This memoir is truly inspiring. A kid from Long Island develops (pun intended) a keen interest in photography at the age of 5. His mother has her own darkroom.
After leaving college over and over decides to pursue his real passion—creating images with his camera.
I think he made the right decision. You learn when reading this story how much of life is just being in the right place at the right time.
Over the past 60 years he has chronicled rock’s most significant artists. Beginning at the 1965 Newport folk festival when Bob Dylan plugged in with an electric guitar for the first time to the birth of disco, punk, and new wave, his best stories are collected here.
You will truly feel as if you are with him during all the late nights, problems with deadlines, and hangovers.
Bob Gruen became close friends with John Lennon and Yoko Ono; Ike and Tina Turner.
He spent a lot of time showing the world the day to day lives of these extraordinary people. He de-glamorizes the biz. You see the tough times these folks lived through to get their art in the hands of listeners across the globe.
At the drop of a hat Bob Gruen flew to London, Germany, France, Japan or wherever needed to lend support.
In the moment he captured many moments that still resonate today.
Led Zep in front of the Enterprise Starship aircraft; John Lennon in his New York city tee-shirt; The Clash on the observation deck at 30 Rock; Ike and Tina Turner doing just about anything.
Alice Cooper and Salvador Dali. Dali created the first ever hologram of Alice.
This book is the perfect gift for the music fan in your life. He photographed Queen before they were famous. KISS in 1978 on the 14th St subway platform which had phone booths!
A magical journey peopled by lots of fascinating figures including:
Elton John, Rolling Stones, Janis Joplin, Bob Dylan, John Lennon, Tina Turner, Debbie Harry, The Ramones, Alice Cooper, The Clash, Sex Pistols, The Who, Runaways, and on and on.
Bob Gruen reminds his reader of the authenticity of New York city’s great power to help re-invent those who seek a new life.
Filled with black and white photos and full color of many moments that shaped his long-term success you get a deeply affecting impression of what it truly takes to become a fine artist.
One of my favorite early moments was when he took photos of models. A young college student came to the studio. Years later he found out that would be model became movie actress Karen Allen who appeared in “Animal House” and “Raiders of the Lost Ark”.
Today, Bob Gruen photography is a thriving business. The countless hours of painstaking work along with the warp speed social life required to achieve it are worthwhile.
I strongly recommend you get a copy of this account.
The Rolling Stones open their first “flagship” store, “RS No. 9 Carnaby,” at 9 Carnaby Street in London’s Soho district.
The new store, created in partnership with Bravado, Universal Music Group’s merchandise and brand management company, features all of the hallmarks of the iconic band and includes exclusive new fashion label “RS No. 9 Carnaby.”
The store will also introduce “Stones Red,” the official color from Pantone established from the first use of the band’s iconic logo. A collection celebrating the Rolling Stones official Pantone color along with exclusive limited-edition vinyl will also launch with the store.
The Rolling Stones said in a statement, “Soho has always encapsulated Rock ‘n’ Roll so Carnaby Street was the perfect spot for our own store.
We are confident this exciting project that our friends at Bravado have created will be an unrivaled experience for everyone to come to London and enjoy.”
Jointly curated by the Rolling Stones and Bravado, the shop follows the brand colors of red and black and the glass floor features lyrics, while the fitting rooms are adorned with album artwork.
The 1973 LP Goats Head Soup is now a deluxe box set featuring rarities, outtakes and alternative mixes from the sessions, a new stereo mix of the original album, a complete show from the accompanying tour and three previously unreleased tracks from the period.
One of the new songs, “Criss Cross,” dropped Thursday with a new video. (It was originally known to fans as “Criss Cross Man” from various bootlegs.) The other new tracks are “All the Rage” and “Scarlet,” which features guitar work by Jimmy Page.
The collections include fashion and accessories, along with a special glassware developed with Baccarat engraved with the Rolling Stones tongue logo, as well as chairs and scarves from The Soloist, and raincoats and hats from premium Swedish raincoat brand Stutterheim.
This new addition to Carnaby Street in London’s Soho District has been open since September 9th, 2020. The location was at the heart of swinging 1960’s Britain for which the band played a big part.
The Rolling Stones said in a statement, “Soho has always encapsulated Rock ‘n’ Roll so Carnaby Street was the perfect spot for our own store. We are confident this exciting project that our friends at Bravado have created will be an unrivaled experience for everyone to come to London and enjoy.”
Jointly curated by the Rolling Stones and Bravado, the shop follows the brand colors of red and black and the glass floor features lyrics.
Mat Vlasic, CEO, Bravado said: “With this innovative partnership, the Rolling Stones add yet another cultural touchpoint to their rich legacy.
RS No. 9 Carnaby is the result of years of planning and decades of building one of the world’s most recognized brands.
It creates a destination where fans can connect and immerse themselves in the music, style and spirit of one of the world’s most iconic and beloved bands.”
Morrison Hotel Art Gallery Grants
Drawing from the archives of Pattie Boyd, Henry Diltz, Lynn Goldsmith, Neal Preston, Ken Regan, Ethan Russell, Timothy White, and other photographers granted utterly intimate access to the green rooms and sidelines where music legends are truly made, Morrison Hotel Gallery presents its latest online exhibition, Backstage Pass.
From the trans-Atlantic breakthrough of Beatlemania to the off-stage antics of rock royalty, this online exhibition of 40+ fine art images offers fans an all-access (and socially distant) glimpse behind the curtain and some of the most legendary nights in music history starting Wednesday, September 16, 2020.
Just who are these mere mortals-turned-gods when the roar of the crowd dies away?
In many moments captured, the backstage behavior lives up to the sex, drugs, and rock and roll legend.
Jack Daniels flows freely in the Lynyrd Skynyrd and Led Zeppelin dressing rooms, while KISS romps in a wild backstage “orgy” at the Capitol Theatre.
Meanwhile, Keith Richards is ever-present – clutching a whiskey bottle with his signature cool as Tina Turner and David Bowie embrace and sip together from a bottle of champagne.
For better or worse, rock & roll has soundtracked a shifting American culture since its mid-twentieth century genesis.
With powerhouse hits and primally-charged world tours, rockstars may be the stuff of fear, fascination and die-hard fandoms.
Elton John’s Jewels
The entire set was hand—picked by the singer and he will release the massive 8-CD Jewel Box collection on Nov. 13 , packed with rarities from 1965-1971, deep cuts and obscure B-sides.
The 148-song set, will chronicle his early stages collaborating with lyricist Bernie Taupin, and comes with a hardcover book as well as extensive notes and track-by-track commentary by John for the two Deep Cuts discs.
It will be available in three different vinyl versions (4LP, 3LP, 2LP) as well as on digital download and streaming services, with all audio remastered at Abbey Road Studios by Grammy-winning mastering engineer Sean Magee.
The previously unreleased 1969 song “Sing Me No Sad Song,” the first taste of the collection, was released on Thursday (Sept. 17) and it provides a fascinating glimpse into John’s musical evolution. The rollicking track features lyrical precursors of both 1984’s “Sad Songs (Say So Much) and the 1976 hit “Don’t Go Breaking My Heart.”
“To delve back through every period of my career in such detail for Jewel Box has been an absolute pleasure. Hearing these long lost tracks again, I find it hard to comprehend just how prolific Bernie and I were during the early days,” John says in a statement.
“The songs just poured out of us, and the band were just unbelievable in the studio. I always want to push forward with everything I do and look to the future, but having time during lockdown to take stock and pull these moments from my memory from each era has been a joy.
As a devout record collector myself, this project has really excited me, and I couldn’t be happier with the level of craft involved in such a carefully curated, lovingly constructed boxset. I’m sure my fans will enjoy it as much as I have.”
The format of the discs is described as follows:
Discs 1 & 2: Deep Cuts – A selection of personal favorites, curated by Elton. The box set book includes a track-by-track commentary by Elton.
Discs 3, 4, and 5: Rarities 1965 -1971 – Elton’s much sought-after 1960s and early 1970s demos and music that cemented the foundations of the iconic Elton John/Bernie Taupin writing partnership. The compelling, previously unreleased, missing piece in his illustrious career. Daryl Easlea narrates this fascinating story with contributions from those who were there at the time. These discs encompass 65 songs, all but a few of which have been stored in the vaults for more than 50 years.
Most of these demos were recorded during sessions before Elton was signed to a recording contract or released his first album. Also included are the first song ever written by Elton and his debut appearance on a record (both “Come Back Baby” – 1965), Elton and Bernie’s first composition (“Scarecrow” – 1967), and newly unearthed piano/vocal demos of some of Elton’s most acclaimed songs from his early albums. The packaging appropriately contains rare archival artwork and select original lyric sheets.
Discs 6 & 7: B-Sides 1976-2005 – Non-LP tracks and flipsides, never before compiled together. Thirty-six gems that are now given another chance to sparkle – 17 previously only available on vinyl, resulting in all of Elton’s studio B-sides now being offered digitally for the first time in his career.
Disc 8: And This Is Me . . . – To coincide with the release of the updated paperback edition of Me, the final collection celebrates the songs mentioned by name by Elton in his acclaimed autobiography, closing Jewel Box with the 2020 Academy Award-winning duet with Taron Egerton, “(I’m Gonna) Love Me Again.”
The year was 1979. A pre-adolescent boy who was collecting his first records discovered a mail-order music club. Offering 14 LP’s for a penny as their introductory hook was too good to pass up. When the records arrived I opened up the albums with great anticipation.
I was always eclectic in my tastes for music. There was Waylon Jennings, Aerosmith, Jackson 5, and Queen among the selections. The record with the biggest impact was Queen Live Killers, a gatefold 2 LP package with a collage of full color images from their European and North American Tour in support of their Jazz record.
There on full display was Freddie Mercury in tight black PVC pants and jacket (shiny like leather) with his jacket open to reveal a bare chest. Unknown to me at the time was the cabaret style he was doing. This was a new image for him in 1978/9.
All I know is the first time I saw an image of Freddie Mercury was a poster from their ‘Opera’ Tour. His penchant for stripping onstage thrilled me to no end. Onstage in candy stripe shorts and red suspenders with the band’s logo in the center of the poster. My eyes popped out of my head like a cartoon wolf.
Although years later I heard how much the band disliked the mix of the record I felt strongly it was a great representation of their live sound. I loved how they played a medley of hits too.
I was taken aback by how different the songs sounded in a live setting. Nothing like the studio engineered layers of over dubs or multi-tracked vocals.
Except for a brief spell following the release of their bio-picture, “Bohemian Rhapsody”, I have never lost interest in them. That brief interlude was caused by too many kids finding them based on their parent’s tastes. Hey, that’s life!
For many years it was hard to find any Queen memorabilia in the states. I know this sounds crazy to the listeners of today. There are websites. Obviously there is the Queen Online Store which always has a great selection of Queen everything.
Back in the 1980s in America after their popularity fell away we had record stores and rock t shirt stores. Freddie Mercury’s most dramatic transformation into gay clone in 1980 was not appreciated by a largely straight audience.
Despite the huge success of The Game in ’80, the band ended their decade long relationship with Elektra records. The label released a Greatest Hits album in 1981. At the time it felt like rock fans were putting Queen out to pasture. Their Elektra years were ending.
‘Another One Bites The Dust’ by bassist John Deacon borrowed heavily from Chic. Becoming the best-selling single in Elektra’s history it topped The Doors’ ‘Light My Fire’, which gave the band an idea that funk rock was gaining traction in America.
The fact that Queen were in Munich, Germany enjoying the nightlife a bit too much influenced the next platter a lot. Freddie Mercury without stating it officially was out to anyone with two eyes, especially if you were gay.
What happened next was a mix of bad timing and trends that would exile Queen from the USA until well after Mercury’s death in 1991. In fact when he died I remember a news anchor stating there was bad news for fans of Queens. Queens? That was how out of touch our media were with Mercury’s death.
Rolling Stone magazine was never particularly kind to Queen. Freddie’s Obit was a single page in an issue with Michael Jackson on the cover. He was not an American star. I felt that kept the band’s mystique intact.
‘Hot Space’ was the final record owed to Elektra. The band never conformed to what their label wanted especially when it came to album covers. The label’s demand for a band photo was ignored for years. Greatest Hits has a portrait of the band taken by Lord Snowden. It has become an iconic image. The label got their wish granted by contractual obligation.
Freddie Mercury had a brief friendship with Michael Jackson. Mr. Jackson was a huge Queen fan. He was the impetous for releasing ‘Another One Bites The Dust’ as a single. Queen had a #1 hit with it. The new direction was clear for at least Freddie Mercury and John Deacon.
Freddie and John developed a friendship over the years based upon a mutual love for Motown music. The divide in Queen was clear. Brian loved heavy guitar driven music. Roger was into Punk then New Wave. Swaying him into drum techniques outside of traditional rock was done.
In the early days when they were in college the members of Queen were united in their dreams of rock stardom. As they grew in stature with the the rock audience experimenting with different sounds became a reality. Roger Taylor’s ‘Fun It’ was funky and danceable. This song in particular made me think it was not such a big deal for the band to express more of a funk beat in 1982.
Freddie’s single, ‘Bicycle Race’ actually incorporated rap within the track. Both songs were on Jazz. That title was a huge deal. A band that mixed every musical element in its music now titled a record for a specific genre. However, being the academically minded nerds that they were the name also meant calling the collection by a moniker that had many facets to it. Like the name Queen itself.
Change is inevitable. Every band faces it. Fortunately for Queen they were a big band by the time they grew out of their excessive 1970s persona. They could not be pigeonholed. Freddie Mercury never believed in doing anything by half-measure. He took every idea to its maximum. This attitude created amazing songs and music videos. The latter would compound their loss of popularity in America.
As a gay kid Queen were my idols. I bought every album as they were released starting with the #1 Game record. The video for the song, ‘Play The Game’, revealed a cropped haircut and mustache for the first time. I loved it. American fans hated it.
When ‘Hot Space’ came there was no doubt in the band’s new look and direction. Funk, dance, and disco were now emphasized. Even Brian May’s guitar was absent on some tracks, most notably the single ‘Body Language’ by Freddie Mercury. Pushing sexual boundaries the explicit video got banned by MTV. The sales dropped from the prior ‘Game’ LP and the tour proved to be the last in America with Freddie and John.
Throughout the 1980s I knew it was uncool to love Queen. I could understand why they lost their mojo with America. Homophobia was rampant. Conservatism was in power. New Wave and Heavy Metal dominated. Pop music developed new icons Madonna, Prince, and Duran Duran. Queen were the past, a relic of the 1970s. Despite releasing more records that hit #1 throughout the world, the USA would never allow them back into the Top 10. From Hot Space, ‘Body Language’ was the highest charting single in the US at #11.
Everywhere else in the world Queen kept selling records and tours. This was painful to me because I knew I missed my only chance to see them in concert with Freddie and John.
Back tracking here. In the 1970s I was a kid. Every Sunday I read the Times’ Arts section. There were ads for Broadway shows, movies, and rock concerts. I noticed that Queen played the Garden practically every year.
Then one fateful day following the debut of ‘Hot Space’ the Arts section had a full page ad for QUEEN Live In Concert with Special Guest Billy Squier at Madison Square Garden! Their faces appeared across the page in the Warhol—inspired, Freddie designed graphics of the album.
I begged my parents to let me go see them. Nobody would take me. Back in the early 80’s tickets were like $12! Still in that time parents were not keen on their kids’ love of rock music. I have never gotten over the disappointment of missing this tour.
The opener was Billy Squier! I still love his music. Back in 1982 I was mental for both Squier and Queen. In the 1970s, Thin Lizzy, Styx, and Journey opened for Queen.
It proved to be their last here until Paul Rodgers joined them decades later in the naughts.
America ignored A Kind Of Magic and The Miracle. Both albums were enormous sellers around the globe even hitting # 1 in several countries like the UK, Japan, France, New Zealand, Australia, and Netherlands. The Magic Tour of 1986 became a record called Live Magic. The Tour and record followed Live Aid in 1985.
‘Magic’ was also partly the soundtrack for the fantasy film “Highlander”. Like “Flash Gordon” before it loved by Queen fans, loathed by others. The American sitcom “The Goldbergs” actually did an episode that featured Highlander and one of its stars, Clancy Brown who was now a regular on the series.
I never lost my love for music, especially Queen. They were misfits. Remaining so throughout the 1980s and 1990s. The critics never really appreciated them. Only after the death of Freddie Mercury from bronchial pneumonia brought on by HIV/AIDS in November 1991 had the press expressed any love for him. Freddie was a Jimi Hendrix fan. He understood how much an artist’s value increases upon death. He lived life his way. A true rocker.
Being a gay kid in the 70s was amazing and scary. There were so many great looking boys. And the hippie 60’s had a lot of left over guys who sported long-hair. And going shirtless was part of street style. And rock stars were no exception.
Mick Jagger of Rolling Stones, Roger Daltrey of The Who, Robert Plant of Led Zeppelin, and every other frontman have appeared shirtless on stage. Then along came South African born Freddie Mercury! He took the image to a completely different level. He performed a striptease!
Loving Queen was difficult. I had my first rock music tee featuring the band from 1977. Wearing it to camp one day I got called a faggot. The group had become stigmatized by straight kids who hated Mercury’s effeminate posturing. The rock press had a field day with his sexual escapades. The worst magazine coverage for any artist I have ever seen was Creem, a rock rag from the 1970s and ’80s.
They did a story on Queen that was not a story. It was just the magazine hating Freddie and Queen. Anti—gay comments filled their coverage. Truly shocking to me.
Queen made their only appearance on American TV live on SNL’s Season Premiere with Host Chevy Chase. He hosted remotely from LA as a joke. Today this would be protocol. Danny DeVito introduced Queen. Performing 2 songs: “Crazy Little Thing Called Love” a #1 hit in America and “Under Pressure”. Freddie’s voice was in the low register only. Years later I read he was recovering from a cold when the band appeared on the show. This was not a good time for them.
Back to their transformation from 1970s glam to 1980s pop. Following the commercial failure of Hot Space which still went Gold in America, the band signed to Capitol Records in North America. They even recorded for the first time in Los Angeles. ‘The Works’ album featured all the trademarks of their sound with Brian’s guitar blaring and Roger’s drums more upfront. Then another music video did them more cultural harm.
John Deacon’s ‘I Want To Break Free’ was made into a video that parodied the British soap opera Coronation Street. It featured the band in drag! Not Freddie’s idea. In the USA once again MTV banned them. Momentum killed.
Although the album was a return to form with hard rockers like Brian May’s ‘Hammer To Fall’ the top ten eluded them in America. Roger’s anthem ‘Radio GaGa’ peaked outside the top ten stalling at #16.
I still believe Queen were ignored. Punished for Freddie’s unapologetic gay image. Other British bands from the 1970s did not suffer this fate—Genesis released pop music—Pink Floyd went pop—and The Who also went pop. Rolling Stones released a cover of the song ‘Harlem Shuffle’ which was totally their worst.
Why was Queen singled out? Strong expressions of gay sexuality were taboo in the states. Despite being multi–faceted Queen had only the one face in America. Flamboyant is code for gay. Liberace had the straight audience believing what they wanted to believe. Freddie did not suffer fools.
I went to Giants Stadium to see Pink Floyd, Genesis , The Who, and Rolling Stones on separate tours during the ’80’s. Their music was not very good at the time. It was crazy to me that Queen did not tour here. My theory was that Freddie’s HIV status prevented them from playing here. Sad but true.
In my teenage years I knew many people who were either indifferent to my love of their music or could not get into it. And a lot of the time gay people fit their stereotype with a love for disposable pop or dance tracks. I can tell you the Hot Space CD was on a jukebox in a gay bar.
The Queen album most likely to be on any jukebox was Greatest Hits. Unfortunate since I always thought they had great songs that were never going to be hits. No doubt about the high number of singles/hits in their catalog. Later in this blog post I have listed my all–time favourite Queen songs.
Guns N Roses, Motley Crue, and Twisted Sisted were all influenced by Queen. The lead vocalists of those groups wore even more make-up than Freddie! Yet since they were hard rock/metal Americans accepted them. The make-up bands of the period were largely from America. Paradoxically this is also when the biggest make-up band ever, KISS, took their make-up off!
Unknown at the time that Dee Snider (Twisted Sister) and Nikki Sixx (Motley Crue) were in the crowd that saw Queen open for Mott the Hoople at New York’s Uris theater on Broadway, it makes perfect sense.
Until the Freddie Mercury tribute concert at Wembley stadium few Americans understood just how much Queen had influenced the heavy bands of the 80’s. The line-up featured England’s Def Leppard, America’s Guns N Roses and Extreme alongside Elton John, George Michael, and David Bowie. Eclectic to the end Queen also invited Freddie’s main influence, Liza Minnelli to the proceedings. He got so much ridicule from the press for loving Liza as well as Hendrix.
I believe today that Queen got into my marrow, my DNA because their image and music were original. Upsetting the status quo was part of their appeal. Decades after his death the film of his life was a blockbuster. He kept the mystique. Proving that no other rock performer could rival him, Queen became paragons of rock music. Today their legacy has grown in leaps and bounds.
Taking them into my heart has kept me alive too. Queen have a few explicit anti—suicide songs. Mercury admitted in his final days that the image he worked so hard to build became somewhat of a monster to his personal life. Becoming less active, meeting a man named Jim Hutton who became his partner until the end was his ultimate goal.
For the first time since reading several biographies about Freddie I understand why ‘Somebody To Love’ was a personal favorite. Love is what we all need to survive. Take a listen to the many tortured love ballads he wrote and performed. His delivery is genuine. That’s also why it touched me so deeply.
I think it’s why I met my beloved husband Brian. I love him more than anything. He has made my life the best possible. Our mutual love of music with great singers has created a bond.
Here for the first time I have compiled my list of personal favourite Queen tracks. B-Sides and rarities are not included here. They are taken from the 15 studio albums released from 1973—1995.
My Favourite Queen songs of all-time
My Fairy King by Freddie Mercury on Queen
Great King Rat by Freddie Mercury on Queen
Liar by Freddie Mercury on Queen
Nevermore by Freddie Mercury on II
The Fairy—Feller’s Master Stroke by Freddie Mercury on II
Ogre Battle by Freddie Mercury on II
The March of the Black Queen by Freddie Mercury on II
Seven Seas Of Rhye by Freddie Mercury on II
Doing Alright by Brian May & Tim Staffell on Queen
Lily of the Valley by Freddie Mercury on II
Now I’m Here by Brian May on Sheer Heart Attack
Brighton Rock by Brian May on Sheer Heart Attack
Killer Queen by Freddie Mercury on Sheer Heart Attack
Bring Back That Leroy Brown by Freddie Mercury on Sheer Heart Attack
Stone Cold Crazy by Mercury, Deacon, Taylor, & May on Sheer Heart Attack
Flick of the Wrist by Freddie Mercury on Sheer Heart Attack
Misfire by John Deacon on Sheer Heart Attack
Bohemian Rhapsody by Freddie Mercury on A Night At The Opera
‘39 by Brian May on A Night At The Opera
The Prophet’s Song by Brian May on A Night At The Opera
You’re My Best Friend by John Deacon on A Night At The Opera
The Millionaire Waltz by Freddie Mercury on A Day At The Races
White Man by Freddie Mercury on A Day At The Races
You and I by John Deacon on A Day At The Races
We Will Rock You by Brian May on News Of The World
We Are The Champions by Freddie Mercury on News Of The World
Sheer Heart Attack by Roger Taylor on News Of The World
Fight From The Inside by Roger Taylor on News Of The World
Spread Your Wings by John Deaconon News Of The World
It’s Late by Brian May on News Of The World
My Melancholy Blues by Freddie Mercury on News Of The World
Jealousy by Freddie Mercury on Jazz
In Only Seven Days byJohn Deacon on Jazz
Dead On Time by Brian May on Jazz
Dreamer’s Ball by Brian May on Jazz
Don’t Stop Me Now by Freddie Mercury on Jazz
Dragon Attack by Brian May on The Game
Play The Game by Freddie Mercury on The Game
Rock It (Prime Jive) by Roger Taylor on The Game
Don’t Try Suicide by Freddie Mercury on The Game
Another One Bites The Dust by John Deacon on The Game
Flash by Brian May on Flash Gordon soundtrack
The Hero by Freddie Mercury on Flash Gordon soundtrack
Football Fight by Freddie Mercury (Instrumental) on Flash Gordon soundtrack
Battle Theme by Brian May (Instrumental) on Flash Gordon soundtrack
Staying Power by Freddie Mercury on Hot Space
Dancer by Brian May on Hot Space
Back Chat by John Deacon on Hot Space
Action This Day by Roger Taylor on Hot Space
Put Out The Fire by Brian May on Hot Space
Under Pressure by Queen & David Bowie on Hot Space
Las Palabras De Amor (The Words Of Love) by Brian May on Hot Space
Machines (or Back To Humans) by Brian May & Roger Taylor on The Works
Radio GaGa by Roger Taylor on The Works
Keep Passing The Open Windows by Freddie Mercury on The Works
I Want To Break Free by John Deacon on The Works
Hammer To Fall by Brian May on The Works
Is This The World We Created…? by Brian May & Freddie Mercury on The Works
Man On The Prowl by Freddie Mercury on The Works
One Vision by Queen on A Kind Of Magic
A Kind Of Magic by Roger Taylor on A Kind Of Magic
One Year Of Love by John Deacon on A Kind Of Magic
Pain Is So Close To Pleasure by John Deacon & Freddie Mercury on A Kind Of Magic
Friends Wil Be Friends by Freddie Mercury & John Deacon on A Kind Of Magic
Don’t Lose Your Head by Roger Taylor on A Kind Of Magic
Princes Of The Universe by Freddie Mercury on A Kind Of Magic
Breakthru by Queen on The Miracle
The Invisible Man by Queen on The Miracle
Rain Must Fall by Queen on The Miracle
Scandal by Queen on The Miracle
Was It All Worth It by Queen on The Miracle
Innuendo by Queen on Innuendo
I’m Going Slightly Mad by Queen on Innuendo
I Can’t Live With You by Queen on Innuendo
Ride The Wild Wind by Queen on Innuendo
The Show Must Go On by Queen on Innuendo
In 1995 Queen released Made In Heaven which re-worked some of Freddie’s songs from his solo debut Mr. Bad Guy. The record featured Mercury’s final songs. “A Winter’s Tale” was his last composition. The lyrics described Montreaux, Switzerland in his final days. The list of my all-time Queen songs continues below with the band’s posthumous release.
Mother Love by Freddie Mercury & Brian May on Made In Heaven —This was the last track he recorded.
A Winter’s Tale by Freddie Mercury on Made In Heaven
Queen Retired—Legacy Grew
My least favorite Queen album, Made in Heaven, was followed by years of inactivity. Then in America TV commercials began licensing their hits. LA Gear used We Will Rock You; Diet Coke used I Want To Break Free; Mountain Dew used Bohemian Rhapsody even copying the now iconic promo clip. These are just a few examples.
From 2004—2009 Queen added Paul Rodgers of Bad Company to their line-up. He was one of Freddie’s favorite singers. In the 1960’s he fronted Free. In the 1980’s he fronted The Firm with Led Zep’s Jimmy Page.
The Queen+Paul Rodgers tours would return Queen to North America for the first time in 20 years! I never missed a show in New York. However, this line-up never played The Garden.
American Idol, a talent search reality series would enable a meeting that was pure fate. Adam Lambert, an American youth who was also out auditioned by singing ‘Bohemian Rhapsody’. Queen are his favorite group. Idol invited Brian May and Roger Taylor to perform with the show’s 3 finalists for its season finale. Adam came in second but in my opinion he really won.
Eventually Queen would announce touring with Adam Lambert fronting the group. It was made explicit that he would never replace Freddie Mercury. For the past decade now known as Queen+Adam Lambert touring the globe again.
And this line-up brought Queen back to Madison Square Garden for the first time since Hot Space! The setlist celebrated the band’s live at the Rainbow concert in support of Sheer Heart Attack. They opened with II’s ‘Procession’ and Sheer Heart Attack’s ‘Now I’m Here’.
Adam Lambert has released new solo records while touring with Queen. He sang ‘Believe’ at the Kennedy Center Honors bringing Cher to tears!
His presence on stage is truly a sight to behold. Bringing back the flamboyance of Mercury without mimicking his moves. Adam’s voice is his own unique stamp. He can sing any Queen tune. He has a new album out now called Velvet.
The shows proved so successful that Queen returned to celebrate their News of the World album next time around. Complete with Frank the Robot in full mascot mode. Opening their shows with ‘We Will Rock You’ like they did in 1977. Brian May performed his solo against a backdrop of stars fitting for an astrophysicist.
Their current tour is centered around the global success of the film “Bohemian Rhapsody” which tells Freddie’s story. Albeit with a completely incorrect timeline of events to create a cohesive cinema narrative.
In Freddie’s brilliant words it has been no bed of roses for Queen. For 20 years, 1971—1991, they reigned with the same line—up of 4 creative songwriters with extremely different personalities. Fans felt proud of their achievements.
Then the untimely death of Mercury from AIDS in November 1991. Queen ended. I always thought they could continue if the right elements fell into place.
Elton John performed with them during a final concert as Queen. Mr. John sang ‘The Show Must Go On”. He encouraged Brian and Roger to find a way. He said of their catalog of hits: ‘it must be like having a Rolls-Royce in the garage that you cannot drive anymore.”
Having them back today means so much to me. I want Queen to go on forever…
In my lifetime I have not played another artists music as often as Queen. They have rescued me many times with their life affirming works.
I have many other favourite music groups: Iron Maiden, Black Sabbath, Rolling Stones, Bob Dylan, The Beatles, Judas Priest, Styx, and Elton John.
The Queen sound is unique and original. Their music is not rock nor disco nor black nor white. It’s Queen music.
The Queen catalog has sold over 300 million records worldwide. They are tied with The Allman Brothers Band at #52 on Rolling Stone’s list of Best Artists.
In England Queen Greatest Hits is the top selling record in British music history. Greatest Hits II is #10.
The Queen studio album catalog seen below does not include The Cosmos Rocks. That album featured Paul Rodgers.
Today the world is quite different then the early 1970’s. The band’s legacy has become it’s own cottage industry. The Queen Online website is updated every day. The Online Store has a line of goods that any fan would enjoy.
The Royal Mint in the U.K. has issued Queen coins in sterling; The Royal Mail will issue Queen stamps on July 9th, 2020 featuring 8 album covers including The Game and News Of The World and a set of 4 concert images from their world tours plus a proper band portrait as seen below.
Queen become the third British band to receive this honour following The Beatles and Pink Floyd.
Queen have a star on the Hollywood Walk of Fame. They were inducted into the songwriters hall of fame and most recently were given a Lifetime Achievement Grammy.
“Bohemian Rhapsody” became the highest grossing bio picture of all–time. Rami Malek won the Best Actor Oscar for his portrayal of Freddie Mercury.
The film won a Golden Globe for Best Picture.
On YouTube Queen+Adam Lambert released a new version of their classic “We Are The Champions” called “You Are The Champions” to help raise funds for Covid—19 relief workers via The World Health Organization and U.N.
Drummer and Vocalist Roger Taylor’s daughter appears in the video. She is a nurse!
Nearly 50 years ago a young would be singer appeared on the rock n roll landscape performing his first ever top ten single, “Your Song”. His first record, “Empty Sky”, was not released in the U.S. until 1975. He has 32 albums, over 300 million records sold worldwide, and currently performing live in arenas all over the world for the last time.
Reginald Dwight was his name. He played tennis. Piano lessons came at an early age. He performed a lot as a kid then eventually wound up in a group called Bluesology. Then he changed his name to become a rocker. He took the names of two bandmates in his former group, Elton Dean (Saxophonist) and Long John Baldry (Vocalist) to come up with his new name, Elton John. The name was a tribute to his mates. This would become a lifelong trait.
On Friday, May 31, a new biopic, “Rocketman” will hit theaters. Telling the story of his formative years including a difficult family life and his initial rise to rock stardom. The R-rated film stars Taron Egerton as Elton and Jamie Bell as Bernie Taupin. I am quite excited about the film. Presented as a ‘real’ fantasy, the film will surely be a fanciful trip.
My listening over the years regarding Mr. John’s output has been quite spotty. Honestly I prefer much heavier rock than the pop he composes, but cannot deny his success. Quite frankly I feel he deserves his name to be singular like Cher or Sting. When researching for this entry I re-discovered how I first came into contact with his music.
Each listener comes to an artist’s work in different ways. Whenever I heard his name I pictured the oversize eyeglasses he sported. I learned about his name change and the construction of his public persona later on in books and magazines. I was a kid in the seventies. I was seduced by the camp and androgynous rockers of the time. Marc Bolan of T-Rex, Freddie Mercury of Queen, and Elton John are my favorite three of those days. Sir Elton is the sole survivor of that raucous era.
In 1967, Dwight answered an advertisement in the British magazine New Musical Express, placed by Ray Williams, then the A&R manager for Liberty Records. At their first meeting, Williams gave Dwight an envelope with lyrics written by Bernie Taupin, who had answered the same ad. Elton would compose the music to fit the lyrics. He would send the music back to Bernie in the post. The two men’s partnership endures to this day.
During the 1970s I was certainly aware of Elton John. ‘Crocodile Rock’, ‘Bennie and the Jets’, ‘Goodbye Yellow Brick Road’ and “Don’t Go Breaking My Heart’ were performed on “The Muppet Show” which he hosted. It was not until the 1980s that I would listen to a full album of his work let alone purchase one of his albums. Then came the second moment of impact, a concert in the park, attended by 400,000 people and aired on HBO within 3 months of John Lennon’s death. This was a show that included Lennon’s song, “Imagine”.
Elton John’s Concert In Central Park (Fall 1980)
On the left Elton John started the concert in this flashy suit. On the right side he came out for his encores dressed as Donald Duck! I never forgot this show. When his next album appeared I bought it.
However, it was not until the appearance of his May 1983 release that I would be a fan for life. This was to become his best-selling album of the 1980s. “Too Low For Zero” was quite personal too. Mr. John’s turning point from over the top excess in the 1970s to a more conservative approach. The album was his arrival on MTV with hit videos made for every single released. ‘I’m Still Standing’ was his declaration of survival.
A cocaine habit and bulemia almost cost him everything. He was closeted until 1988 when he officially came out as gay. His AIDS foundation has raised countless millions for people afflicted around the globe.
Sadly, ‘Empty Garden’, a tribute to the late John Lennon had him reflecting on the loss of his friend. Unfortunately there were many to come. I came to understand him as a pop star with a defined mission to help those in need and never stop trying to reach new listeners. His longevity is remarkable.
During the 1990s his image and career would change considerably. After the tragic death of Princess Diana he re-released ‘Candle In The Wind’ with new lyrics from Bernie Taupin. It became the biggest single of all-time.
The Disney Company hired him to perform original songs for their animated film, “The Lion King” which proved to be a global smash. Mr. John would win an Oscar in the process. He was now a film composer! With Tim Rice he wrote, “Can You Feel The Love Tonight”. Now kids of all ages were fans too.
Staying relevant is always a challenge for famous people. Elton John has managed to do so after many ups and downs. Following The Lion King would be hard. The movie “Billy Elliott” would be the ticket. The movie featured the music of T-Rex. Elton saw the film knowing in his heart it could be made into a stage musical with original music.
“Goodbye Yellow Brick Road”, “Too Low For Zero”, “The One”, “Made In England”, and “The Captain and the Kid” are my favorite albums. They cover 4 decades of pop and rock.
I have seen Elton John perform many times. I worked at Tower Records in the 1990s. I got to meet Elton in person! He always shopped for new music every month. Always interested in what is happening in the current musical culture has kept him alive.
His performance Co-headlining Shea Stadium in New York City with Eric Clapton in support of “The One” was one of the best shows I have seen. Elton covered Queen’s “The Show Must Go On” in tribute to his fallen friend, Freddie Mercury. It was the first time I had heard a Queen song live!
Elton John & Billy Joel would tour together. I went every time. Each sang the other’s songs. Selling out football stadiums in this era was standard for the piano men.
Elton John encouraged Mr. Joel to tour. Today, he is his own music franchise at Madison Square Garden in New York.
At 72, Elton John can be proud of a life well-lived. Everything comes at a price. He knows his persona will be public property forever. Following his Goodbye Tour he wants to settle with his children and husband.
I think he will return for special events. His songs have been featured in movies, musicals, radio and television. The unkown Reginald Dwight became Elton John. He has been knighted by Queen Elizabeth II. Sir Elton Hercules John. I will just call him ELTON.
In this new hardcover from Apollo publishing, the domestic lives of rock stars are exhibited. This is a nicely laid out coffee table affair with fine photographic images of many of the world’s most famous music stars from the past 50 years. A total of 176 pages. Lists for $24.95.
For the fan and non-fan alike. The histories of various properties like Cotchford Farm, former home of Winnie-the-Pooh author A.A. Milne which became the estate of then Rolling Stone founder Brian Jones. The material within is quite a page turner. You get to find out what became of their homes after they died or whether they just left to live elsewhere.
There are essays by:
Chris Charlesworth (Melody Maker; Omnibus Press).
Eddi Fiegel (The Telegraph; The Guardian).
Colin Salter (The Definitive Illustrated Encyclopedia of Rock).
Daryl Easlea (Music Journalist and author of Books about Michael Jackson and Peter Gabriel).
Bryan Reesman (Entertainment Journalist).
Simon Spence (BBC, NME) music journalist and author.
A survey of stars including Frank Sinatra, Chuck Berry, Elvis Presley, Bob Dylan, Paul McCartney, Ike & Tina Turner, Jimi Hendrix, Rod Stewart, David Bowie, Prince, Elton John, Joni Mitchell, Neil Young, Keith Moon, The Allman Brothers, Noel Gallagher, Debbie Harry, Barry Gibb, Michael Jackson, The Jacksons, Freddie Mercury, Motley Crue, Ozzy Osbourne, and many others.
The material presented here is well organized. Essays precede each group of artists. Titled in order of appearance: Through The Keyhole, Psychedelic Suburbia, The Laurel Canyon Scene, Haunted Houses & Magic Mansions, All Aboard The Starship, Punk Digs & Dives, Out Of View, Islands & Exiles, Riot On Sunset, Last Known Abode, Musical Playgrounds, Mysterious & Spooky, and Colorfully Enhanced Cribs.
You begin to glean solid knowledge of the reasons why these people bought these homes and decorated them. The number one reason why some of these stars sought remote places was privacy. To escape the adoring public; to escape the press. Some of them would stay in the same home until their deaths like Jimi Hendrix did with his London flat. George Harrison’s widow Olivia still lives in their palatial estate. The birdseye view of this home is worth the price of this book alone.
Speaking of public museums you realize that some stars have a lot in common even if their musical expressions were different. Elvis, Prince, and Jimi Hendrix all had homes that would open to the public as historic places of interest after their untimely deaths.
The Eagles, The Doors, The Mamas & The Papas, Joni Mitchell, Frank Zappa, and Carole King were neighbors in Laurel Canyon, Ca. This is an amazing time capsule of a very unique period of time where so many creative people could afford the homes that existed here. This is an example of a time when famous people had an open door too. They did not have walls.
Frank Sinatra and Keith Richards both eventually built walls in their very different places of residence to keep out intruders. Bob Dylan would move after fans discovered his then unknown residence in the town of Woodstock, N.Y. Mr. Dylan then sought seclusion. Chuck Berry like Sinatra (Twin Palms) named his estate. Berryland was open to the public until a massive fire destroyed it. This survey relates a lot of interesting stories like this throughout its pages.
Did you know that in the 1950s’ throught the 1970’s a lot of artists opened their homes to public viewing and parties. And that John Lennon’s murder in 1980 led many of these artists to close their homes as a result?
I can highly recommend this book as the type of treasure you can pick up for an insightful and fun tour of homes and people you may not have had access to otherwise unless you go to Graceland or Paisley Park. There is such a wealth of tidbits throughout that you will never get bored.
The misfits who began careers in music never expected to become wealthy. The galaxy of stars in this book represent a small sample of those who did well.
You realize in the end home is where you feel safe and comfortable. This book will make you feel this way and so much more!