Rich, and Ernie Glam at The Tunnel 1995 (c) 2020 Steve Eichner.
The Palladium, 1995 (c) 2020 Steve Eichner.

This collection of vivid good times comes at a point when we could use a reminder of the days when people gathered in mass.

Ordinary people became clubbers. They rubbed shoulders with celebs and danced the night away.

Here, a new group of upstarts of all races, ethnicities, genders, sexualities, and economic backgrounds came together on the dance floor in a celebration of PLUR (peace, love, unity, and respect). 

This book will be a great addition to any coffee table this upcoming holiday season.

Available for Pre–Order here:

https://www.penguinrandomhouse.com/books/646485/in-the-limelight-by-steve-eichner-gabriel-sanchez/

Steve Eichner

https://steveeichner.com/

Gabriel Sanchez http://gabrielheliosanchez.com/

Bon Jovi/ 2020

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Originally set for release on May 15, 2020 was a completed album with a breadth and depth of songwriting, titled for a challenging and pivotal election year.


Bon Jovi’s 2020 released through Island Records.

Rating: 5 out of 5.

Along with all of America, Jon found himself unexpectedly experiencing a world-altering coronavirus pandemic, followed quickly by the staggering events of George Floyd’s death and the ensuing national movement for racial equality.

He knew there was even more to say about 2020. Writing from a home studio, two new songs were born: “American Reckoning” and “Do What You Can” encompass these events and made the album a complete body of work.  

Well known for his extensive philanthropic work, Jon spent the initial quarantine days and weeks with his wife Dorothea helping feed those in need at their JBJ Soul Kitchen Community Restaurant in Red Bank, NJ. 

Later, the couple opened a Food Bank on the East End of Long Island to meet the food demands of the in-need population there. 

I had the privilege of meeting Jon Bon Jovi by chance at The Armory Art show in New York city.

I expressed my thanks to him for all of the good works. Also how much I was looking forward to his new album.

Not knowing the tour and album would be postponed made me think about all we as a people are facing together.

Without further ado, 2020 is a musical salve for a genuinely pivotal year. These 10 songs bristle with equal doses of joy and despair.

Addressing the pandemic, mass shootings and racial justice the music remains on a remarkably even keel throughout.

Bon Jovi has crafted a meaningful record that enables its listener to reflect on all that has happened to us while looking forward to the future.

Track List:

Limitless (Jon Bon Jovi, Billy Falcon, John Shanks)

Do What You Can (Jon Bon Jovi)

American Reckoning (Jon Bon Jovi)

Beautiful Drug (Jon Bon Jovi, Billy Falcon, John Shanks)

Story of Love (Jon Bon Jovi)

Let It Rain (Jon Bon Jovi)

Lower the Flag (Jon Bon Jovi)

Blood in the Water (Jon Bon Jovi)

Brothers in Arms (Jon Bon Jovi)

Unbroken (Jon Bon Jovi)

Tonight iHeart Radio will broadcast a special album launch for 2020. The band will play select songs from the new album plus Bon Jovi classics.

ELW Photography #8

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A couple of weekends ago my husband and I were transported out of the city for the first time this year!

My super amazing sister-in-law and brother whisked us away to their home upstate.

You see my beloved Brian’s birthday is coming up this week so this was a celebration.

August 21, 2020

Upstate NY is bucolic with mountains, rolling hills, and picturesque farms.

Set within this menagerie is a home full of love and wonder.

My sister-in-law gets organic produce delivered and grows vegetables on her deck.

She whipped up salads full of flavor within minutes. Our niece made a surprise pop-in with a friend too.

Dear readers, we are all in good health with no reason to fear being exposed to Covid. We are moving on.

Following our lunch we were taken on a scenic drive around rural towns leading to our destination of Rhinebeck, NY which is home to the State fair. This event was cancelled this year.

Our first set of images were taken in this charming village. The community has restrictions in place. Indoor dining returned everywhere North of the city! We were able to celebrate my husband’s birthday inside a restaurant!

On our way back to the city we visited Cold Spring. This town has interesting shops with antiques, records, and sweets.

Social distancing rules are in place.

There were walking patterns too. On our visit the town of Cold Spring was not crowded.

Cold Spring was lovely. Signs of hope were everywhere.

Scenic Cold Spring, NY

Seeing family again fills you with love.

SoHo

A return to downtown for the first time this year! A very warm sticky day. Lots of great people watching.

In green tee and shorts is my hubby. Another Birthday brunch with a friend.

Open Streets is a city program that closes off certain blocks to traffic for cleaner outdoor dining.

The above gallery at the top you can glimpse a selfie I took in a men’s store.

Gotta Have Park!

Although it’s late August there are still hot days ahead. The park provides great moments from sweet dogs to cool people.

Riverdale, NY

My hubby and I saw my parents for the first time this year!

Johnson Avenue is an open street for eateries. At W.235th and Riverdale Avenue.

There are teeny cars and tricycles provided free of charge for families with toddlers.

Summer always goes by the quickest. Warm to hot days; far less clothes; being. The crisis is not over. We have a long way to go yet. Let us all hope the days ahead are healthier.

For this week I will leave you dear readers with a gallery of lovable poochies! After all these are the dog days…

Thank you for visiting Evan’s Gate!

See you next week as September arrives…

Band of Misfits

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Queen formed in 1971. Their debut album was released in 1973. Several major labels turned them down. For 20 years Queen were: (L)—(R): Roger Taylor, drums/vocals, John Deacon, bass, Freddie Mercury, Lead vocals/piano, and Brian May, Guitar/vocals

The year was 1979. A pre-adolescent boy who was collecting his first records discovered a mail-order music club. Offering 14 LP’s for a penny as their introductory hook was too good to pass up. When the records arrived I opened up the albums with great anticipation.

I was always eclectic in my tastes for music. There was Waylon Jennings, Aerosmith, Jackson 5, and Queen among the selections. The record with the biggest impact was Queen Live Killers, a gatefold 2 LP package with a collage of full color images from their European and North American Tour in support of their Jazz record.

There on full display was Freddie Mercury in tight black PVC pants and jacket (shiny like leather) with his jacket open to reveal a bare chest. Unknown to me at the time was the cabaret style he was doing. This was a new image for him in 1978/9.

All I know is the first time I saw an image of Freddie Mercury was a poster from their ‘Opera’ Tour. His penchant for stripping onstage thrilled me to no end. Onstage in candy stripe shorts and red suspenders with the band’s logo in the center of the poster. My eyes popped out of my head like a cartoon wolf.

Although years later I heard how much the band disliked the mix of the record I felt strongly it was a great representation of their live sound. I loved how they played a medley of hits too.

I was taken aback by how different the songs sounded in a live setting. Nothing like the studio engineered layers of over dubs or multi-tracked vocals.

Except for a brief spell following the release of their bio-picture, “Bohemian Rhapsody”, I have never lost interest in them. That brief interlude was caused by too many kids finding them based on their parent’s tastes. Hey, that’s life!

For many years it was hard to find any Queen memorabilia in the states. I know this sounds crazy to the listeners of today. There are websites. Obviously there is the Queen Online Store which always has a great selection of Queen everything.

Back in the 1980s in America after their popularity fell away we had record stores and rock t shirt stores. Freddie Mercury’s most dramatic transformation into gay clone in 1980 was not appreciated by a largely straight audience.

Despite the huge success of The Game in ’80, the band ended their decade long relationship with Elektra records. The label released a Greatest Hits album in 1981. At the time it felt like rock fans were putting Queen out to pasture. Their Elektra years were ending.

‘Another One Bites The Dust’ by bassist John Deacon borrowed heavily from Chic. Becoming the best-selling single in Elektra’s history it topped The Doors’ ‘Light My Fire’, which gave the band an idea that funk rock was gaining traction in America.

The fact that Queen were in Munich, Germany enjoying the nightlife a bit too much influenced the next platter a lot. Freddie Mercury without stating it officially was out to anyone with two eyes, especially if you were gay.

What happened next was a mix of bad timing and trends that would exile Queen from the USA until well after Mercury’s death in 1991. In fact when he died I remember a news anchor stating there was bad news for fans of Queens. Queens? That was how out of touch our media were with Mercury’s death.

Rolling Stone magazine was never particularly kind to Queen. Freddie’s Obit was a single page in an issue with Michael Jackson on the cover. He was not an American star. I felt that kept the band’s mystique intact.

‘Hot Space’ was the final record owed to Elektra. The band never conformed to what their label wanted especially when it came to album covers. The label’s demand for a band photo was ignored for years. Greatest Hits has a portrait of the band taken by Lord Snowden. It has become an iconic image. The label got their wish granted by contractual obligation.

Freddie Mercury had a brief friendship with Michael Jackson. Mr. Jackson was a huge Queen fan. He was the impetous for releasing ‘Another One Bites The Dust’ as a single. Queen had a #1 hit with it. The new direction was clear for at least Freddie Mercury and John Deacon.

Freddie and John developed a friendship over the years based upon a mutual love for Motown music. The divide in Queen was clear. Brian loved heavy guitar driven music. Roger was into Punk then New Wave. Swaying him into drum techniques outside of traditional rock was done.

In the early days when they were in college the members of Queen were united in their dreams of rock stardom. As they grew in stature with the the rock audience experimenting with different sounds became a reality. Roger Taylor’s ‘Fun It’ was funky and danceable. This song in particular made me think it was not such a big deal for the band to express more of a funk beat in 1982.

Freddie’s single, ‘Bicycle Race’ actually incorporated rap within the track. Both songs were on Jazz. That title was a huge deal. A band that mixed every musical element in its music now titled a record for a specific genre. However, being the academically minded nerds that they were the name also meant calling the collection by a moniker that had many facets to it. Like the name Queen itself.

Change is inevitable. Every band faces it. Fortunately for Queen they were a big band by the time they grew out of their excessive 1970s persona. They could not be pigeonholed. Freddie Mercury never believed in doing anything by half-measure. He took every idea to its maximum. This attitude created amazing songs and music videos. The latter would compound their loss of popularity in America.

As a gay kid Queen were my idols. I bought every album as they were released starting with the #1 Game record. The video for the song, ‘Play The Game’, revealed a cropped haircut and mustache for the first time. I loved it. American fans hated it.

When ‘Hot Space’ came there was no doubt in the band’s new look and direction. Funk, dance, and disco were now emphasized. Even Brian May’s guitar was absent on some tracks, most notably the single ‘Body Language’ by Freddie Mercury. Pushing sexual boundaries the explicit video got banned by MTV. The sales dropped from the prior ‘Game’ LP and the tour proved to be the last in America with Freddie and John.

Throughout the 1980s I knew it was uncool to love Queen. I could understand why they lost their mojo with America. Homophobia was rampant. Conservatism was in power. New Wave and Heavy Metal dominated. Pop music developed new icons Madonna, Prince, and Duran Duran. Queen were the past, a relic of the 1970s. Despite releasing more records that hit #1 throughout the world, the USA would never allow them back into the Top 10. From Hot Space, ‘Body Language’ was the highest charting single in the US at #11.

Everywhere else in the world Queen kept selling records and tours. This was painful to me because I knew I missed my only chance to see them in concert with Freddie and John.

Back tracking here. In the 1970s I was a kid. Every Sunday I read the Times’ Arts section. There were ads for Broadway shows, movies, and rock concerts. I noticed that Queen played the Garden practically every year.

Then one fateful day following the debut of ‘Hot Space’ the Arts section had a full page ad for QUEEN Live In Concert with Special Guest Billy Squier at Madison Square Garden! Their faces appeared across the page in the Warhol—inspired, Freddie designed graphics of the album.

This was not the original Times ad but the graphics are the same. Queen played Madison Square Garden in early July for Hot Space. The set list was fantastic. The live album Queen On Fire Live At The Bowl from Milton Keynes, U.K. is my favourite Queen live album—not on vinyl in US yet.

I begged my parents to let me go see them. Nobody would take me. Back in the early 80’s tickets were like $12! Still in that time parents were not keen on their kids’ love of rock music. I have never gotten over the disappointment of missing this tour.

The opener was Billy Squier! I still love his music. Back in 1982 I was mental for both Squier and Queen. In the 1970s, Thin Lizzy, Styx, and Journey opened for Queen.

It proved to be their last here until Paul Rodgers joined them decades later in the naughts.

America ignored A Kind Of Magic and The Miracle. Both albums were enormous sellers around the globe even hitting # 1 in several countries like the UK, Japan, France, New Zealand, Australia, and Netherlands. The Magic Tour of 1986 became a record called Live Magic. The Tour and record followed Live Aid in 1985.

‘Magic’ was also partly the soundtrack for the fantasy film “Highlander”. Like “Flash Gordon” before it loved by Queen fans, loathed by others. The American sitcom “The Goldbergs” actually did an episode that featured Highlander and one of its stars, Clancy Brown who was now a regular on the series.

I never lost my love for music, especially Queen. They were misfits. Remaining so throughout the 1980s and 1990s. The critics never really appreciated them. Only after the death of Freddie Mercury from bronchial pneumonia brought on by HIV/AIDS in November 1991 had the press expressed any love for him. Freddie was a Jimi Hendrix fan. He understood how much an artist’s value increases upon death. He lived life his way. A true rocker.

Being a gay kid in the 70s was amazing and scary. There were so many great looking boys. And the hippie 60’s had a lot of left over guys who sported long-hair. And going shirtless was part of street style. And rock stars were no exception.

Mick Jagger of Rolling Stones, Roger Daltrey of The Who, Robert Plant of Led Zeppelin, and every other frontman have appeared shirtless on stage. Then along came South African born Freddie Mercury! He took the image to a completely different level. He performed a striptease!

Loving Queen was difficult. I had my first rock music tee featuring the band from 1977. Wearing it to camp one day I got called a faggot. The group had become stigmatized by straight kids who hated Mercury’s effeminate posturing. The rock press had a field day with his sexual escapades. The worst magazine coverage for any artist I have ever seen was Creem, a rock rag from the 1970s and ’80s.

They did a story on Queen that was not a story. It was just the magazine hating Freddie and Queen. Anti—gay comments filled their coverage. Truly shocking to me.

Queen made their only appearance on American TV live on SNL’s Season Premiere with Host Chevy Chase. He hosted remotely from LA as a joke. Today this would be protocol. Danny DeVito introduced Queen. Performing 2 songs: “Crazy Little Thing Called Love” a #1 hit in America and “Under Pressure”. Freddie’s voice was in the low register only. Years later I read he was recovering from a cold when the band appeared on the show. This was not a good time for them.

Back to their transformation from 1970s glam to 1980s pop. Following the commercial failure of Hot Space which still went Gold in America, the band signed to Capitol Records in North America. They even recorded for the first time in Los Angeles. ‘The Works’ album featured all the trademarks of their sound with Brian’s guitar blaring and Roger’s drums more upfront. Then another music video did them more cultural harm.

John Deacon’s ‘I Want To Break Free’ was made into a video that parodied the British soap opera Coronation Street. It featured the band in drag! Not Freddie’s idea. In the USA once again MTV banned them. Momentum killed.

Although the album was a return to form with hard rockers like Brian May’s ‘Hammer To Fall’ the top ten eluded them in America. Roger’s anthem ‘Radio GaGa’ peaked outside the top ten stalling at #16.

I still believe Queen were ignored. Punished for Freddie’s unapologetic gay image. Other British bands from the 1970s did not suffer this fate—Genesis released pop music—Pink Floyd went pop—and The Who also went pop. Rolling Stones released a cover of the song ‘Harlem Shuffle’ which was totally their worst.

Why was Queen singled out? Strong expressions of gay sexuality were taboo in the states. Despite being multi–faceted Queen had only the one face in America. Flamboyant is code for gay. Liberace had the straight audience believing what they wanted to believe. Freddie did not suffer fools.

I went to Giants Stadium to see Pink Floyd, Genesis , The Who, and Rolling Stones on separate tours during the ’80’s. Their music was not very good at the time. It was crazy to me that Queen did not tour here. My theory was that Freddie’s HIV status prevented them from playing here. Sad but true.

In my teenage years I knew many people who were either indifferent to my love of their music or could not get into it. And a lot of the time gay people fit their stereotype with a love for disposable pop or dance tracks. I can tell you the Hot Space CD was on a jukebox in a gay bar.

Hot Space cover designed by Freddie Mercury. Like a Warhol silkscreen.

The Queen album most likely to be on any jukebox was Greatest Hits. Unfortunate since I always thought they had great songs that were never going to be hits. No doubt about the high number of singles/hits in their catalog. Later in this blog post I have listed my all–time favourite Queen songs.

Guns N Roses, Motley Crue, and Twisted Sisted were all influenced by Queen. The lead vocalists of those groups wore even more make-up than Freddie! Yet since they were hard rock/metal Americans accepted them. The make-up bands of the period were largely from America. Paradoxically this is also when the biggest make-up band ever, KISS, took their make-up off!

Unknown at the time that Dee Snider (Twisted Sister) and Nikki Sixx (Motley Crue) were in the crowd that saw Queen open for Mott the Hoople at New York’s Uris theater on Broadway, it makes perfect sense.

Until the Freddie Mercury tribute concert at Wembley stadium few Americans understood just how much Queen had influenced the heavy bands of the 80’s. The line-up featured England’s Def Leppard, America’s Guns N Roses and Extreme alongside Elton John, George Michael, and David Bowie. Eclectic to the end Queen also invited Freddie’s main influence, Liza Minnelli to the proceedings. He got so much ridicule from the press for loving Liza as well as Hendrix.

I believe today that Queen got into my marrow, my DNA because their image and music were original. Upsetting the status quo was part of their appeal. Decades after his death the film of his life was a blockbuster. He kept the mystique. Proving that no other rock performer could rival him, Queen became paragons of rock music. Today their legacy has grown in leaps and bounds.

Taking them into my heart has kept me alive too. Queen have a few explicit anti—suicide songs. Mercury admitted in his final days that the image he worked so hard to build became somewhat of a monster to his personal life. Becoming less active, meeting a man named Jim Hutton who became his partner until the end was his ultimate goal.

For the first time since reading several biographies about Freddie I understand why ‘Somebody To Love’ was a personal favorite. Love is what we all need to survive. Take a listen to the many tortured love ballads he wrote and performed. His delivery is genuine. That’s also why it touched me so deeply.

I think it’s why I met my beloved husband Brian. I love him more than anything. He has made my life the best possible. Our mutual love of music with great singers has created a bond.

Here for the first time I have compiled my list of personal favourite Queen tracks. B-Sides and rarities are not included here. They are taken from the 15 studio albums released from 1973—1995.

My Favourite Queen songs of all-time

  • My Fairy King by Freddie Mercury on Queen
  • Great King Rat by Freddie Mercury on Queen
  • Liar by Freddie Mercury on Queen
  • Nevermore by Freddie Mercury on II
  • The Fairy—Feller’s Master Stroke by Freddie Mercury on II
  • Ogre Battle by Freddie Mercury on II
  • The March of the Black Queen by Freddie Mercury on II
  • Seven Seas Of Rhye by Freddie Mercury on II
  • Doing Alright by Brian May & Tim Staffell on Queen
  • Lily of the Valley by Freddie Mercury on II
  • Now I’m Here by Brian May on Sheer Heart Attack
  • Brighton Rock by Brian May on Sheer Heart Attack
  • Killer Queen by Freddie Mercury on Sheer Heart Attack
  • Bring Back That Leroy Brown by Freddie Mercury on Sheer Heart Attack
  • Stone Cold Crazy by Mercury, Deacon, Taylor, & May on Sheer Heart Attack
  • Flick of the Wrist by Freddie Mercury on Sheer Heart Attack
  • Misfire by John Deacon on Sheer Heart Attack
  • Bohemian Rhapsody by Freddie Mercury on A Night At The Opera
  • 39 by Brian May on A Night At The Opera
  • The Prophet’s Song by Brian May on A Night At The Opera
  • You’re My Best Friend by John Deacon on A Night At The Opera
  • The Millionaire Waltz by Freddie Mercury on A Day At The Races
  • White Man by Freddie Mercury on A Day At The Races
  • You and I by John Deacon on A Day At The Races
  • We Will Rock You by Brian May on News Of The World
  • We Are The Champions by Freddie Mercury on News Of The World
  • Sheer Heart Attack by Roger Taylor on News Of The World
  • Fight From The Inside by Roger Taylor on News Of The World
  • Spread Your Wings by John Deacon on News Of The World
  • It’s Late by Brian May on News Of The World
  • My Melancholy Blues by Freddie Mercury on News Of The World
  • Jealousy by Freddie Mercury on Jazz
  • In Only Seven Days by John Deacon on Jazz
  • Dead On Time by Brian May on Jazz
  • Dreamer’s Ball by Brian May on Jazz
  • Don’t Stop Me Now by Freddie Mercury on Jazz
  • Dragon Attack by Brian May on The Game
  • Play The Game by Freddie Mercury on The Game
  • Rock It (Prime Jive) by Roger Taylor on The Game
  • Don’t Try Suicide by Freddie Mercury on The Game
  • Another One Bites The Dust by John Deacon on The Game
  • Flash by Brian May on Flash Gordon soundtrack
  • The Hero by Freddie Mercury on Flash Gordon soundtrack
  • Football Fight by Freddie Mercury (Instrumental) on Flash Gordon soundtrack
  • Battle Theme by Brian May (Instrumental) on Flash Gordon soundtrack
  • Staying Power by Freddie Mercury on Hot Space
  • Dancer by Brian May on Hot Space
  • Back Chat by John Deacon on Hot Space
  • Action This Day by Roger Taylor on Hot Space
  • Put Out The Fire by Brian May on Hot Space
  • Under Pressure by Queen & David Bowie on Hot Space
  • Las Palabras De Amor (The Words Of Love) by Brian May on Hot Space
  • Machines (or Back To Humans) by Brian May & Roger Taylor on The Works
  • Radio GaGa by Roger Taylor on The Works
  • Keep Passing The Open Windows by Freddie Mercury on The Works
  • I Want To Break Free by John Deacon on The Works
  • Hammer To Fall by Brian May on The Works
  • Is This The World We Created…? by Brian May & Freddie Mercury on The Works
  • Man On The Prowl by Freddie Mercury on The Works
  • One Vision by Queen on A Kind Of Magic
  • A Kind Of Magic by Roger Taylor on A Kind Of Magic
  • One Year Of Love by John Deacon on A Kind Of Magic
  • Pain Is So Close To Pleasure by John Deacon & Freddie Mercury on A Kind Of Magic
  • Friends Wil Be Friends by Freddie Mercury & John Deacon on A Kind Of Magic
  • Don’t Lose Your Head by Roger Taylor on A Kind Of Magic
  • Princes Of The Universe by Freddie Mercury on A Kind Of Magic
  • Breakthru by Queen on The Miracle
  • The Invisible Man by Queen on The Miracle
  • Rain Must Fall by Queen on The Miracle
  • Scandal by Queen on The Miracle
  • Was It All Worth It by Queen on The Miracle
  • Innuendo by Queen on Innuendo
  • I’m Going Slightly Mad by Queen on Innuendo
  • I Can’t Live With You by Queen on Innuendo
  • Ride The Wild Wind by Queen on Innuendo
  • The Show Must Go On by Queen on Innuendo

In 1995 Queen released Made In Heaven which re-worked some of Freddie’s songs from his solo debut Mr. Bad Guy. The record featured Mercury’s final songs. “A Winter’s Tale” was his last composition. The lyrics described Montreaux, Switzerland in his final days. The list of my all-time Queen songs continues below with the band’s posthumous release.

  • Mother Love by Freddie Mercury & Brian May on Made In Heaven —This was the last track he recorded.
  • A Winter’s Tale by Freddie Mercury on Made In Heaven

Queen Retired—Legacy Grew

My least favorite Queen album, Made in Heaven, was followed by years of inactivity. Then in America TV commercials began licensing their hits. LA Gear used We Will Rock You; Diet Coke used I Want To Break Free; Mountain Dew used Bohemian Rhapsody even copying the now iconic promo clip. These are just a few examples.

From 2004—2009 Queen added Paul Rodgers of Bad Company to their line-up. He was one of Freddie’s favorite singers. In the 1960’s he fronted Free. In the 1980’s he fronted The Firm with Led Zep’s Jimmy Page.

Brian May, Paul Rodgers, and Roger Taylor. Queen 2.0

The Queen+Paul Rodgers tours would return Queen to North America for the first time in 20 years! I never missed a show in New York. However, this line-up never played The Garden.

Queen+Paul Rodgers released a studio album, The Cosmos Rocks. There was a live album too.

American Idol, a talent search reality series would enable a meeting that was pure fate. Adam Lambert, an American youth who was also out auditioned by singing ‘Bohemian Rhapsody’. Queen are his favorite group. Idol invited Brian May and Roger Taylor to perform with the show’s 3 finalists for its season finale. Adam came in second but in my opinion he really won.

Eventually Queen would announce touring with Adam Lambert fronting the group. It was made explicit that he would never replace Freddie Mercury. For the past decade now known as Queen+Adam Lambert touring the globe again.

Queen 3.0 has become the juggernaut that fans across the globe celebrate. The show has finally gone beyond the original line—up!

And this line-up brought Queen back to Madison Square Garden for the first time since Hot Space! The setlist celebrated the band’s live at the Rainbow concert in support of Sheer Heart Attack. They opened with II’s ‘Procession’ and Sheer Heart Attack’s ‘Now I’m Here’.

Adam Lambert has released new solo records while touring with Queen. He sang ‘Believe’ at the Kennedy Center Honors bringing Cher to tears!

His presence on stage is truly a sight to behold. Bringing back the flamboyance of Mercury without mimicking his moves. Adam’s voice is his own unique stamp. He can sing any Queen tune. He has a new album out now called Velvet.

The shows proved so successful that Queen returned to celebrate their News of the World album next time around. Complete with Frank the Robot in full mascot mode. Opening their shows with ‘We Will Rock You’ like they did in 1977. Brian May performed his solo against a backdrop of stars fitting for an astrophysicist.

Their current tour is centered around the global success of the film “Bohemian Rhapsody” which tells Freddie’s story. Albeit with a completely incorrect timeline of events to create a cohesive cinema narrative.

In Freddie’s brilliant words it has been no bed of roses for Queen. For 20 years, 1971—1991, they reigned with the same line—up of 4 creative songwriters with extremely different personalities. Fans felt proud of their achievements.

Then the untimely death of Mercury from AIDS in November 1991. Queen ended. I always thought they could continue if the right elements fell into place.

Elton John performed with them during a final concert as Queen. Mr. John sang ‘The Show Must Go On”. He encouraged Brian and Roger to find a way. He said of their catalog of hits: ‘it must be like having a Rolls-Royce in the garage that you cannot drive anymore.”

Having them back today means so much to me. I want Queen to go on forever…

In my lifetime I have not played another artists music as often as Queen. They have rescued me many times with their life affirming works.

I have many other favourite music groups: Iron Maiden, Black Sabbath, Rolling Stones, Bob Dylan, The Beatles, Judas Priest, Styx, and Elton John.

The Queen sound is unique and original. Their music is not rock nor disco nor black nor white. It’s Queen music.

The Queen catalog has sold over 300 million records worldwide. They are tied with The Allman Brothers Band at #52 on Rolling Stone’s list of Best Artists.

This image of the Classic Queen Line—Up on the Rolling Stone List of Best Artists.

In England Queen Greatest Hits is the top selling record in British music history. Greatest Hits II is #10.

The Queen studio album catalog seen below does not include The Cosmos Rocks. That album featured Paul Rodgers.

The Queen studio album catalog is seen here. All 15 LP covers. The final album with Freddie Mercury and John Deacon was Made In Heaven released in 1995. It blows my mind how all of their records are now iconic.

Waxing Rhapsodic

Today the world is quite different then the early 1970’s. The band’s legacy has become it’s own cottage industry. The Queen Online website is updated every day. The Online Store has a line of goods that any fan would enjoy.

The Royal Mint in the U.K. has issued Queen coins in sterling; The Royal Mail will issue Queen stamps on July 9th, 2020 featuring 8 album covers including The Game and News Of The World and a set of 4 concert images from their world tours plus a proper band portrait as seen below.

Queen become the third British band to receive this honour following The Beatles and Pink Floyd.

The sterling pound coins feature the band’s instruments and their logo. The piano has three keys shaded to mark the notes in Bohemian Rhapsody. Above you can see all 4 packet designs. A mini poster and full colour images and text about Queen are included. The coins are a singular design with the Queen on the back of each.

Queen have a star on the Hollywood Walk of Fame. They were inducted into the songwriters hall of fame and most recently were given a Lifetime Achievement Grammy.

“Bohemian Rhapsody” became the highest grossing bio picture of all–time. Rami Malek won the Best Actor Oscar for his portrayal of Freddie Mercury.

The film won a Golden Globe for Best Picture.

On YouTube Queen+Adam Lambert released a new version of their classic “We Are The Champions” called “You Are The Champions” to help raise funds for Covid—19 relief workers via The World Health Organization and U.N.

Drummer and Vocalist Roger Taylor’s daughter appears in the video. She is a nurse!

To see this mobile phone created clip click here: https://youtu.be/7LcLqIHzNkY

This Fall two new books will be published: Neal Preston’s Queen photos from their Tours and The Treasures of Queen.

2021 marks the group’s 50th Anniversary.

Don’t stop them now!

Dear Readers

Thank you for reading my blog! To all my new readers, Welcome!

More Queen band features to come. Next week I will continue my posts featuring my photography.

Stay well! Wear a mask.

Bob Dylan’s Rough and Rowdy Ways —An American Classic

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Rating: 5 out of 5.
The 39th Studio Album from Nobel Laureate Bob Dylan and 42nd overall is a collection inspired by the best of Walt Whitman and William Blake. 77 minutes. Double CD/Digital Streaming.

Juke Joints Sing The Songs Of Self

“Endless unfolding of words of ages!
And mine a word of the modern, the word En-Masse.

Walt Whitman

“I Contain Multitudes” opens the record with a reference to another epic poet whose work, “Song Of Myself”, celebrates every living creature on the planet. The title of this track is a Whitman quote. The ‘I’ is used here inclusively. Evoking the value in all living things.

The songs speaks to the experience of life. Loving and hating in equal measure. Composing, painting, eating, drinking, and our bodies as vessels that contain a universe.

I love Mr. Dylan’s end to this track. You can accept this line as just playing recordings of the classical giants or perhaps it is an expression that his final chapter maybe spent composing classical pieces:

“I’ll play Beethoven’s sonatas, and Chopin’s preludes…”

The cover image for this record is important. Presented in a cinematic letter-box format, anonymous couples are dancing. They are people of color. A solitary figure is hunched over the juke trying to decide what to play or in anguish over lost love or any number of reasons you could imagine.

For the first time Bob Dylan’s name does not appear on the cover! We listeners are to focus only on the image of a juke joint interior. The name of the record seems to pop-up from the floor in vivid technicolor. The color scheme applied is simply the best ever used in his catalog of 42 records.

Once again he is creating a mythic eden seeded in the past but brought into our present. A secret place where people of color went to actually express their humanity. The Queer folk also went to these type of places to do the same. Evoking Whitman’s celebration of humanity and non-humanity alike within the dark spaces of the juke joint where all can be free together.

American Folklore’s Rough and Rowdy Ways

His choice of title reference classic folk music by way of Jimmie Rodgers. The adjectives of Rough and Rowdy are masculine in nature. Playful but potentially dangerous like people themselves. A Dylanesque wink to the underlying violence packed within the culture. Dylan loves to use folklore and tall tales for referents to his lyrics. This album is more than worthy of his best works. His mystique is intact; here now his innermost troubles are laid bare.

False Prophet

A 10 stanza poem that could have been a part of Whitman’s “Leaves of Grass.” In the sixth stanza he invokes the ‘I’ in repetition:

I searched the world over, for the holy grail, I sing songs of love, I sing songs of betrayal. Don’t care what I drink, I don’t care what I eat, I climb the mountain of swords On my bare feet.”

Mr. Dylan is baring his soul like never before throughout this record. In the verse quoted above you here his artistic declaration of mission. He once again invokes his religious beliefs too. Willing to climb a mountain of swords in bare feet is a form of stigmata.

“My Own Version Of You”

Expressing his heart’s desire to create his own Frankenstein—like creature in his image to be able to assign it the qualities he feels are required to balance the world. The lyrics here are macabre yet have a restless play about them:

I’ll take the Scarface Pacino and The Godfather Brando
Mix it up in a tank and get a robot commando

Using fictional toughs from the 1970s in ‘The Godfather’ and 1980s in ‘Scarface’ as his character ingredients expresses the raw masculine imagination at work. A modern American ethos is applied here.

Dylan appeals to Julius Caesar, St. Peter, Mr. Freud, and Mr. Marx. As usual for the Ancients to connect to the Moderns as the basis for a new brain. Politics, Religion, and Philosophy—these are the areas of human endeavor forever swirling around in Mr. Dylan’s grey matter too.

“I wanna bring someone to life, turn back the years
Do it with laughter and do it with tears

The strongest desire of all seems to be the return of older values and ideas. The masks of comedy and tragedy must always balance the equation of reality and fiction.

“I’ve Made Up My Mind To Give Myself To You

The love poem of the album is addressed to an unknown woman (or perhaps every listener). A nice ballad delivered pretty straight and dry. In contrast to all of the other songs here this track stands out as the least grim.

“I’m giving myself to you, I am
From Salt Lake City to Birmingham
From East L.A. to San Antone
I don’t think I can bear to live my life alone

Mr. Dylan has had two marriages that produced 2 grown sons. His declaration here becomes clear. He wants to give up his lonely wandering.

“Black Rider”

A 5 verse poem that reinforces letting go of youthful recklessness. The doppelganger of violent intent is warned to release its grip or be hacked to pieces. The song is the simplest one here.

“Goodbye Jimmy Reed”

A 6 verse poem expressing Mr. Dylan’s goodbye to the blues. Mr. Reed is the most influential bluesman who passed back in 1976. He is the connective blood and tissue to Mr. Dylan’s other friends, Elvis and The Rolling Stones who covered Mr. Reed’s songs.

Mother of Muses”

A poetic prayer expressed with a selfish desire to have the top muse all to himself.

Mother of Muses, wherever you are
I’ve already outlived my life by far

In seeming desperation he lays his soul out for her to see. That life has now gone on too long. He needs her injection of spirit. Perhaps to fill the void if he lets go of his former life.

“Crossing The Rubicon”

Reinforcing his connection with the Ancients via Julius Caesar again, here to express a dedication to a new and risky course. This is a 9 verse poem that Dylanologists will love parsing among themselves. The densest work in this collection. Great poetic phrasing with just the right dose of abstraction.

“Key West (Pirate Philosopher)”

4 Verses of philosophy; 4 choruses describe Key West. This is the second longest track here. It serves as Prelude to Disc 2’s opus, “Murder Most Foul”.

In such simple verse Mr. Dylan crystallizes his ways. Key West is flat land where he can keep his feet planted firmly and listen closely to a pirate radio signal for inspiration and peace.

My favorite lines make up Chorus 4:

“Key West is the place to be
If you’re looking for immortality
Key West is paradise divine
Key West is fine and fair
If you lost your mind, you’ll find it there
Key West is on the horizon line”

Throughout his years writing songs Bob Dylan embraces places real and imagined as Eden–like. Key West is now his present flashpoint in life. It represents his cohorts: Ginsberg, Corso, and Kerouac; his greatest influencers: Louis, Jimmy, and Buddy.

This song closes out Disc 1. Key West is defined by Dylan as a tonic for life. The epic track on Disc 2 acts as counterpoint to the divine.

Murder Most Foul” is a nation’s fall from grace as well as an individual’s reckoning.

Due to the length and depths of that track I gave an entire blog entry over to it.

Click here for my analysis of the 17 minute track: https://wordpress.com/block-editor/post/evan-s-gate.com/1542

Rating: 5 out of 5.

Bob Dylan is that rare artist who continues to be inspired by the myriad roads travelled and the places he has seen. At once worldly and still forever in deep love with his own country, he is able to imbue his work with just the right amount of ambiguity and self—worth. He has become a true Renaissance man. I am a grateful listener.

Bob Dylan’s Murder Most Foul

At midnight on March 27th, 2020, Bob Dylan released “Murder Most Foul”, his first studio release since 2017’s Triplicate and first original song release since 2012’s Tempest.

American Elegy—Our Nobel Laureate Publishes Another Masterpiece

In a career now spanning six decades Bob Dylan has been through numerous phases in a life that has itself become the stuff of living legend.

Now revealed that this song is the third side on his upcoming, Rough and Rowdy Ways, he continues to inspire and write brilliantly about history.

His ability to connect our ‘modern times’ with the ancient culture that brought it about, specifically the Romans, enabled his new life as a Nobel Prize recipient.

Murder Most Foul is Mr. Dylan’s longest song. if you take the time to listen to this track you will learn a lot about this wonderful country and its brutal past and present.

You will also discover an underlying feeling of hope in the soft accompaniment with its piano, light timpani, and strings.

Dylanologists are going to have another great track to explore for many years to come. There are a ton of deliberate references to all kinds of cultural arcana in this track. Too many in fact for a single blog entry.

But herein I will discuss some of my takes on this peerless work. The closest thing to a spoken word song or a revival of the beat poet in the vast Dylan catalog.

First Section

It was a dark day in Dallas, November ’63
A day that will live on in infamy
President Kennedy was a-ridin’ high
Good day to be livin’ and a good day to die
Being led to the slaughter like a sacrificial lamb
He said, “Wait a minute, boys, you know who I am?”
“Of course we do, we know who you are!”
Then they blew off his head while he was still in the car
Shot down like a dog in broad daylight

Was a matter of timing and the timing was right
You got unpaid debts, we’ve come to collect
We’re gonna kill you with hatred, without any respect
We’ll mock you and shock you and we’ll put it in your face
We’ve already got someone here to take your place
The day they blew out the brains of the king
Thousands were watching, no one saw a thing

It happened so quickly, so quick, by surprise
Right there in front of everyone’s eyes
Greatest magic trick ever under the sun
Perfectly executed, skillfully done
Wolfman, oh Wolfman, oh Wolfman, howl
Rub-a-dub-dub, it’s a murder most foul

Here in the beginning of the poem we are explicitly told how Mr. Dylan feels about the day President John F. Kennedy was murdered.

Using a phrase as his title, he frames the dreadful event as a Murder Most Foul. As the track continues there will be an evolution or rather a de-volution through the following decades as America’s culture and politics slowly decays.

The great hope of a young, handsome, and brilliant leader is cruelly blown off the face of the Earth. The promise of a new frontier delayed by his killing.

Mr. Dylan further frames the President’s murder as that of a lynching. Mr. Kennedy was white on the surface, but he was also the nation’s first Catholic elected to the Presidency. In Bob Dylan’s view he was ‘led like a lamb to the sacrificial slaughter’.

The first verses also make clear how this crime was such an American scene. Committed in broad daylight in front of the world; ‘greatest magic trick ever under the sun’.

The Second Section

Hush, little children, you’ll understand
The Beatles are comin’, they’re gonna hold your hand
Slide down the banister, go get your coat
Ferry ‘cross the Mersey and go for the throat
There’s three bums comin’ all dressed in rags
Pick up the pieces and lower the flags
I’m goin’ to Woodstock, it’s the Aquarian Age
Then I’ll go over to Altamont and sit near the stage
Put your head out the window, let the good times roll
There’s a party going on behind the Grassy Knoll
Stack up the bricks, pour the cement
Don’t say Dallas don’t love you, Mr. President

Put your foot in the tank and then step on the gas
Try to make it to the triple underpass
Blackface singer, whiteface clown
Better not show your faces after the sun goes down

Up in the red light district, they’ve got cop on the beat
Living in a nightmare on Elm Street
When you’re down on Deep Ellum, put your money in your shoe
Don’t ask what your country can do for you

Cash on the barrelhead, money to burn
Dealey Plaza, make a left-hand turn
I’m going down to the crossroads, gonna flag a ride
The place where faith, hope, and charity died
Shoot him while he runs, boy, shoot him while you can
See if you can shoot the invisible man
Goodbye, Charlie! Goodbye, Uncle Sam
Frankly, Miss Scarlett, I don’t give a damn
What is the truth, and where did it go?
Ask Oswald and Ruby, they oughta know
“Shut your mouth,” said a wise old owl

Business is business, and it’s a murder most foul

Now a tourist destination, the arts & entertainment hub of Dallas, TX was part of Kennedy’s fatal route on the day of his murder.

The last lines of these first 2 sections of verse connect to reinforce this crime as foul cold-blooded murder. ‘Rub-a-dub-dub, it’s murder most foul; Business is business, and it’s a murder most foul’.

The actual neighborhood near the crime scene of Kennedy’s death is referenced following the pop culture explosion of The Beatles who became a salve for the real pain young people felt at the time. Deep Ellum, the arts and entertainment hub of Dallas, TX had a rise in crime too.

Referenced in the song’s second section above: ‘When you’re down on Deep Ellum, put your money on your shoe’.

‘Don’t ask what your country can do for you’, the famous Kennedy line to demand public service of youth is juxtaposed to remind people now trapped in poor communities not to expect any government assistance. The social contract was murdered too.

Explicitly calling out Woodstock and Altamont and the Age of Aquarius with the mythology of free love and the violence of Altamont. America has always created myths to soothe the wounds of very real crimes.

The reality of the made up summer of love is the real slaughter of men, women, and children in Vietnam. The daily death toll were surely murders most foul.

Mr. Dylan performs a conjuring trick as well raising the original sin of race hatred in a line that also references his hit “Hurricane”. Blackface singer, whiteface clown
Better not show your faces after the sun goes down

Up in the red light district, they’ve got cop on the beat
Living in a nightmare on Elm Street

Also quite cleverly references a Wes Craven horror film released in the decade that followed his hit song about boxer Ruben ‘Hurricane’ Carter.

The name covers Dallas’ real murder of a President and the fictional murders of teenagers in a genre called the slasher film. The cruelty on display in Dallas would continue to resonate for the decades that followed.

The Third Section

Tommy, can you hear me? I’m the Acid Queen
I’m riding in a long, black Lincoln limousine
Ridin’ in the back seat next to my wife
Headed straight on in to the afterlife
I’m leaning to the left, I got my head in her lap
Hold on, I’ve been led into some kind of a trap
Where we ask no quarter, and no quarter do we give
We’re right down the street, from the street where you live
They mutilated his body and they took out his brain
What more could they do? They piled on the pain
But his soul was not there where it was supposed to be at
For the last fifty years they’ve been searchin’ for that
Freedom, oh freedom, freedom over me
I hate to tell you, mister, but only dead men are free
Send me some lovin’, then tell me no lie
Throw the gun in the gutter and walk on by
Wake up, little Susie, let’s go for a drive
Cross the Trinity River, let’s keep hope alive
Turn the radio on, don’t touch the dials
Parkland Hospital, only six more miles
You got me dizzy, Miss Lizzy, you filled me with lead
That magic bullet of yours has gone to my head
I’m just a patsy like Patsy Cline
Never shot anyone from in front or behind
I’ve blood in my eye, got blood in my ear
I’m never gonna make it to the new frontier
Zapruder’s film I seen night before
Seen it thirty-three times, maybe more

It’s vile and deceitful, it’s cruel and it’s mean
Ugliest thing that you ever have seen
They killed him once and they killed him twice
Killed him like a human sacrifice
The day that they killed him, someone said to me, “Son
The age of the Antichrist has just only begun”
Air Force One comin’ in through the gate
Johnson sworn in at 2:38
Let me know when you decide to throw in the towel
It is what it is, and it’s murder most foul

I set the third section above in big bold type since at this point forward the song becomes full and explicit. Brimming with anger at President Kennedy’s demise, whom Mr. Dylan likens to a King as the Kennedy White House became Camelot, then in a blink ‘his eyes, nose, and ears were filled with blood.’

The Zapruder film in some way becomes America’s first slasher film, only it’s real.

Mr Dylan describes the piece which he claims to have seen over 30 times, as ‘vile and deceitful’.

That first piece of social media created an infinity of conspiracy theories. I see it as a reflection on his own youth. In his youth the repetition is easily performed. Now, at 79 Mr. Dylan only needs a single reading.

Freedom, oh freedom, freedom over me
I hate to tell you, mister, but only dead men are free

This is my favorite line in the poem/song. Using Whitmanesque phrasing to connect Lincoln with Kennedy. Both men were after all the great hope of a wounded nation. Slavery in Lincoln’s era and Vietnam/Racism in Kennedy’s time. Both men were victims of murder most foul.

Mr. Dylan has undergone phases of life where he composed Christian influenced records. He has deep personal beliefs that crop up nicely here.

Declaring, ‘the Age of the Antichrist’ has just begun following the Kennedy assassination the nation saw a steep rise in cult activity, the crimes of Charles Manson, and satanic music also came into being in American culture.

Echoing the conventional wisdom that the nation had lost its soul are Mr. Dylan’s lyrics describing the Kennedy post mortem: ‘No soul was found where it should be.’

The Fourth Section

What’s new, pussycat? What’d I say?
I said the soul of a nation been torn away
And it’s beginning to go into a slow decay
And that it’s thirty-six hours past Judgment Day
Wolfman Jack, he’s speaking in tongues
He’s going on and on at the top of his lungs
Play me a song, Mr. Wolfman Jack
Play it for me in my long Cadillac
Play me that “Only the Good Die Young”
Take me to the place Tom Dooley was hung
Play “St. James Infirmary” and the Court of King James
If you want to remember, you better write down the names
Play Etta James, too, play “I’d Rather Go Blind”
Play it for the man with the telepathic mind
Play John Lee Hooker, play “Scratch My Back”
Play it for that strip club owner named Jack
Guitar Slim going down slow
Play it for me and for Marilyn Monroe

It’s Mr. Wolfman Jack to you. Bob Dylan has reached a point in his career that he can compose a poem that includes 1970’s icon Wolfman Jack.

This is a reference to the alter—ego creation that he underwent in the 1960’s, Robert Zimmerman became Bob Dylan; Robert Weston Smith became Wolfman Jack.

Also in the new age of the antichrist men were literally becoming beasts. It’s in this section that Mr. Dylan begins to recommend recordings using the word ‘play’ as a command.

It references his 2 years as a D.J. himself on satellite radio. Using famous titles/lyrics from the era’s violent refelctions include “Only The Good Die Young”, published in 1977, the year of the Son of Sam killings in New York.

Bob Dylan makes his listeners do a lot of history homework. I strongly believe this is why his work ranks so high.

Playing up the description of President Kennedy’s car of choice, ‘a long black Cadillac’, itself a coffin on wheels.

Take me to the place Tom Dooley was hung
Play “St. James Infirmary” and the Court of King James
If you want to remember, you better write down the names

For my take these 3 lines set up why Bob Dylan has become such a master at connecting seemingly disparate ideas.

You see the ‘place where Tom Dooley was hung’ is in North Carolina, where the Wolfman took his last breath.

Being white, Wolfman Jack died of a heart attack not a lynching. Tom Dooley became the subject of many folk songs, a genre that gave artistic birth to Bob Dylan.

Tom Dooley is part of a sad American tradition known as Appalachian Murder Ballads. A murder most foul.

St. James Infirmary references blues music. An alternate title for the song was “The Young Man Cut Down in His Prime”) about a soldier who uses his money on prostitutes and then dies of venereal disease. The theme ties in with Kennedy’s death.

Then closing the section with a simple notation of why the name checking will continue unabated for the rest of the piece—to remember with clarity write down the names.

Only an artist of Bob Dylan’s caliber tells the listener his intent in writing this or any other song/poem is to preserve it for the ages to come beyond his mortal years.

The Fifth Section (Conclusion)

Play “Please Don’t Let Me Be Misunderstood”
Play it for the First Lady, she ain’t feeling any good
Play Don Henley, play Glenn Frey
Take it to the limit and let it go by
Play it for Carl Wilson, too
Looking far, far away down Gower Avenue
Play “Tragedy”, play “Twilight Time”
Take me back to Tulsa to the scene of the crime
Play another one and “Another One Bites the Dust”
Play “The Old Rugged Cross” and “In God We Trust”
Ride the pink horse down that long, lonesome road
Stand there and wait for his head to explode
Play “Mystery Train” for Mr. Mystery
The man who fell down dead like a rootless tree
Play it for the reverend, play it for the pastor
Play it for the dog that got no master
Play Oscar Peterson, play Stan Getz
Play “Blue Sky,” play Dickey Betts
Play Art Pepper, Thelonious Monk
Charlie Parker and all that junk

All that junk and “All That Jazz”
Play something for the Birdman of Alcatraz
Play Buster Keaton, play Harold Lloyd
Play Bugsy Siegel, play Pretty Boy Floyd
Play the numbers, play the odds

Play “Cry Me a River” for the Lord of the gods
Play Number nine, play Number six
Play it for Lindsey and Stevie Nicks
Play Nat King Cole, play “Nature Boy”
Play “Down in the Boondocks” for Terry Malloy
Play “It Happened One Night” and “One Night of Sin”
There’s twelve million souls that are listening in
Play “Merchant of Venice”, play “Merchants of Death”

Play “Stella by Starlight” for Lady Macbeth
Don’t worry, Mr. President, help’s on the way
Your brothers are comin’, there’ll be hell to pay
Brothers? What brothers? What’s this about hell?
Tell them, “We’re waiting, keep coming,” we’ll get them as well

Love Field is where his plane touched down
But it never did get back up off the ground
Was a hard act to follow, second to none
They killed him on the altar of the rising sun
Play “Misty” for me and “That Old Devil Moon”
Play “Anything Goes” and “Memphis in June”
Play “Lonely at the Top” and “Lonely Are the Brave”
Play it for Houdini spinning around in his grave
Play Jelly Roll Morton, play “Lucille”
Play “Deep in a Dream”, and play “Driving Wheel”
Play “Moonlight Sonata” in F-sharp
And “A Key to the Highway” for the king on the harp

Play “Marching Through Georgia” and “Dumbarton’s Drums”
Play darkness and death will come when it comes
Play “Love Me or Leave Me” by the great Bud Powell
Play “The Blood-Stained Banner”, play “Murder Most Foul”

In this final section of this elegiac piece Mr. Dylan reminds us of the worst scene of racial violence in the nation’s history.

The Tulsa race massacre (also called the Tulsa race riot, the Greenwood Massacre, or the Black Wall Street Massacre) of 1921 took place on May 31 and June 1, 1921, when mobs of white residents attacked black residents and businesses of the Greenwood District in TulsaOklahoma.

It has been called “the single worst incident of racial violence in American history.” The attack, carried out on the ground and from private aircraft, destroyed more than 35 square blocks of the district—at that time the wealthiest black community in the United States, known as “Black Wall Street”.

This awful history was dramatized on the Premiere of HBO’s ‘Watchmen’. Here the line takes us back to the scene of the original crime.

He connects it to the currents of hate/racism that from 1921 became a tsunami that killed another American President.

Then swirling through the American history of Jazz music and its iconic progenitors he adds crime figures like Bugsy Siegel who builds Las Vegas and on and on in a dizzying meter of names that arrives at “Love Me or Leave Me” by Bud Powell.

This is Dylan’s response to the hateful crowds that state, America love it or leave it.

The final line is perhaps the most stinging reminder of how far America needs to go to overcome its bloody past and present: Play The Blood Stained Banner , Play Murder Most Foul.

‘The Blood Stained Banner’ was a Confederate anthem and a version of the Confederate Flag presented in 1865. Bob Dylan is telling the nation to never forget this happened.

And to kindly play the song just ended, his American Elegy, Murder Most Foul.

Back To “Normal”

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There has been a lot of talk lately about returning to normalcy. Before the pandemic hit America the nation was struggling with many issues. There were several fissures in the body politic. Never before this moment had the country been torn asunder by an invisible threat.

Our economy has been the engine that drove us through recessions and social upheaval. The wages of workers stopped rising after 1980. Remained stagnant through 2020.

If you grew up in America between 1955 and 1985 you were indoctrinated into a man’s world. Captains of industry were male. Physical strength dominated. Being smart was deemed weak or ‘gay’.

What men hide is the ability to empathize. To express emotion in a normative way is suppressed. We as a society are paying today in political divides and fringe pursuits of false ideas that support a nation in isolation.

When I was a kid boys always acted strong. Being physical was the primary motivator in boys.

America was so busy working and living mostly private lives decades before Facebook that boys’ real needs could be missed.

The politicians pass laws. Parents do their best. Why were our kids killing one another before this crisis?

The gendered kids of this time and place are wondering what happened to them. People who cannot conceive of anything outside their prescribed norms are angered or scared that gendering could be wrong.

Has anyone asked if closing the schools could end school shootings? Recently a lot of people have suggested this crazy notion. Actually, without schools kids lose crucial development of social skills. Those with limited resources miss meals that schools provide.

America has yet to really tackle the social pandemic of massacres, addiction, and lack of empathy.

A return to normal? What normal are people longing for?

Vaping was killing kids, socially isolated boys were killing classmates, and adults were being killed by opioids.

The rising tide of Anti-Semitism was killing innocent people too.

Police brutality has resulted in a renewal of civil unrest not seen in fifty years.

Leadership is absent.

Should we not imagine a society that is anything but normal?

Trans people, Women, and Racism must be addressed. Just to name a few issues.

During the recent Memorial Day holiday states were informed that if they met certain metrics they could begin re-opening.

I walked around my city. Central Park was full of people socially distancing. Picnics were few and far between on the lawns. Children played. But it was just New Yorkers this year. Anything but normal.

I read the paper every day to check in on the latest concerning the virus. The pandemic has hit the poor the hardest. And economies that have all their eggs in the hospitality basket are in serious trouble.

Has the pandemic stripped away people’s illusions surrounding capitalism? Now we have a clearer idea of just how fragile our social system has become in the last 50 years.

People throw around new wordage to describe our ‘new normal’ but this is a much more serious matter.

Re-opening is not a race. States are finding new outbreaks where there were none until people began to disregard safety measures.

The virus has managed to do what Russian interference could not: push Americans to the brink of a new Civil War.

People who have not fallen ill are voicing their anger toward officials for closing their states.

As New York attempts to re-open let us all hope new cases of Covid—19 do not return us to square one.

The Covid Age is just beginning…

Tao Of Bob

While we seek mirth and beauty and music light and gay
There are frail forms fainting at the door
Though their voices are silent, their pleading looks will say
Oh, hard times, come again no more.

—–excerpted lyrics from Hard Times by Bob Dylan (1992)

Can This Really Be The End?

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Reason vs Derangement

The pandemic is scary. A majority of people have pre-existing conditions that can male them feel vunerable.

We still have irrational attitudes toward states of emergency in this country.

Most people are rational. They will self quarantine because it is the most responsible course of action.

The political divide is real. However, the labels we inflict upon one another is detrimental to dialogue.

Liberals are cloistered in cities. Out of touch with how millions of others live. Guns will never go away. We can live with them in a much safer way. Life’s risks can never be reduced to zero. That is not living.

Vote. Vote. Vote. But only once of course. If you want change then you must vote.

Wearing masks is not a gendered thing. Our culture must acclimate itself to it. I walk around the city with a mask. I uncover my nose when there are no people. Not difficult. But for some of us this is just not possible. It may be harder to breathe. Let’s not get crazy out there.

I have taken walks around the neighborhood. Documenting the empty streets with my camera. An upcoming blog will present my photographic work. New York City will function again. Just not in its former glory.

Restaurants will probably install partitions before re-opening. Menus and utensils will become disposable items.

Outside of New York I am concerned the fringes of society are quite visible with their Don’t tread On Me Flags and misplaced love for the current occupant of the White House. This pandemic is not some plan by liberals to rid themselves of enemies.

Our crisis is not binary. Smart vs Dumb; Liberal vs Conservative; Left vs Right. Black vs White.

Memo to all friends on Facebook/Twitter/Instagram: You are not expert in anything. Especially political science. Stop posting nonsense about your perceived manias. Do not shame healthy people taking foolish risks. Just keep yourself healthy for better times ahead.

I will not play anymore stupid games on FB either. We are adults!

Post a new hobby you have discovered or an old one you picked back up. Ask your neighbors/friends in other states/ countries how they are coping. Brazil is suffering too.

A virus will always find a host body. Close proximity between bodies will enable it to jump into another body. Like past pandemics this virus jumped from animal to human. And then humans flew around the world. The illness spread fast.

Beaches are filled with bacteria on a good day. Now that environment is hostile to human life. If you do not develop Covid symptoms, the sharks may pose a threat. Either way New York will forbid entry into the Atlantic.

And now kids are getting sick with a mysterious syndrome that shuts down vital functions. One moment your kid is fine, the next seriously ill. Over 100 kids have died. Schools cannot reopen.

The times are scary to be sure but we do not need conspiracy theory. We must stay home when possible. Don’t turn yourself into a prisoner. Enjoy fresh air. Staying shut in is also bad for your health. Muscles atrophy. Your mind will turn to mush.

This blog will continue to reflect issues and take some breaks for more trivial pursuits. Those of us who lived in the 20th Century post World War II are so lucky. We know what prosperity felt and looked like in the 1970s and 1980s.

Keep in mind, the derangement is not exclusive to the Far Right in America. Not since W. has a President incited so much hate from the left. If the opposition continues to feed into the baiting of their worst fears they may actually be realized in the Fall.

If history is accurate there will be a new administration in January 2021. They do not have a magic wand. Things will improve but over a long period of time. This will be the last chance to change the Supreme Court for another 50 years!

Our economy tanked with unemployment now at 20%. Herbert Hoover was not granted a second term. Let us hope that history repeats itself for our future sakes.

As I support local business here I see people doing the best they can despite the challenges of this awful situation.

I strongly believe nothing can re-open quickly. As much as we love to go out during Summer this year we are going to have to adjust to this reality. Just ask yourself if you want to get sick.

Covid-19 which causes the Corona virus takes away your ability to breathe on your own. Just think for a moment. Are you really willing to risk your well being for short term gatherings. Are you ‘dying’ to go to the beach?

Imagine down the road we get a path back to being out and about again. You will be able to keep breathing on your own. And now you will look upon your fellow human beings as survivors.

Keep busy. Relax too. Moments of peace are important. Below is a picture from a favorite show when I was a kid. The teen idols of that era were shirtless a lot. Jack Wild was one of my earliest crushes.

Revisiting the better parts of a past life can help ease the difficulties of this moment.

More about what I am watching during this Covid Era next week my dear readers! Thank you all for reading the gate!

Sigmund & The Sea Monsters
Jack Wild (on Left)

A Quiet Place

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I stay at home because the most effective method of staying healthy is to enjoy a quiet place.

Our studio apartment is too small for two people. The size allows for easy cleaning. You learn how to share space.

My husband is so dedicated to my happiness. I always feel lucky to be with him. We share in the tasks of keeping our household together.

I have access to music of all kinds, books of all subjects, and movies/series of all genres.

As I evolved from arguing with people not equipped with a similar skill set I do not attempt the feat. People with set opinions never change. This is a life killing attitude.

I listen. Being quiet does not mean your mind is off. You are inside mostly. You tend to judge those around you. Winding up with a hard to tolerate level of noise is the price you sometimes pay.

All of the pointless uninformed opinions swirl like an infinite mass of absurd jokes.

Social media became a tool for the haves to show up the have nots daily. Now travel is seen as a risk one should not take lightly.

Crises exposes those with defaults on idiocy. The noisy vane overachievers have the largest burden. They must produce at all costs.

Constant pressure to reach for the brass ring results in stresses that can be deadly. The very few who must ride a nearly deserted transit system are risking all so that we may have a chance at survival.

I am loving my quiet place. I had just begun to work again before the stay at home order arrived. After completing the 5 day assignment the world changed.

Hey, I gave it my best shot. Now, I will stay happy at home. Making my husband happy makes me happy.

I know I must return to work someday. After nearly 2 months the solution is not clear. I think there must be a reform of society.

A stronger safety net should be created by cutting the military budget in half; going after corporations who have not invested in our way life.

The cosmos laughs at those who plan. Chaos has always reigned. We were just too busy taking selfies.

Rich nations need to have rainy day funds. Poorer nations need our help. If they suffer their hardships will spread until more fortunate lands feel the pain.

My coping skills are being tested. Each day I start with music. I have finally been able to grow into a lover of Jazz, Classical, and Opera.

Yes, dear readers, you are correct, I am done with Rock/ Pop. These times have made me take a hard look at myself. I am much more fulfilled with more mature art forms.

The small select group of artists I kept around include The Beatles, Rolling Stones, Black Sabbath, Led Zeppelin, Pink Floyd, Iron Maiden, Styx, Queen, The Eagles, Elton John, David Bowie, Frank Zappa and Grateful Dead.

Bob Dylan has become my top favorite. His lyrics are peerless. All of these musicians are timeless in their messaging. We need to really listen closely.

Closing my decades long rock period does not mean I cannot appreciate the positive impact it’s lyrics/melodies have had on me. It just means I needed to make room for other music.

I have learned for myself that I change every ten years. Taste moves forward. Letting go of past distractions is quite liberating.

My afternoons are spent with a book. Currently I am finishing a Star Trek novel, “The Lost Years”, about the years following the end of the Enterprise’s five year mission.

I read non fiction too. A history of France and bio of President Grant are on my nightstand.

In the evenings my husband and I watch Jeopardy!, The Price Is Right, General Hospital and Friends and/or The Big Bang Theory. Movies on Amazon Prime and Netflix. Comedy specials on Netflix.

My husband cooks. I clean. We make a great team. Thankfully we have no kids. No pets. We have each other. In our quiet place.

I hope you are coping during this unprecedented pause in our go-go culture. Just remember that for most people around the world this struggle is a daily norm.

Thank you dear readers for stopping by Evan’s Gate. Please follow me if you like what I write about each week.

Stay safe. Keep informed. We shall be together again.