Jimmy Eat World “Surviving”/ Review

I may have come late to this band since they have been around since 1993 with their share of career ups and downs, but it’s a sheer pleasure to hear something this fresh.

Their 10th studio album is called “Surviving”. A emo/punk/alt wink at all the folks who may have doubted their ability to stick it out.

A consistent sound that falls somewhere between R.E.M. and Green Day; remaining authentic alt rocker outsiders.

Jimmy Eat World:

  • Jim Adkins – lead guitar, lead and backing vocals (1993–present)
  • Zach Lind – drums, percussion, programming (1993–present)
  • Tom Linton – rhythm guitar, backing and lead vocals (1993–present)
  • Rick Burch – bass, backing vocals (1995–present)

This record has a fresh quality that would surprise any listener aware that it’s a tenth album.

Each song bristles with energy. You don’t have to be a fan of this kind of music to enjoy the sounds on this album.

Track List:

1.“Surviving”3:04
2.“Criminal Energy”3:11
3.“Delivery”3:13
4.“555”3:41
5.“One Mil”3:07
6.“All the Way (Stay)”4:05
7.“Diamond”3:13
8.“Love Never”2:54
9.“Recommit”3:50
10.“Congratulations”6:11
36:29

The self-assured title opener crackles with endless riffs. “Criminal Energy” drives with melody that are a mix of pop and punk.

“Delivery” is a pretty percussive piece of balladry. “555” is an ominous synth shift into another mode. This track is modern rock. Real catchy with just a great hook. The vocals shine brightly here.

A basic acoustic arrangement is looped into “One Mil”, a love song with pop punk sensibility, that asks how chances at love are missed. A propulsive beat keeps threading itself throughout.

“All The Way (Stay)” opens with strumming and drumming that is captivating. A pleading message to a mate.

The vocals are varied enough to keep you listening with engagement. There is an unexpected sax solo with back-up vocals too.

Like all the tracks contained here there are quick witted breaks in the riffs.

“Diamond” opens in similar fashion with power riffs. A song about aspirations. The quality of the singing is especially ripe on this track. Slow and sure is the best path in life.

“Love Never” is just a great power pop song. The lead guitars are super here.

“Recommit” has the slowest build up. It’s worth the patience. About the different levels of love/commitment.

The set ends with the epic, “Congratulations”, a completely propulsive song with lead and backing vocals that have a mix of angelic yet foreboding mystery around them.

The band pulls out all the stops with synth, percussive beats that accent the chords well. Symphonic quality with a pop/punk delivery.

This album would make a nice addition to any audio library.

Twenty One Pilots Reinvent Rock

Arthur Miller’s “All My Sons” is a critically acclaimed play that keeps getting revived on Broadway. I saw the most recent production Starring Annette Bening and Tracey Letts.

It tells the story of an American defense contractor who knowingly sold defective plane parts that led to the deaths of 21 pilots during the war.

Vocalist Tyler Joseph took the name for his band from this play. He is the principal songwriter for the duo. His childhood friend Josh Dun is the drummer.

I loved the play. Arthur Miller became one of my favorite playwrights. Consequently, Twenty One Pilots are now one of my favorite artists in music.

The duo from Akron, Ohio did not try to sell themselves. Playing low key gigs in their home state until one fateful show with 1,200 local fans and 12 record label reps in the crowd took them by surprise.

They have recorded 4 studio albums. The third album”Blurryface” was their breakthrough to the commercial mainstream. The song “Stressed Out” went triple platinum.

I found them on SNL. Then I went to hear all of their music online. I could not stop listening. Their sound was unique. How could a rock duo seemingly reinvent the genre?

Tyler Joseph discovered for himself how to express personal struggles with depression, doubt, and survival using his voice. He plays keyboards/synth. The music has no guitar. This became revelatory to their success.

I felt strongly that no other artist reflected these times better. Exploring themes of faith, mental illness, death, insecurity and suicide on their eponymous debut, “Vessels”, and “Blurryface”, the duo took a year off to write a story focusing on the painful end of an order based on faith.

Their recent offering, “Trench”, was a concept record well received by fans and critics alike. Set in the fictional city of Dema, in a world known as Trench. Clancy, the main protagonist, takes a personal journey into this decaying culture to discover Nine Bishops control this crumbling society.

Trench Album & Josh Dun with Tyler Joseph seen above.

Dema means Towers of Silence. In Zoroastrianism the dead are placed inside of towers made of stone. Black Vultures feed on them. Ecology falters leading to the disappearance of these sentries to the eternal.

The songs tell the story well. Tyler Joseph and Paul Meaney of indie band Mutemath wrote all 14 tracks and produced the album.

‘Jumpsuit’ opens the record. A protective article of clothing needed to survive in Trench. ‘Levitate’ & ‘Morph’ describe the actions required to move around dangerous sections of the city.

The vocals vary from soft to outcries; falsetto to baritone; sometimes in the span of a single song.

‘My Blood’, ‘Chlorine’, ‘Smithereens’, and ‘Neon Gravestones’ cover more ground. The joining together to fend off enemies, cleansing away dark thoughts, and sacrificing for your community are expressed in these tracks. The music insists on our resisting old thoughts to operate in a discovery of improved life.

‘The Hype’, ‘Nico and the Niners’, ‘Cut My Lip’, ‘Bandito’ and ‘Pet Cheetah’ follow in quick order. The action moves fast; the thoughts need time to be absorbed.

This album takes more than a few spins but rewards its listener with catchy beats and introspective lyrics. The pop elements repeat a lot. I found it more soothing than irritant.

‘Legend’ and ‘Leave The City’ are about survival. Coping with new circumstances becomes the salve.

If you have not listened to this music yet start with Blurryface or Vessels. While Trench is satisfying to the duo’s now established following, it may not grab a novice.