Saturday July 17th, 2021 is the second drop of vinyl goodies at independent shops.
From watching store owners and people who are passionate about Vinyl on YouTube there is a vast spectrum of opinions.
The consistency of this special day are the expectations people have for certain titles to appear on the release list.
As many people are disappointed as thrilled by the discovery each time out.
This is exactly the reason why going to record stores had always been a source of pure joy for me.
The record store is where I found my first Queen album! It’s where many now classic artists are found when they were new.
This Saturday I have the deep pleasure of going to one of the largest independent stores in the USA—Princeton Record Exchange in New Jersey with my best friend from high school.
Picture Vinyl, First time on Vinyl live albums from legendary artists, special singles, special color vinyl, box sets, and records being pressed for the first time since their original release sometimes decades ago.
This year Box sets feature a studio album set from Randy Newman; War has a 5 album set of color vinyl of their core catalog not seen on vinyl since the mid seventies!
Two E.P. titles are Queen+Adam Lambert Live Around The World including 2 tracks not found on the #1 album plus a 7″ Freddie Mercury song, Love Me Like There’s No Tomorrow on pink vinyl packaged with the e.p.
A late addition to the release list, Foo Fighters Dee Gees features their covers of iconic Bee Gees hits and a side of their own.
Soundtracks are always big. This time out Aliens The Matrix, and Harold & Maude are being featured.
There are three volumes of rarities from The Monkees. Each title comes on color vinyl. You won’t know the color until you open it!
Live albums from Ramones, Suzi Quatro, Aretha Franklin and John Prine are limited editions.
This memoir is truly inspiring. A kid from Long Island develops (pun intended) a keen interest in photography at the age of 5. His mother has her own darkroom.
After leaving college over and over decides to pursue his real passion—creating images with his camera.
I think he made the right decision. You learn when reading this story how much of life is just being in the right place at the right time.
Over the past 60 years he has chronicled rock’s most significant artists. Beginning at the 1965 Newport folk festival when Bob Dylan plugged in with an electric guitar for the first time to the birth of disco, punk, and new wave, his best stories are collected here.
You will truly feel as if you are with him during all the late nights, problems with deadlines, and hangovers.
Bob Gruen became close friends with John Lennon and Yoko Ono; Ike and Tina Turner.
He spent a lot of time showing the world the day to day lives of these extraordinary people. He de-glamorizes the biz. You see the tough times these folks lived through to get their art in the hands of listeners across the globe.
At the drop of a hat Bob Gruen flew to London, Germany, France, Japan or wherever needed to lend support.
In the moment he captured many moments that still resonate today.
Led Zep in front of the Enterprise Starship aircraft; John Lennon in his New York city tee-shirt; The Clash on the observation deck at 30 Rock; Ike and Tina Turner doing just about anything.
Alice Cooper and Salvador Dali. Dali created the first ever hologram of Alice.
This book is the perfect gift for the music fan in your life. He photographed Queen before they were famous. KISS in 1978 on the 14th St subway platform which had phone booths!
A magical journey peopled by lots of fascinating figures including:
Elton John, Rolling Stones, Janis Joplin, Bob Dylan, John Lennon, Tina Turner, Debbie Harry, The Ramones, Alice Cooper, The Clash, Sex Pistols, The Who, Runaways, and on and on.
Bob Gruen reminds his reader of the authenticity of New York city’s great power to help re-invent those who seek a new life.
Filled with black and white photos and full color of many moments that shaped his long-term success you get a deeply affecting impression of what it truly takes to become a fine artist.
One of my favorite early moments was when he took photos of models. A young college student came to the studio. Years later he found out that would be model became movie actress Karen Allen who appeared in “Animal House” and “Raiders of the Lost Ark”.
Today, Bob Gruen photography is a thriving business. The countless hours of painstaking work along with the warp speed social life required to achieve it are worthwhile.
I strongly recommend you get a copy of this account.
Bad Religion, a band formed in 1980 in the midst of Southern California’s punk rock movement, has put forth a humanist view in the ever increasing hostile climate of organized religion, politics, and our greedy anti-intellectual establishment.
Punk rock is perhaps the best truth-teller music has to offer. I will talk about my other favorites of this genre in future blogs.
For now I want to discuss the new album from Bad Religion. 14 tracks brimming with melody, harmony, and brilliant dissent.
Going against the grain is at the heart of punk music. It can enlighten us, shake us, and bring energy into the deepening void of apathy and ignorance that engulfs most of our world.
After decades of listening to groups that are apolitical or have no critical point of view I decided to seek out more thoughtful groups. I found Bad Religion with their new record, “Age Of Unreason”.
The songs were inspired by America’s revival of nativism. The current attempts at governing are weakening our best intentions towards a more democratic society.
Below is the line-up that recorded this new record.
One of the qualities I love in punk is the ability to communicate directly with its audience. There are 14 tracks that clock in at 33 minutes. During the late 20th century the punks knew that attention spans were falling. They never faltered in the chords that made rock roll.
The band has a logo that shows a cross with a slash of prohibition through it. Greg Graffin explained: “we don’t like to subscribe to dogmatic ways of life and dogmatic views on life and that religion, in general, is founded in dogma and in restriction of ideas, restriction of thought and it’s these things that I feel are bad about religion, it’s also very bad about nationalistic views, it’s very bad … it’s something that mankind, as a group, is not going to benefit from; it’s only something that mankind will … it’s something mankind will … I’m sorry, it’s something that will instill violence, and it will instill fighting, and it will instill non-cooperation of different groups of humans.”
Chaos From Within opens with a quick tempo that reminds us that our current state results from the constant churning of madness within our body politic. The chorus goes like this:
Threat is urgent, existential With patience wearing thin But the danger’s elemental It’s chaos from within
In this mad country our cockeyed optimism is always on display. The track “My Sanity” is a plea to hold on to this misguided belief system. At song’s end the following is declared: Sometimes there’s no sane reason for optimism.
Oh my sanity, my sanity I’ve nothing to lose, so please let me be My life is a song, a short melody Harmonizing with reality I’ve got it real bad, there’s no remedy My world picture is exemplary I won’t let you go, what else can there be You’re all I have, my dear sanity
Do The Paranoid Style smartly mocks disposable dance crazes that have reinforced our march towards ignorance over reason. Make up your own truth without a care.
Hey kids on the right and left Do you feel dispossessed If you’re on the left or right I feel your pain tonight So shake off reality It’s easy as you please Soon everyone is dancing Con-spir-a-tor-i-a-lly
It’s the paranoid style in American politics Casey Jones you better watch your apocalypse All kinds of wild interpretation Are open to the paranoid imagination
Do The Paranoid Style is the catchiest track here. Then a galloping melody kicks in with ‘The Approach’. A reminder that despite the nonsense people are fed via social media we are still approaching the end. Be optimistic if you wish. The seeming rush to our destruction is ongoing.
There’s a moral and intellectual vacuum and you’re right to be lookin’ askance Philosophically moribund, revolution hasn’t a chance
As the light fades, the shadows dance in silhouette .
Then a beautiful respite in “Lose Your Head”. A real punk statement of not going off the deep end because of our stupid system. My favorite lyric is: There’s an accident waiting to happen at all times anyway And maybe we’d all benefit from some epistemic humility .
Without this humility how will any of us be remembered? The sixth track, “End Of History” asks the most of us. Are we really okay with letting maniacs lead us to our demise?
Halcyon days are not a thing Nostalgia is no excuse for stupidity I don’t believe in golden ages Or presidents that put kids in cages America awaits on bended knee Can’t you see
Sweet children, Locke’s burden Why did mother draw the curtains Free will is your dilemma, (what will the dust remember) Tell me where do you really want to be? At the end of history?
At the midpoint we receive the title track. The song pleads with us that many cannot see the country’s heart is bleeding because of the man who brought back tyranny.
The mass is unrepentant in this age of unreason. The environment is being poisoned. Dogmatic systems are promoting over population, consumerism, and waste.
I feel strongly this record is one of the finest of 2019. A remarkable dissent in a culture that retreats from empathy.
The second half has good tracks. I will not go deep into them like I did with the first 7 tracks. Listeners should have their own thoughts about this work.
What follows is a brief description of the second half of the record:
'The Candidate' denounces our current clown. He is a fraud. A Pied Piper type demanding that you (rats like you) should follow his populist tune. Nothing but a conjurer of violence and despair. Yet still promises to make all your worries disappear.
"Faces of Grief" is a short, sweet punk riff about the dangerous tribalism religion bestows upon all.
"Old Regime" shreds with protest fury. The track reminds us that today's aristocracy is just the old non-democratic regime with a different name.
"Big Black Dog" is one of my favorite songs. Calling out the President as a traitor in chief. The song is groove driven.
"Downfall" has a new wave thread that allows the hook to take hold of the listener. The lyrics describe a society that has turned away from science in favor of dogma. The wave that is surely to come will destroy us.
"Since Now" poses that we are living in the upside down. Our new bizarre reality is that everything we thought was true is being ripped apart. The punkish answer is to say since when... Structured as a list of grievances sure to wake up the apathetic hordes.
The closing track is "What Tomorrow Brings". A note of hopeful finality to the proceedings, more than sociological or technological, it's what tomorrow brings. The changes we need are what may come.
Punk is protest. Punk is relevant. Punk is open. The form embraces the misfit in all of us. Please give this record a listen. You may just find you are not alone in the crucible of our current mad state.