Mikael Söderlindh and Viktor Tell had a vision: to spread happiness by turning an everyday essential into a colorful design piece.
In 2008, socks were just socks. White, gray and black pieces of textile that were nowhere close to the fashionable and creative design piece they could become. But that was all about to change.
HELLO, HAPPY SOCKS
Happy Socks, a high-quality sock that combines unique designs and craftsmanship. (Probably) The world’s most comfortable and colorful tool for spreading happiness was born. This concept is now brought to life by Happy Socks’ talented team of creatives.
90 COUNTRIES around the world sell Happy Socks!
The perfect way to add just the right dash of color to any wardrobe with premium comfort.
In recent years the company has collaborated with The Beatles, Rolling Stones, and Queen. Now they are presenting David Bowie inspired designs!
A crown jewel in the library for any fan of classic rock comes this compendium of every single track recorded and released by Queen during their original reign with late lead vocalist Freddie Mercury.
A stunningly designed volume focusing on the main discography released between 1973 and 1991.
Each title gets a unique graphic art treatment using a similar font but adding a splash of custom color for each recording.
To give readers context there are added sections. A brief intro to each member of the band comes before the eponymous debut is discussed.
We are also given great background on the key players in the band’s story including producers Roy Thomas Baker, Rheinhold Mack, Sound Engineer Mike Stone, and photographer Mick Rock.
Every song in its proper order are given the entries subhead Genesis and Production. How the song was birthed then what technique was applied in the studio to bring the song to life.
There are many images in both color and b&w that have never been seen. One of my favorites was an image of guitarist Brian May holding a Linn-7 drum machine. This technology is mentioned as the band’s fifth member during the recording of Hot Space.
Highlighted throughout are revelations under the heading, For Queen Addicts. This illustrates just how vast the following has become for the band, especially after the success of the movie, “Bohemian Rhapsody”.
Everything about the band’s creative process is shared here. I found out a lot of things I did not know about the group. Since I am a Queen Addict I was quite impressed by this compendium.
The novice will probably be happy with their best-selling “Greatest Hits”. Long-time fans will need this book. Anyone who loves classic rock will also want to get a copy.
The band was not perfect. Refreshingly the book discusses the bad press received in the U.K. from the very start. Some of the biggest mistakes made took years to heal.
The four musicians who created this catalog of songs have become beloved by millions. Two of their famous fans, Taylor Hawkins of the Foo Fighters co-curated a Queen compilation and Michael Jackson worked with Freddie.
This diverse mix of artistic points of view are in my opinion one of the components that make Queen so enduring in the canon of popular music.
For fans of Lady GaGa is the fragrance line EAU DE GAGA. Dangerously, audacious, the fragrance was created with Gaga’s visionary fragrance powerhouse, Haus Laboratories, world renowned for innovatively capturing the pure essence of Gaga. As an androgynous scent, Eau de Gaga represents the future of fragrance appealing to both men and women.
Exclusively available on Amazon. The perfume is $30 per bottle.
Lady Gaga Fame Eau de Parfum Spray for Women, 1 Ounce $139.99
At the age of 18 Neal Preston got to photograph Jimi Hendrix. Then awhile later he was lucky enough to get hired by Atlantic records.
You see they had a new sensation called Led Zeppelin that was about to tour. He became their official photographer.
Although the members of Queen loved Hendrix, it was Neal Preston’s association with Zeppelin that impressed them most.
Now almost 35 years after the band’s final gig with Freddie Mercury comes this knockout of a photo book.
If you’re a fan or love rock photography this tome will sit proudly on your coffee table. With limited text Neal Preston presents his best images of Queen.
Beginning with their initial ascent in 1977 on their North American News of the World Tour and each tour thereafter until reaching the penultimate 1986 Magic Tour of Europe, you get views of this band that are quite special.
The images are in black and white as well as color. Capturing the utter pomp of Queen at their best these images are the result of a band in search of perfection every night as they perform before thousands of people.
Queen were the first Western rock group to Tour South America in 1981. The photos from this jaunt make this book a worthy edition to any home library.
A dedicated road crew enabled Neal to show sides of the group fans never see. You see what the band sees when looking out at an arena crowd. You’re on stage!
Although some of these photographs have been seen in books and magazines over the years the layout here is just superior.
At Live Aid Neal Preston was the only photographer on stage! Those pictures have not been seen before except the one of Freddie center stage with his back arched as he reaches for the stars. This image is featured on the Bohemian Rhapsody movie poster and soundtrack album.
In fact the band loved Neal’s work so much that images were used for Tour Program covers and a box set of drummer Roger Taylor’s solo output.
The band pushed Neal to do some of his best work even in some of the hardest conditions. Especially in South America when machine guns were literally the only backstage pass one needed.
As stated at the book’s beginning a rock photographer has stress and fatigue as constant companions. We the viewers are the beneficiaries of his tireless effort.
This memoir is truly inspiring. A kid from Long Island develops (pun intended) a keen interest in photography at the age of 5. His mother has her own darkroom.
After leaving college over and over decides to pursue his real passion—creating images with his camera.
I think he made the right decision. You learn when reading this story how much of life is just being in the right place at the right time.
Over the past 60 years he has chronicled rock’s most significant artists. Beginning at the 1965 Newport folk festival when Bob Dylan plugged in with an electric guitar for the first time to the birth of disco, punk, and new wave, his best stories are collected here.
You will truly feel as if you are with him during all the late nights, problems with deadlines, and hangovers.
Bob Gruen became close friends with John Lennon and Yoko Ono; Ike and Tina Turner.
He spent a lot of time showing the world the day to day lives of these extraordinary people. He de-glamorizes the biz. You see the tough times these folks lived through to get their art in the hands of listeners across the globe.
At the drop of a hat Bob Gruen flew to London, Germany, France, Japan or wherever needed to lend support.
In the moment he captured many moments that still resonate today.
Led Zep in front of the Enterprise Starship aircraft; John Lennon in his New York city tee-shirt; The Clash on the observation deck at 30 Rock; Ike and Tina Turner doing just about anything.
Alice Cooper and Salvador Dali. Dali created the first ever hologram of Alice.
This book is the perfect gift for the music fan in your life. He photographed Queen before they were famous. KISS in 1978 on the 14th St subway platform which had phone booths!
A magical journey peopled by lots of fascinating figures including:
Elton John, Rolling Stones, Janis Joplin, Bob Dylan, John Lennon, Tina Turner, Debbie Harry, The Ramones, Alice Cooper, The Clash, Sex Pistols, The Who, Runaways, and on and on.
Bob Gruen reminds his reader of the authenticity of New York city’s great power to help re-invent those who seek a new life.
Filled with black and white photos and full color of many moments that shaped his long-term success you get a deeply affecting impression of what it truly takes to become a fine artist.
One of my favorite early moments was when he took photos of models. A young college student came to the studio. Years later he found out that would be model became movie actress Karen Allen who appeared in “Animal House” and “Raiders of the Lost Ark”.
Today, Bob Gruen photography is a thriving business. The countless hours of painstaking work along with the warp speed social life required to achieve it are worthwhile.
I strongly recommend you get a copy of this account.
Without Buck Rogers there would be no Flash Gordon. First appearing in 1928, the character of Anthony “Buck” Rogers was the first to feature space exploration! As it paralleled the latest advances in technology of the early twentieth century, the space hero would take to alien worlds to defend Earth from certain peril.
The strip made its first newspaper appearance on January 7, 1929.
Later adaptations included radio in 1932, a film serial, a television series (in which his first name was changed from “Anthony” to “William”), and other formats.
Buck Rogers was the inspiration for other comic strips:
The adventures of Buck Rogers in comic strips, movies, radio and television became an important part of American popular culture. It was on January 22, 1930, that Buck Rogers first ventured into space aboard a rocket ship in his fifth newspaper comic story Tiger Men From Mars.
The Buck Rogers strip was popular enough to inspire other newspaper syndicates to launch their own science fiction strips. The most famous of these imitators was Flash Gordon (King Features Syndicate, 1934-2003).
I did not discover this about these 2 serials until I created this entry for Evan’s Gate!
In the 1980’s NBC-TV premiered “Buck Rogers In The 25th Century” based upon the feature film of the same name that appeared in theaters. Starring Gil Gerard as Buck and Co-starring in the series were Erin Gray as crack Starfighter pilot Colonel Wilma Deering, and Tim O’Connor as Dr. Elias Huer, head of Earth Defense Directorate, and a former starpilot himself.
Buck Rogers will getits own entry in this blog at a future date. You just cannot celebrate a Flash Gordon Anniversary without providing this necessary background.
The television series lasted two seasons. The actors strike of 1980 disrupted production. When it returned the show was revamped with new characters and format. The 1980-81 Season was to be its last.
Fun fact: Larry “Buster” Crabbe” made a cameo appearance on the Buck Rogers TV series!
Serial Start For Flash Gordon
Serial adventures were a staple of the American cinema from the 1930’s through the 1950’s. Each week a chapter would appear in theaters. The ending was usually a cliffhanger. Our hero would be caught in some sort of death spiral that left viewers wondering how they would manage their escape.
These serialized adventures were provided as an added attraction at theaters. They did a lot with small budgets.
Based upon various comic strip characters of the day, those serials produced one character in particular that has stayed around for over 70 years—Flash Gordon. A comic strip created by Alex Raymond in the 1930’s influenced the adventures of Batman, Superman, Captain Kirk, and Luke Skywalker.
I saw the original movie serials on Channel Thirteen, a Public Television station here in New York during the 1970’s. The re-runs coincided with the release of Star Wars in 1977.
Later on I discovered that Star Wars creator George Lucas was a fan of Flash Gordon. He inquired about the rights with King Features but found out the expense was beyond his means. Movie fans got a space fantasy filled with characters inspired by Flash Gordon.
I had been enthralled by science fiction and fantasy since the re-runs of Star Trek. Then Flash Gordon appeared and then Star Wars. I could not see the direct lineage of these series until much later.
Summer of 1977 marked movie history being made. George Lucas’ Star Wars changed the popular culture. Becoming at the time the highest grossing movie of all time, its success would lead to the first Star Trek movie in 1979 and Alien in that same year! In fact Alien won the Visual Effects Oscar over Star Trek. And of course launched another franchise.
Then came a big budget European feature film of Flash Gordon announced in the pages of American fan magazine, Starlog. Italian Producer Dino DeLaurentis with Director Mike Hodges created a unique vision of the comic book hero.
The Italian film legend Federico Fellini turned down an offer to direct Flash Gordon.
Putting together an all-star European cast with two unknown Americans as Flash and Dale was an unusual contrast not unlike Star Wars. There were many European stars wearing masks in both pictures.
For example British TV/Film actor and Bodybuilder David Prowse wore the Darth Vader costume for Star Wars; British TV star Peter Wyngarde (Department S, Jason King) wore a mask as General Klytus in Flash Gordon. Mr. Wyngarde’s voice is heard while Mr. Prowse gets dubbed by James Earl Jones.
But I digress. Back to our main focus. The cast of Flash Gordon—
Max Von Sydow (“The Seventh Seal”, “The Exorcist”) was Emperor Ming The Merciless; Timothy Dalton (James bond) was Prince Barin; Brian Blessed (Black Adder) was Vultan; Ornella Muti was Aura; Mariangela Melato was Kala; Peter Wyngarde (Jason King) was Klytus; Richard O’ Brien (Rocky Horror) was Fico; Topol was Dr. Hans Zarkov; Melody Anderson was Dale Arden; Sam J. Jones (“10”) was Flash Gordon.
Coming Of Age
As a gay kid in the 1980’s there were a lot of stimulating images in film. What I mean is that there were lots of films featuring shirtless guys on their posters. “Beastmaster” is a good example.
“Flash Gordon” was a singular phenomena. There are no sequels. At the time it cost $70 million which would probably be over $200 million today.
At the time of release the picture had a PG rating. There are scenes with graphic violence and sexual connotations but nonetheless there was no PG–13 back then in 1980. The blood shown on screen was blue and green.
I loved this film for its tremendous effort to capture the spirit of the original serial. Now seen in rich color of every shade and hue. The skies of Mongo were a awash in red, blue and orange.
It was important for the film to keep to the universe Alex Raymond created in the 1930s. The only update was making Flash a football player for the NY Jets, Dr. Zarkov was a NASA scientist, and Dale is now a travel agent.
As a kid I was ignorant of this paradigm. It’s important to note the exoticism worked both ways in the film. Princess Aura seduces the blonde/ blue-eyed Flash Gordon as her object of exotic desire.
This was strong stuff for a pre-teen gay kid! Then you had Sam J. Jones shirtless in the execution and resurrection scenes, wearing nothing but a pair of PVC briefs!
A ton of art was created for the film and some of it just for promotional purposes. Unknown to me at the time how many posters exist is incredible. Released globally there were images used in various countries to target specific audiences based on region.
Lobby Poster Art
All I knew then was the poster for American release was brilliant. Then I found a small copy of the art in a full page ad in Playbill magazine. I cut it out and put it on my wall. The name AMSEL was signed on Ming’s cloak.
The film’s Tagline, all in caps, PATHETIC EARTHLINGS…WHO CAN SAVE YOU NOW?
Who was underlined to stress that Flash is the hero.
The lightning bolt logo with planet Mongo at its center was an American market image. The font with its Red/Yellow/Orange coloring was brilliant. In Europe as well as in the opening titles the name is stylized in the mode Alex Raymond had used. You see it in the Italian promo posters we saw earlier in this entry.
Also note how Ming is so large like Darth Vader was for the Star Wars posters with Flash and Dale in a similar pose like Luke and Leia!
Instead of a fleet of X-Wing fighters you get a fleet of Hawkmen swooping down in an almost 3-D effect with Vultan’s cloud kingdom seen in the background on the right side of the frame.
All of his works are signed AMSEL with floating periods on either side of his name.
Richard Amsel was a prolific artist who attended the oldest school of Art in Philadelphia. After graduating he went on to create the poster art for films like “The Sting” and “Chinatown”. Following “Flash Gordon” he designed the art for “Raiders of the Lost Ark”!
He also designed album covers including Bette Midler’s Divine Ms. M.
He had an association with TV Guide for 13 years producing over 40 covers. A portrait he did of Lily Tomlin hangs in The Smithsonian. His final movie poster was for “Mad Max Beyond Thunderdome”.
The collage seen below is just a small sample of Amsel’s TV Guide covers. His first was an image of Lucille Ball upon her retirement from TV and show business.
I put up two of my favourites: All In The Family, Alice, and Richard Chamberlain in Shogun, a mini-series that aired for a week on NBC.
Notice the placement of the cast of Alice and All In The Family is similar to his placement of characters in his film poster work for Flash Gordon.
Richard Amsel died of AIDS in 1985 at the age of 37. I mourn him today. I had no idea he was one of the many awful casualties of that pandemic. His work is amazing.
Critical Reaction To Flash Gordon
The film found appreciation with some film critics, such as The New Yorker ‘s Pauline Kael. Kael described Flash Gordon as having “some of the knowing, pleasurable giddiness of the fast-moving Bonds…The director, Mike Hodges, gets right into comic-strip sensibility and pacing“.
She also stated the movie was “Like a fairy tale set in a discotheque in the clouds.”
On their syndicated TV program Siskel and Ebert were giving films a Yes or No at that time before their now iconic thumbs up or down.
Gene Siskel of The Chicago Tribune did not care for it. Roger Ebert of the Chicago Sun-Times gave it a borderline Yes vote citing the fun comic book nature of the movie.
In homage to the serial chapters of the 1930’s the film version was produced in strong primary colors and utilized Chroma Key effects.
Chroma key compositing, or chroma keying, is a visual-effects and post-production technique for compositing (layering) two images or video streams together based on colour hues (chroma range). The technique has been used in many fields to remove a background from the subject of a photo or video – particularly the newscasting, motion picture, and video game industries.
All of the space craft were done this way. Flash Gordon riding a Hawkman rocket cycle was also accomplished with this method as seen below. War Rocket Ajax, Vultan’s Cloud City and Flash with the Hawkmen approaching Mingo City are all Chroma Key images.
The lavishly produced feature included giant set pieces adapted directly from the pages of Alex Raymond’s work partly as homage and because the formula worked!
I love the film as much as Rocky Horror loyalists. I can quote dialogue from any scene. This section brings us to my favourite parts of the film. A bit tricky because I really do enjoy all of it. Here goes…
In The Court Of Ming The Merciless at the point in which are trio from Earth first encounter all the ‘breeds’ of Mongo. This set is enormous. Ming’s throne looks like the inspiration for the Iron Throne on a certain HBO series.
Each ‘breed’ of Mongo gets introduced. Gathering in Court to present their tributes to the Emperor we see rivalries between Hawkmen and Treemen as the two groups argue over who stole their tribute!
The image seen above is a fish-eye view of the court. Unknown to me as a kid but later appreciated as a film student that Flash Gordon utilized the Todd–AO camera system. At the time of filming in 1979 this was the state of the art widescreen format. Everything about the film is grand scale for a timeless adventure.
The Palace of Prince Vultan and his Hawkmen.
Initiation on Arboria where Prince Barin rules his treemen there is a rite of passage that all youth must experience. Within a warren of hollow tree stumps lives a beast in which the initiate must reach all the way in full arms length. If you choose the wrong path the beast will bite injecting the victim with deadly venom. The result is pain so awful the victim begs for death. Barin forces Flash to take this test in order to live.
Above in this gallery a view of Arboria against the colorful skies of Mongo, at the left bottom a birds eye view of Flash and Barin as they begin their duel, and on the right the beast that resides within the stump.
Lorenzo Semple Jr.
The dialogue in Flash Gordon was purposefully done in a tone of high corn. Movie fans always call it camp.
Having written King Kong for Dino DeLaurentiis, Lorenzo Semple Jr. was then asked to write the Flash Gordon script.
The Batman TV series of 1966 was also written by him. The camp humour of that show was revived in Flash Gordon.
To this day every fan of this movie can quote dialogue. The language is comic book affectation in my opinion.
Lines like, “We only have 14 hours to save the Earth” could only make sense in an over the top fantasy.
Original Soundtrack Music By QUEEN
Flash Gordon is the ninth studio album and first soundtrack album by the British rock band Queen, released on 8 December 1980 by EMI Records in the UK and in February 1981 by Elektra Records in the US. It was one of two film soundtracks that they produced along with Highlander. It is the soundtrack to the science fiction film Flash Gordon and features lyrics on only two tracks.
Following the success Queen had with Flash Gordon two other notable rock groups contributed to movie soundtrack albums: Toto’s music was featured in “Dune” and AC/DC’s music was heard in “Maximum Overdrive”.
This was unusual at the time. Rock groups were not generally commissioned to score films.
I walked out of the cinema with the Queen music in my head. Following a trip to a furniture store I went to a local record shop to pick up the album. Dropping the needle onto this record was such a joyful moment for me.
Then to find they had included the dialogue from the film throughout the record was such a bonus. And the package for this record was so different from all of Queen’s previous efforts. It included an insert with a full colour image of Ming on one side and the lyrics for Flash and The Hero plus album credits on the other in red and yellow.
Seen above are the inner sleeve of the soundtrack featuring images of Queen on on side and the international cast on the other with a die cut in the center that lines up with the custom label featuring the logo.
For whatever reason the American version of this record did not have the die cut hole. The center was left intact so you lost the custom label peaking out effect.
Years later DJ Vanguard released a special re-mix of the single Flash.
On what turned out to be Queen’s final American Tour with Freddie & John in the Summer of 1982 Flash opened their shows followed by a performance of The Hero at the top of their setlist.
Flash Gordon Memorabilia
From the original 1930’s film serials to the 1980 feature to today the Flash Gordon franchise has produced a large array of collectibles.
In the 1930’s there were tin wind–up toys of spaceships from Flash Gordon and miniature figures in tins.
In the decades that followed numerous Sunday comic strips were published weekly. Comic Books, Toys, Figures, Posters, Trading Cards, Candy, Mugs, T-Shirts, Keychains, Magnets, and on and on and on.
Above are images of collectibles relating to the Flash Gordon franchise. On the Top Left are Flash and Ming figures with fold out Vultan’s Cloud Palace backdrop from Biff!Bang!Pow!
On the Top Right an early Pop-Up Book.
On the bottom Left a Lionman figure from Mattel based upon the Filmation animated series in 1979 on NBC.
Middle Right is a Viewmaster pack with 21 stereoscopic images also from the cartoon. And the bottom Right is a volume collecting Sunday comic strips of Flash Gordon now published by Titan books. There are 4 volumes in this series.
Flash Gordon books and magazines have been published over the past 70 years. In this gallery seen above notice the Mad Magazine clone Crazy with its parody of the movie!
The 1980 movie spawned several comic book adaptations, a novelization, poster books, and recently a graphic novel from Dynamite press called Zeitgeist.
Both DC & Marvel have published Flash Gordon comics at some point.
Archie Meets Flash Gordon in New Crossover One-Shot. Archie Comics has announced a new crossover one-shot with Flash Gordon, that was to hit comic shops back in June of this year.
Pulp Fiction is a term used to describe a huge amount of creative writing available to the American public in the early nineteen-hundreds. Termed “pulp magazines” because of the low quality paper used between the covers, these publications proliferated in the nineteen-thirties and nineteen-forties and beyond.
Flash Gordon was the subject of several pulp series sold in drugstores and book shops. The gallery seen below features some of the covers published. There were even Flash Gordon Flip-books! There the small sized books that you flipped pages fast to create the illusion of motion! Checker books’ collections of Alex Raymond strips in full color featured The Ice Worlds of Mongo.
Toys + More Collectibles above and below
A pinball machine showed up in game arcades which I got to play several times. It had Queen’s music! The Atari Game Cartridge was less exciting somehow, Mattel sold a toy rocket ship for kids.
Titan Books published a 4 volume set collecting Flash Gordon comics from Alex Raymond to the present day.
There was even a Flash Gordon Colorforms Set! Along with Silly Putty and Yo-Yos Colorforms were a 1970s staple kids toy.
The 1979 NBC Saturday morning series was licensed to comics, figures, and lunchbox/thermos sets.
There was also a program sold at select theaters for the film. I found it years later at a Horror/SciFi Convention.
40th Anniversary of Mike Hodges’ Flash Gordon Movie featuring the music of QUEEN
STUDIOCANAL is excited to announce the new 4k, Ultra High Definition restoration of Mike Hodge’s cult classic FLASH GORDON (1980), in honour of the film’s 40th anniversary.
Flash Gordon was scanned from the original 35mm negative to produce 4K files. Over 500 hours of manual restoration repaired serious damage that included image instability, scratches, and intermittent flicker.
The sound was scanned from the original track negative and underwent restoration to improve issues ranging from audio drop-outs throughout the feature and during reel changes, digital clicks and optical distortion.
The film was colour graded for theatrical, home entertainment and 4K HDR release, using previous digital releases and 35mm prints as a reference. In line with the Director’s vision and the original 35mm cinema release, VFX work was applied to remove the strings in all scenes where visible. This restoration was approved by Director Mike Hodges in May 2020 and will include the first 4K HDR Dolby Vision master of Flash Gordon.
This Fall a new coffee table book will be published called Flash Gordon The Official Story by John Walsh.
Originally there were to be 3 Flash Gordon movies to form a trilogy. Sam J. Jones had a falling out with the movie’s producers. The box office in North America was disappointing. At a cost of $70 million (a huge amount in 1979/80) and a paltry $20 million take in America no sequels were made.
While the irony is not lost on me that Flash Gordon up until this movie had multiple chapters including the short lived NBC cartoon, I think the movie is even more appealing because it is the only one of its kind.
A short-lived live action series appeared on the SyFy Channel. Dispensing with the former image of Ming as a caricature of Asian villainy he appeared as a bland modern CEO in an alternate dimension.
Another animated series also appeared on Cable television with less than encouraging results. Flash Gordon went into dormancy again.
The chroma key special effects. The model space ships. The glitzy costume design. Queen’s trademark sense of corn/camp are all part of the 1980 film’s lasting appeal.
This movie has become a true cult classic. Appealing to sci-fi/ fantasy geeks around the globe many of whom dress up as their favourite characters for ComicCon and Halloween.
I have seen the film at least 100 times. It’s my favourite cult film.
Seth Macfarlane, creator of the animated series Family Guy is a fan. His comedies, Ted & Ted2 featured Sam J. Jones and Flash Gordon. Comic book artist Alex Ross loves the movie and also proclaims Queen as a favourite band.
Family Guy episode with the Hawkmen. The Ted movies were packaged with Flash Gordon.
Alex Ross art above for the Blu-Ray of Flash Gordon; The Ming Wants You art came with the disc.
There is talk in recent years of a Flash Gordon reboot with CGI effects but time will tell if this becomes reality.
All I know is that this work combined two of my favourite things: Flash Gordon and QUEEN.
This Fall boss Fight Studio is releasing figures of Flash and Ming to celebrate the 40th Anniversary; Movie posters for the 40th Anniversary Edition.
There is a new documentary called Life After Flash now streaming on Amazon Prime. It tells the story of actor Sam J. Jones’ sudden stardom followed by years outside show business. It will be one of the many extras on the upcoming blu-ray sets.
Thank You Dear Readers! And Thanks Flash!
“Keep your feet on the ground, put your hand on your heart, lift your head to the skies, and the world’s for your taking. Yes, you’re a Hero!”
The year was 1979. A pre-adolescent boy who was collecting his first records discovered a mail-order music club. Offering 14 LP’s for a penny as their introductory hook was too good to pass up. When the records arrived I opened up the albums with great anticipation.
I was always eclectic in my tastes for music. There was Waylon Jennings, Aerosmith, Jackson 5, and Queen among the selections. The record with the biggest impact was Queen Live Killers, a gatefold 2 LP package with a collage of full color images from their European and North American Tour in support of their Jazz record.
There on full display was Freddie Mercury in tight black PVC pants and jacket (shiny like leather) with his jacket open to reveal a bare chest. Unknown to me at the time was the cabaret style he was doing. This was a new image for him in 1978/9.
All I know is the first time I saw an image of Freddie Mercury was a poster from their ‘Opera’ Tour. His penchant for stripping onstage thrilled me to no end. Onstage in candy stripe shorts and red suspenders with the band’s logo in the center of the poster. My eyes popped out of my head like a cartoon wolf.
Although years later I heard how much the band disliked the mix of the record I felt strongly it was a great representation of their live sound. I loved how they played a medley of hits too.
I was taken aback by how different the songs sounded in a live setting. Nothing like the studio engineered layers of over dubs or multi-tracked vocals.
Except for a brief spell following the release of their bio-picture, “Bohemian Rhapsody”, I have never lost interest in them. That brief interlude was caused by too many kids finding them based on their parent’s tastes. Hey, that’s life!
For many years it was hard to find any Queen memorabilia in the states. I know this sounds crazy to the listeners of today. There are websites. Obviously there is the Queen Online Store which always has a great selection of Queen everything.
Back in the 1980s in America after their popularity fell away we had record stores and rock t shirt stores. Freddie Mercury’s most dramatic transformation into gay clone in 1980 was not appreciated by a largely straight audience.
Despite the huge success of The Game in ’80, the band ended their decade long relationship with Elektra records. The label released a Greatest Hits album in 1981. At the time it felt like rock fans were putting Queen out to pasture. Their Elektra years were ending.
‘Another One Bites The Dust’ by bassist John Deacon borrowed heavily from Chic. Becoming the best-selling single in Elektra’s history it topped The Doors’ ‘Light My Fire’, which gave the band an idea that funk rock was gaining traction in America.
The fact that Queen were in Munich, Germany enjoying the nightlife a bit too much influenced the next platter a lot. Freddie Mercury without stating it officially was out to anyone with two eyes, especially if you were gay.
What happened next was a mix of bad timing and trends that would exile Queen from the USA until well after Mercury’s death in 1991. In fact when he died I remember a news anchor stating there was bad news for fans of Queens. Queens? That was how out of touch our media were with Mercury’s death.
Rolling Stone magazine was never particularly kind to Queen. Freddie’s Obit was a single page in an issue with Michael Jackson on the cover. He was not an American star. I felt that kept the band’s mystique intact.
‘Hot Space’ was the final record owed to Elektra. The band never conformed to what their label wanted especially when it came to album covers. The label’s demand for a band photo was ignored for years. Greatest Hits has a portrait of the band taken by Lord Snowden. It has become an iconic image. The label got their wish granted by contractual obligation.
Freddie Mercury had a brief friendship with Michael Jackson. Mr. Jackson was a huge Queen fan. He was the impetous for releasing ‘Another One Bites The Dust’ as a single. Queen had a #1 hit with it. The new direction was clear for at least Freddie Mercury and John Deacon.
Freddie and John developed a friendship over the years based upon a mutual love for Motown music. The divide in Queen was clear. Brian loved heavy guitar driven music. Roger was into Punk then New Wave. Swaying him into drum techniques outside of traditional rock was done.
In the early days when they were in college the members of Queen were united in their dreams of rock stardom. As they grew in stature with the the rock audience experimenting with different sounds became a reality. Roger Taylor’s ‘Fun It’ was funky and danceable. This song in particular made me think it was not such a big deal for the band to express more of a funk beat in 1982.
Freddie’s single, ‘Bicycle Race’ actually incorporated rap within the track. Both songs were on Jazz. That title was a huge deal. A band that mixed every musical element in its music now titled a record for a specific genre. However, being the academically minded nerds that they were the name also meant calling the collection by a moniker that had many facets to it. Like the name Queen itself.
Change is inevitable. Every band faces it. Fortunately for Queen they were a big band by the time they grew out of their excessive 1970s persona. They could not be pigeonholed. Freddie Mercury never believed in doing anything by half-measure. He took every idea to its maximum. This attitude created amazing songs and music videos. The latter would compound their loss of popularity in America.
As a gay kid Queen were my idols. I bought every album as they were released starting with the #1 Game record. The video for the song, ‘Play The Game’, revealed a cropped haircut and mustache for the first time. I loved it. American fans hated it.
When ‘Hot Space’ came there was no doubt in the band’s new look and direction. Funk, dance, and disco were now emphasized. Even Brian May’s guitar was absent on some tracks, most notably the single ‘Body Language’ by Freddie Mercury. Pushing sexual boundaries the explicit video got banned by MTV. The sales dropped from the prior ‘Game’ LP and the tour proved to be the last in America with Freddie and John.
Throughout the 1980s I knew it was uncool to love Queen. I could understand why they lost their mojo with America. Homophobia was rampant. Conservatism was in power. New Wave and Heavy Metal dominated. Pop music developed new icons Madonna, Prince, and Duran Duran. Queen were the past, a relic of the 1970s. Despite releasing more records that hit #1 throughout the world, the USA would never allow them back into the Top 10. From Hot Space, ‘Body Language’ was the highest charting single in the US at #11.
Everywhere else in the world Queen kept selling records and tours. This was painful to me because I knew I missed my only chance to see them in concert with Freddie and John.
Back tracking here. In the 1970s I was a kid. Every Sunday I read the Times’ Arts section. There were ads for Broadway shows, movies, and rock concerts. I noticed that Queen played the Garden practically every year.
Then one fateful day following the debut of ‘Hot Space’ the Arts section had a full page ad for QUEEN Live In Concert with Special Guest Billy Squier at Madison Square Garden! Their faces appeared across the page in the Warhol—inspired, Freddie designed graphics of the album.
I begged my parents to let me go see them. Nobody would take me. Back in the early 80’s tickets were like $12! Still in that time parents were not keen on their kids’ love of rock music. I have never gotten over the disappointment of missing this tour.
The opener was Billy Squier! I still love his music. Back in 1982 I was mental for both Squier and Queen. In the 1970s, Thin Lizzy, Styx, and Journey opened for Queen.
It proved to be their last here until Paul Rodgers joined them decades later in the naughts.
America ignored A Kind Of Magic and The Miracle. Both albums were enormous sellers around the globe even hitting # 1 in several countries like the UK, Japan, France, New Zealand, Australia, and Netherlands. The Magic Tour of 1986 became a record called Live Magic. The Tour and record followed Live Aid in 1985.
‘Magic’ was also partly the soundtrack for the fantasy film “Highlander”. Like “Flash Gordon” before it loved by Queen fans, loathed by others. The American sitcom “The Goldbergs” actually did an episode that featured Highlander and one of its stars, Clancy Brown who was now a regular on the series.
I never lost my love for music, especially Queen. They were misfits. Remaining so throughout the 1980s and 1990s. The critics never really appreciated them. Only after the death of Freddie Mercury from bronchial pneumonia brought on by HIV/AIDS in November 1991 had the press expressed any love for him. Freddie was a Jimi Hendrix fan. He understood how much an artist’s value increases upon death. He lived life his way. A true rocker.
Being a gay kid in the 70s was amazing and scary. There were so many great looking boys. And the hippie 60’s had a lot of left over guys who sported long-hair. And going shirtless was part of street style. And rock stars were no exception.
Mick Jagger of Rolling Stones, Roger Daltrey of The Who, Robert Plant of Led Zeppelin, and every other frontman have appeared shirtless on stage. Then along came South African born Freddie Mercury! He took the image to a completely different level. He performed a striptease!
Loving Queen was difficult. I had my first rock music tee featuring the band from 1977. Wearing it to camp one day I got called a faggot. The group had become stigmatized by straight kids who hated Mercury’s effeminate posturing. The rock press had a field day with his sexual escapades. The worst magazine coverage for any artist I have ever seen was Creem, a rock rag from the 1970s and ’80s.
They did a story on Queen that was not a story. It was just the magazine hating Freddie and Queen. Anti—gay comments filled their coverage. Truly shocking to me.
Queen made their only appearance on American TV live on SNL’s Season Premiere with Host Chevy Chase. He hosted remotely from LA as a joke. Today this would be protocol. Danny DeVito introduced Queen. Performing 2 songs: “Crazy Little Thing Called Love” a #1 hit in America and “Under Pressure”. Freddie’s voice was in the low register only. Years later I read he was recovering from a cold when the band appeared on the show. This was not a good time for them.
Back to their transformation from 1970s glam to 1980s pop. Following the commercial failure of Hot Space which still went Gold in America, the band signed to Capitol Records in North America. They even recorded for the first time in Los Angeles. ‘The Works’ album featured all the trademarks of their sound with Brian’s guitar blaring and Roger’s drums more upfront. Then another music video did them more cultural harm.
John Deacon’s ‘I Want To Break Free’ was made into a video that parodied the British soap opera Coronation Street. It featured the band in drag! Not Freddie’s idea. In the USA once again MTV banned them. Momentum killed.
Although the album was a return to form with hard rockers like Brian May’s ‘Hammer To Fall’ the top ten eluded them in America. Roger’s anthem ‘Radio GaGa’ peaked outside the top ten stalling at #16.
I still believe Queen were ignored. Punished for Freddie’s unapologetic gay image. Other British bands from the 1970s did not suffer this fate—Genesis released pop music—Pink Floyd went pop—and The Who also went pop. Rolling Stones released a cover of the song ‘Harlem Shuffle’ which was totally their worst.
Why was Queen singled out? Strong expressions of gay sexuality were taboo in the states. Despite being multi–faceted Queen had only the one face in America. Flamboyant is code for gay. Liberace had the straight audience believing what they wanted to believe. Freddie did not suffer fools.
I went to Giants Stadium to see Pink Floyd, Genesis , The Who, and Rolling Stones on separate tours during the ’80’s. Their music was not very good at the time. It was crazy to me that Queen did not tour here. My theory was that Freddie’s HIV status prevented them from playing here. Sad but true.
In my teenage years I knew many people who were either indifferent to my love of their music or could not get into it. And a lot of the time gay people fit their stereotype with a love for disposable pop or dance tracks. I can tell you the Hot Space CD was on a jukebox in a gay bar.
The Queen album most likely to be on any jukebox was Greatest Hits. Unfortunate since I always thought they had great songs that were never going to be hits. No doubt about the high number of singles/hits in their catalog. Later in this blog post I have listed my all–time favourite Queen songs.
Guns N Roses, Motley Crue, and Twisted Sisted were all influenced by Queen. The lead vocalists of those groups wore even more make-up than Freddie! Yet since they were hard rock/metal Americans accepted them. The make-up bands of the period were largely from America. Paradoxically this is also when the biggest make-up band ever, KISS, took their make-up off!
Unknown at the time that Dee Snider (Twisted Sister) and Nikki Sixx (Motley Crue) were in the crowd that saw Queen open for Mott the Hoople at New York’s Uris theater on Broadway, it makes perfect sense.
Until the Freddie Mercury tribute concert at Wembley stadium few Americans understood just how much Queen had influenced the heavy bands of the 80’s. The line-up featured England’s Def Leppard, America’s Guns N Roses and Extreme alongside Elton John, George Michael, and David Bowie. Eclectic to the end Queen also invited Freddie’s main influence, Liza Minnelli to the proceedings. He got so much ridicule from the press for loving Liza as well as Hendrix.
I believe today that Queen got into my marrow, my DNA because their image and music were original. Upsetting the status quo was part of their appeal. Decades after his death the film of his life was a blockbuster. He kept the mystique. Proving that no other rock performer could rival him, Queen became paragons of rock music. Today their legacy has grown in leaps and bounds.
Taking them into my heart has kept me alive too. Queen have a few explicit anti—suicide songs. Mercury admitted in his final days that the image he worked so hard to build became somewhat of a monster to his personal life. Becoming less active, meeting a man named Jim Hutton who became his partner until the end was his ultimate goal.
For the first time since reading several biographies about Freddie I understand why ‘Somebody To Love’ was a personal favorite. Love is what we all need to survive. Take a listen to the many tortured love ballads he wrote and performed. His delivery is genuine. That’s also why it touched me so deeply.
I think it’s why I met my beloved husband Brian. I love him more than anything. He has made my life the best possible. Our mutual love of music with great singers has created a bond.
Here for the first time I have compiled my list of personal favourite Queen tracks. B-Sides and rarities are not included here. They are taken from the 15 studio albums released from 1973—1995.
My Favourite Queen songs of all-time
My Fairy King by Freddie Mercury on Queen
Great King Rat by Freddie Mercury on Queen
Liar by Freddie Mercury on Queen
Nevermore by Freddie Mercury on II
The Fairy—Feller’s Master Stroke by Freddie Mercury on II
Ogre Battle by Freddie Mercury on II
The March of the Black Queen by Freddie Mercury on II
Seven Seas Of Rhye by Freddie Mercury on II
Doing Alright by Brian May & Tim Staffell on Queen
Lily of the Valley by Freddie Mercury on II
Now I’m Here by Brian May on Sheer Heart Attack
Brighton Rock by Brian May on Sheer Heart Attack
Killer Queen by Freddie Mercury on Sheer Heart Attack
Bring Back That Leroy Brown by Freddie Mercury on Sheer Heart Attack
Stone Cold Crazy by Mercury, Deacon, Taylor, & May on Sheer Heart Attack
Flick of the Wrist by Freddie Mercury on Sheer Heart Attack
Misfire by John Deacon on Sheer Heart Attack
Bohemian Rhapsody by Freddie Mercury on A Night At The Opera
‘39 by Brian May on A Night At The Opera
The Prophet’s Song by Brian May on A Night At The Opera
You’re My Best Friend by John Deacon on A Night At The Opera
The Millionaire Waltz by Freddie Mercury on A Day At The Races
White Man by Freddie Mercury on A Day At The Races
You and I by John Deacon on A Day At The Races
We Will Rock You by Brian May on News Of The World
We Are The Champions by Freddie Mercury on News Of The World
Sheer Heart Attack by Roger Taylor on News Of The World
Fight From The Inside by Roger Taylor on News Of The World
Spread Your Wings by John Deaconon News Of The World
It’s Late by Brian May on News Of The World
My Melancholy Blues by Freddie Mercury on News Of The World
Jealousy by Freddie Mercury on Jazz
In Only Seven Days byJohn Deacon on Jazz
Dead On Time by Brian May on Jazz
Dreamer’s Ball by Brian May on Jazz
Don’t Stop Me Now by Freddie Mercury on Jazz
Dragon Attack by Brian May on The Game
Play The Game by Freddie Mercury on The Game
Rock It (Prime Jive) by Roger Taylor on The Game
Don’t Try Suicide by Freddie Mercury on The Game
Another One Bites The Dust by John Deacon on The Game
Flash by Brian May on Flash Gordon soundtrack
The Hero by Freddie Mercury on Flash Gordon soundtrack
Football Fight by Freddie Mercury (Instrumental) on Flash Gordon soundtrack
Battle Theme by Brian May (Instrumental) on Flash Gordon soundtrack
Staying Power by Freddie Mercury on Hot Space
Dancer by Brian May on Hot Space
Back Chat by John Deacon on Hot Space
Action This Day by Roger Taylor on Hot Space
Put Out The Fire by Brian May on Hot Space
Under Pressure by Queen & David Bowie on Hot Space
Las Palabras De Amor (The Words Of Love) by Brian May on Hot Space
Machines (or Back To Humans) by Brian May & Roger Taylor on The Works
Radio GaGa by Roger Taylor on The Works
Keep Passing The Open Windows by Freddie Mercury on The Works
I Want To Break Free by John Deacon on The Works
Hammer To Fall by Brian May on The Works
Is This The World We Created…? by Brian May & Freddie Mercury on The Works
Man On The Prowl by Freddie Mercury on The Works
One Vision by Queen on A Kind Of Magic
A Kind Of Magic by Roger Taylor on A Kind Of Magic
One Year Of Love by John Deacon on A Kind Of Magic
Pain Is So Close To Pleasure by John Deacon & Freddie Mercury on A Kind Of Magic
Friends Wil Be Friends by Freddie Mercury & John Deacon on A Kind Of Magic
Don’t Lose Your Head by Roger Taylor on A Kind Of Magic
Princes Of The Universe by Freddie Mercury on A Kind Of Magic
Breakthru by Queen on The Miracle
The Invisible Man by Queen on The Miracle
Rain Must Fall by Queen on The Miracle
Scandal by Queen on The Miracle
Was It All Worth It by Queen on The Miracle
Innuendo by Queen on Innuendo
I’m Going Slightly Mad by Queen on Innuendo
I Can’t Live With You by Queen on Innuendo
Ride The Wild Wind by Queen on Innuendo
The Show Must Go On by Queen on Innuendo
In 1995 Queen released Made In Heaven which re-worked some of Freddie’s songs from his solo debut Mr. Bad Guy. The record featured Mercury’s final songs. “A Winter’s Tale” was his last composition. The lyrics described Montreaux, Switzerland in his final days. The list of my all-time Queen songs continues below with the band’s posthumous release.
Mother Love by Freddie Mercury & Brian May on Made In Heaven —This was the last track he recorded.
A Winter’s Tale by Freddie Mercury on Made In Heaven
Queen Retired—Legacy Grew
My least favorite Queen album, Made in Heaven, was followed by years of inactivity. Then in America TV commercials began licensing their hits. LA Gear used We Will Rock You; Diet Coke used I Want To Break Free; Mountain Dew used Bohemian Rhapsody even copying the now iconic promo clip. These are just a few examples.
From 2004—2009 Queen added Paul Rodgers of Bad Company to their line-up. He was one of Freddie’s favorite singers. In the 1960’s he fronted Free. In the 1980’s he fronted The Firm with Led Zep’s Jimmy Page.
The Queen+Paul Rodgers tours would return Queen to North America for the first time in 20 years! I never missed a show in New York. However, this line-up never played The Garden.
American Idol, a talent search reality series would enable a meeting that was pure fate. Adam Lambert, an American youth who was also out auditioned by singing ‘Bohemian Rhapsody’. Queen are his favorite group. Idol invited Brian May and Roger Taylor to perform with the show’s 3 finalists for its season finale. Adam came in second but in my opinion he really won.
Eventually Queen would announce touring with Adam Lambert fronting the group. It was made explicit that he would never replace Freddie Mercury. For the past decade now known as Queen+Adam Lambert touring the globe again.
And this line-up brought Queen back to Madison Square Garden for the first time since Hot Space! The setlist celebrated the band’s live at the Rainbow concert in support of Sheer Heart Attack. They opened with II’s ‘Procession’ and Sheer Heart Attack’s ‘Now I’m Here’.
Adam Lambert has released new solo records while touring with Queen. He sang ‘Believe’ at the Kennedy Center Honors bringing Cher to tears!
His presence on stage is truly a sight to behold. Bringing back the flamboyance of Mercury without mimicking his moves. Adam’s voice is his own unique stamp. He can sing any Queen tune. He has a new album out now called Velvet.
The shows proved so successful that Queen returned to celebrate their News of the World album next time around. Complete with Frank the Robot in full mascot mode. Opening their shows with ‘We Will Rock You’ like they did in 1977. Brian May performed his solo against a backdrop of stars fitting for an astrophysicist.
Their current tour is centered around the global success of the film “Bohemian Rhapsody” which tells Freddie’s story. Albeit with a completely incorrect timeline of events to create a cohesive cinema narrative.
In Freddie’s brilliant words it has been no bed of roses for Queen. For 20 years, 1971—1991, they reigned with the same line—up of 4 creative songwriters with extremely different personalities. Fans felt proud of their achievements.
Then the untimely death of Mercury from AIDS in November 1991. Queen ended. I always thought they could continue if the right elements fell into place.
Elton John performed with them during a final concert as Queen. Mr. John sang ‘The Show Must Go On”. He encouraged Brian and Roger to find a way. He said of their catalog of hits: ‘it must be like having a Rolls-Royce in the garage that you cannot drive anymore.”
Having them back today means so much to me. I want Queen to go on forever…
In my lifetime I have not played another artists music as often as Queen. They have rescued me many times with their life affirming works.
I have many other favourite music groups: Iron Maiden, Black Sabbath, Rolling Stones, Bob Dylan, The Beatles, Judas Priest, Styx, and Elton John.
The Queen sound is unique and original. Their music is not rock nor disco nor black nor white. It’s Queen music.
The Queen catalog has sold over 300 million records worldwide. They are tied with The Allman Brothers Band at #52 on Rolling Stone’s list of Best Artists.
In England Queen Greatest Hits is the top selling record in British music history. Greatest Hits II is #10.
The Queen studio album catalog seen below does not include The Cosmos Rocks. That album featured Paul Rodgers.
Today the world is quite different then the early 1970’s. The band’s legacy has become it’s own cottage industry. The Queen Online website is updated every day. The Online Store has a line of goods that any fan would enjoy.
The Royal Mint in the U.K. has issued Queen coins in sterling; The Royal Mail will issue Queen stamps on July 9th, 2020 featuring 8 album covers including The Game and News Of The World and a set of 4 concert images from their world tours plus a proper band portrait as seen below.
Queen become the third British band to receive this honour following The Beatles and Pink Floyd.
Queen have a star on the Hollywood Walk of Fame. They were inducted into the songwriters hall of fame and most recently were given a Lifetime Achievement Grammy.
“Bohemian Rhapsody” became the highest grossing bio picture of all–time. Rami Malek won the Best Actor Oscar for his portrayal of Freddie Mercury.
The film won a Golden Globe for Best Picture.
On YouTube Queen+Adam Lambert released a new version of their classic “We Are The Champions” called “You Are The Champions” to help raise funds for Covid—19 relief workers via The World Health Organization and U.N.
Drummer and Vocalist Roger Taylor’s daughter appears in the video. She is a nurse!
To appreciate how Queen recaptured the hearts, minds, and ears of American fans in 2019 you have to turn back to what happened to them in the 1980’s.
Music is a teeming mix of personalities bound together for long days and nights; the office changes every day. Management changes hands. Image is altered. Listeners grow up; one record can alienate an established fan base.
Following up a big album has been a challenge for most artists. Fleetwood Mac put out “Tusk” after “Rumours”; AC/DC released “For Those About to Rock…We Salute You!” after “Back In Black.”
Queen might as well have lobbed a hand grenade at its devoted hard rock following after “The Game”. Although there were two more albums until their next official studio effort between 1981 and 1982—“Flash Gordon” was a soundtrack and “Greatest Hits” ended a contract with Elektra.
Both records reminded devoted fans what they loved about them in sound and image. The greatest hits package was a smash.
In the past year Hollywood Records re-issued the hits album minus ‘Under Pressure’ with a new gatefold sleeve. It has been at the top of Billboard’s rock catalog chart for over 600 weeks!
The final album on their American label Elektra was “Hot Space”. A fresh approach that stripped away the excess of 1970’s rock. Also missing was Brian May’s guitar on the synth pop disco side of the proceedings.
Dance oriented on side one; Rock and R & B on side two. Cover art inspired by Warhol and conceived by Freddie Mercury had abstract images of each member’s face set against the pastel colors of a disco dance floor.
Timing is everything in music. Queen upended their American fan base. The album peaked at #22 on Billboard. “Body Language” a sparsely arranged disco track was the highest charting song at #11.
What kept them going was the belief they had more to prove. There were many countries that embraced their new sound too. Somewhere in the world each Queen studio album reached #1 on the charts.
Their biggest fan, Michael Jackson, found this album to be an influence on his new record “Thriller”. Listen to John Deacon’s ‘Back Chat’ and ‘Beat It’. You will hear the similar vibes in the arrangement of the music.
The band stopped touring North America. Freddie Mercury was adamant to play to growing audiences in countries where Queen had not played. American audiences rejected his new image. The gay macho clone in tight leather was too much for fans in denial regarding his sexuality.
While the band bounced back with “The Works” in 1984, their debut on Capitol records in the U.S. , releasing hit singles “Radio GaGa”, “I Want To Break Free”, and “Hammer To Fall”, it failed to bring them back to popularity in America.
Until his final tour in 1986 in support of the worldwide smash “A Kind Of Magic”, part soundtrack to the fantasy movie, “Highlander”, part Queen album, Freddie claimed new fans in countries around the world.
America had new hit makers in the 1980’s; Madonna, Michael Jackson, Phil Collins, and others became MTV favorites. Queen videos would air. With no tours scheduled people tuned out.
Their third Capitol album, “The Miracle”, was a pop rock sensation in Europe with five hit singles in release and no tour.
The band had innovative promo films made for their singles, including Disney animation for “A Kind Of Magic” and “These Are The Days Of Our Lives”.
Then a turning point arrived. “Innuendo”, Freddie Mercury’s final album was released. With its Led Zeppelin influenced title opener the band began to recapture its American base.
The music video for it utilized old footage of the band roto scoped with animation. Freddie Mercury was gravely ill while making this album. Yet he gave vocal performances that were among his best. His death found fans in mourning.
While Brian May and Roger Taylor thought the band was over there was a posthumous Queen album. “Made In Heaven” reworked some of Freddie’s solo songs into Queen tracks. The record became the biggest selling in Italy, Ireland, Spain, the U.K., and Germany. It performed well with their American fans too.
Then the group exited the public view until 2005! I never stopped playing their records. Missing them live was one of my greatest disappointments. Years heal wounds.
Queen+Paul Rodgers toured America. Part Queen; Part Bad Company. The shows brought them back to touring. Although the record they released, “The Cosmos Rocks”, did not meet commercial success, it remains one of my favorites. Even without Freddie, Queen remained innovative.
Freddie Mercury made his final wish to “Never Be Boring”. All the costumes he wore on stage; the ‘flamboyant’ image he created was unforgettable.
In the next phase came American Idol runner-up, Adam Lambert, a gay American vocalist, who came to discover Queen via the hit comedy “Wayne’s World”.
Who could have foreseen such a reversal in fortune for a long dormant now classic rock group like Queen?
In the years between Freddie’s death and the new eras of touring, Queen would licence their music. Their hits showing up in TV commercials and movies kept them present in the public conciousness.
When they toured with Adam there was a new generation of fans. They loved the band. I was open to it because as a lifelong devotee the Paul Rodgers era was great but this allowed me to see them again.
The tours with Adam Lambert gave the band their best critical notices. Queen were returning to the front of rock’s vanguard.
Then a long gestating biopic of Freddie Mercury, “Bohemian Rhapsody”, came together in 2018. Rami Malek would star and eventually take home an Oscar for Best Actor. Now Queen were restored to their former glory.
Despite a compromised timeline of actual events in the band’s storied career, the film became the biggest biopic of all-time. The soundtrack album release has remained on the chart now a year after the release of the film.
In 2019, Queen’s Rhapsody Tour continued to sell-out arenas across the world. There were 2 nights at Madison Square Garden too!
Queen+Adam Lambert headlined the Global Citizen Festival in New York City; Freddie Mercury’s solo work is reissued on digital, CD, and vinyl; a Box Set is also being released.
The band’s “Greatest Hits” became the best-selling record in U.K. music history; the “Bohemian Rhapsody” film soundtrack outsold every record during the first half of 2019.
Their Rhapsody Tour will play 5 nights at the o2 arena in England. British classic rock magazine, Planet Rock, has named them Band of the Year.
Their Rhapsody Tour has more dates in 2020….The Show Must Go On!
At the dawn of a new decade artists must change direction or be consigned to history. This is an opinion; I have lived its truth. Major record labels look to clear out their rosters. Each new period is a discovery of sounds.
Listening to the music of Queen since the middle of the 1970s I fell in love with their sound right away. “Bohemian Rhapsody” released in 1975 on Elektra records, blended proto heavy metal with opera, and pop, giving them a unique imprint on popular music. This song changed my life. It defined Queen. Today this track is the title of a biopic that has brought them back to the spotlight.
Using studio techniques they multi-tracked guitars and their vocal tracks to create booming choruses that sounded like a thousand tabernacles. Guitar tracks sounded like orchestras. At the time many listeners had no idea Brian May’s guitar could make these sounds.
In fact the liner notes of each record stated: Nobody played synthesiser!
Fans like myself thought it was a boast. After all Rock n Roll did not need synthesisers. That was a tool used by lesser bands. In fact this early note proved how closely their fans not only listened to the music, but actually read the liner notes on the inner sleeve of the albums as well.
This is the first Queen album to use an Oberheim OBX synthesiser. This simple statement was made on the inside sleeve. I think this happened since the Red Special for the first time was not used on every song. Brian played a telecaster to get the rockabilly sound. The synth was the best of its kind at the time. Mack was determined to allow the members of Queen a new recording process.
Experimentation was their method. Freddie Mercury’s voice blended with drummer, Roger Taylor, and guitarist Brian May came out on tape sounding big. Listeners came to expect epic length, operatic bombast, and heavy rock. Roger and Brian are also good singers. They sang on every album up through 1980.
Yet following their 1970s run of hit records: “A Night At The Opera”, “A Day At The Races”, “News Of The World” and “Jazz”, creating sounds made possible by Brian May’s Red Special (a homemade guitar) and Freddie Mercury’s eight octave range, what could they do next?
The answer came in late 1979 when the single, “Crazy Little Thing Called Love” was released. Growing up on American music this Elvis inspired song ends up as the band’s first #1 hit in the U.S.
Then listening to the advice of Michael Jackson they release “Another One Bites The Dust” as the second single from their upcoming summer 1980 release “The Game”. Their American label, Elektra, got the biggest single in the label’s history. Up until that time it had been The Door’s “Light My Fire”. Times had indeed changed!
Both #1 songs remain in their live set to this day. The excessive tendencies of their youth started to give way to a more stripped down, streamlined sound. Maturity was also evident in their changed image. Freddie Mercury, John Deacon, and Roger Taylor had short hair. The inner sleeve revealed the first image of Freddie sporting a mustache!
Not since 1974’s “Sheer Heart Attack” which brought them success in both the UK and US with singles like “Killer Queen”, “Now I’m Here”, and “Stone Cold Crazy” did the band sound so different in the hearts and minds of listeners. This would prove to be their topper. In America, The Game album is 4x Platinum; 4 million copies sold. Still their greatest commercial success here.
I feel strongly that Queen are much more than their hits. The Game features some overlooked tracks. Here now is a closer look at a few of them.
“Don’t Try Suicide” by Freddie Mercury.
A mix of 1950’s doo-wop and rock n roll with a haunting bass line. Stark lyrics about suicide that have Freddie’s vocals going deep. A deceptively simple arrangement that illustrates how Queen were willing to throw out their playbook with their new co-producer Rheinhold Mack (a.k.a. MACK) who had worked extensively with E.L.O., ended up working with them several more times. The word, ‘Don’t’, is repeated throughout the track. The 1980s would prove to be a terrible time for teen suicide too. This track is essential Queen in my opinion.
“Dragon Attack” by Brian May.
The bass player John Deacon is the band’s quiet man yet his bass lines are essential to Queen’s staying power (all Queen fans may groan at this pun). While recording this record at Musicland in Germany, a studio founded by Georgio Moroder, the band frequented a disco called The Shack. It is where they played some of the tracks for the first time to see how they sounded on the club’s state of the art system. I attribute this track and “Another One Bites The Dust” to Queen’s new found sound. This song features a jam which fuses funk and rock.
“Rock It” (Prime Jive)by Roger Taylor.
The song that opens side 2 features Freddie on the intro. Then Roger comes in with his vocals. This track recalls the innocence of early rock n roll music when you got ready for your big Saturday night listening to your tunes. The title is a clever play on the word Rocket appearing in the lyrics as Rock It. The subtitle Prime Jive references the pop music of the day. A spirited rocker with keen new wave grooves that allows listeners to experience past, present, and perhaps future sounds all in about 3 minutes!
Queen records were always exciting for me. You never could predict what it would sound like despite the fact it was the same 4 guys making it. The synthesiser did not swallow up any tracks. The Oberheim OBX was used at the beginning of the record to intro the title track, “Play The Game”. It’s use on the song was mixed with drums and guitars to create a unique mix of 50’s style rockabilly with future sounding new wave elements.
The synth enabled the sound effects on “Another One Bites The Dust” and “Rock It”.
The Game changed the band. More funk; More Synth Pop would follow throughout the 80’s. And there would always be hard rockers, anthems, and ballads for good measure. Always a nod to the past while creating the future.